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ๆฏ่่ ใซใผใซ
AI art by ๆฏ่่ ใซใผใซ on PixAI. Made with Tsubaki.3 Flash.
Show Parameters
- Mode
- flash
- Style
- 90s Retro-Cell
- Size
- 1632 x 1232
Style: 90s Retro-Cell
Model & LoRA used
Similar Images
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3girls, 1boy, male focus, heart-shaped eyes, heart in eye, heart-shaped frame, glowing heart frame, floating hearts, hearts everywhere, kiss, cheek kiss, kissing both cheeks, two brides, bride on each side, wedding dress, bridal veil, cleavage, large breasts, exposed cleavage, heart-shaped pupils, arms at sides, surprised, blush, open mouth, closed eyes on the brides, head tilt, from below, cowboy shot, centered composition, symmetrical framing, dutch angle, warm pink palette, cel shading, flat colors, clean outlines, high contrast, anime screencap style
A low, upward-tilted camera looks up at three figures arranged in a tight symmetrical group and set slightly off-axis by a dutch tilt: a central man in a dark high-collared formal jacket, and a bride standing close on each side of him. Each bride leans in with her lips pressed to one of his cheeks -- the left bride's mouth flattened against his right cheek, the right bride's mouth flattened against his left cheek, their veils sliding forward over their shoulders and brushing his jaw as they lean. Both brides have their eyes closed, lashes down, brows softly raised, all their weight tipped toward him across one bent knee each. The man's face is tilted up by the press of both kisses, mouth open in a small startled gasp, cheeks flushed, and both of his eyes are rendered as bright pink heart shapes with a glossy highlight in each lobe, gazing at nothing, stunned.
In the middle of the group the man's jacket is open at the front, and the deep V of a woman's decollรฉtage -- his own bare chest framed by the open collar? No: the cleavage belongs to the bride at frame-left, whose strapless bodice is compressed between her leaning arm and the man's shoulder, the soft pressed hollow of her chest catching the light and a shadow falling under the collarbone line.
Around the trio, a heart-shaped frame of warm pink light floats in the air, its outline a thin glowing ribbon that arcs above their heads and closes beneath their waists, enclosing them; beyond the ribbon the background is a soft dark blur of bokeh, so the glowing outline reads brightest of all. Small solid hearts, opaque and pink and red, drift in the air around the frame -- a few larger ones near the upper corners, tiny ones scattered and rotated at random angles -- and their brightest faces are turned toward the ribbon, whose light grazes their near edges and leaves their far edges in shadow.
Light comes from the heart-shaped ribbon itself: a soft pink key that catches the right side of the left bride's veil, the ridge of the man's nose, both of the brides' cheekbones, and the rim of the man's collar, while the undersides of chins and the hollow at his open collar stay in shadow. The palette is tight -- blush pink, deep rose red, warm skin tones and the man's near-black jacket, nothing else admitted. Cute, effervescent, giddy.
ๆฏ่่
ใซใผใซ
3girls, 1boy, male focus, in the center, bride on each side, kissing cheek, simultaneous kiss, two girls kissing his cheeks, heart-shaped eyes, heart eyes, cleavage, large breasts, heart-shaped frame, heart-shaped light frame, glowing heart border, floating hearts, heart motes, valentine, romantic, symmetrical composition, frontal, from front, cowboy shot, close-up on faces, looking at viewer, blush, closed eyes on the brides, wedding dress, white bridal gown, veil, bouquet, arms linked, hugging arm, head tilt, open mouth, smile, warm light, glowing, lens flare, bright background, pastel palette
A symmetrical frontal cowboy shot frames three figures against a luminous backdrop: a man square in the middle of the frame, and on either side of him a bride, one to his left and one to his right, their bodies turned inward toward him so the three read as a single triangle of heads. The bride on his left presses her lips to his left cheek, the bride on his right presses her lips to his right cheek, both kissing him at the same instant; each bride's far hand is laid flat against his opposite shoulder, their near shoulders overlapping his arms, their veils falling forward over his sleeves, and both brides have their eyes closed in the kiss with a soft blush across their cheeks. The man's face fills the center of the shot: his eyes are two glossy pink heart shapes, pupils replaced entirely by the hearts, and a hot blush blooms across his nose and cheeks under the two mouths pressed to him; his mouth is open in a delighted gasp, brows lifted, chin slightly raised as he leans into the double kiss. The brides wear white bridal gowns with sweetheart necklines, and the woman on his right is angled so her deep cleavage shows clearly between the gathered white fabric, a strand of her hair falling across her collarbone. Around the trio a heart-shaped frame of glowing light encloses them, its two lobes arcing above the man's head and its point closing below their waists, drawn in warm radiant pink-white with soft bloom at the edges; inside and outside that frame, small hearts drift and float in the air at different depths, some sharp in the foreground, some soft and translucent behind the shoulders. Light comes from the heart frame itself: the glow rims the three figures from behind and above, catching the veil hems, the curve of cheeks and the edges of hair, while the fronts of their faces stay lit by a warm, even key, and the falling hearts cast faint colored speckles onto the white dresses. The palette is disciplined to white, warm skin tones and pink โ white in the gowns and veils, pink in the light frame and every floating heart, warm rose in the blush. Background is a bright, soft, out-of-focus glow with no readable scenery. Flat cel-shaded anime rendering with bold clean outlines, high-contrast flat color fills, simple two-tone shadows and classic TV-anime frame crispness. Joyful, giddy.
ๆฏ่่
ใซใผใซ
3girls, 1boy, male focus, group, man in center, heart-shaped pupils, heart eyes, two brides, bride, wedding dress, white dress, veil, kissing, cheek kiss, kissed on both cheeks, double cheek kiss, yuri, arms around neck, leaning in, closed eyes, blush, smile, open mouth, cleavage, large breasts, heart-shaped frame, glowing frame, heart background, floating hearts, romantic, love, from below, close-up, cowboy shot, looking at viewer, hetero, pink theme, warm lighting, cel shading, flat colors, clean outlines, high contrast, TV anime style
A low, upward-tilted cowboy-shot view frames three figures inside a tall heart-shaped ring of glowing pink light that arcs over their heads and closes below their waists, its outline blooming softly like neon in a dark romantic space. At the center stands a young man, chest square to the camera, head tipped slightly back and up, his shoulders relaxed and his hands hanging loose at his sides โ his eyes are literally two glossy pink heart shapes with small highlights, no irises, no pupils, wide open in bliss. Flanking him, symmetric left and right, two brides in white wedding dresses with sheer veils and bare shoulders lean inward at matching angles; each has her head tilted so her lips press flat against one of his cheeks, one on the left, one on the right, both with eyes shut and a soft pleased curve to their mouths, small pink blushes high on their cheeks. Each bride's inner hand lifts to rest lightly on the opposite side of his jaw, fingertips just dimpling his cheek, while her outer arm hangs free with the lace cuff of her sleeve slipping down her wrist; the veils and the loose strands of their hair are drawn backward and up by the tilt of the composition, floating slightly. Between the brides' leaning shoulders the man's shirt is open wide at the collar, and the deep shadowed line of his exposed chest runs down the center of the frame as the lowest bright note of skin. Around and behind the trio the darkness is scattered with small floating hearts of many sizes, some crisp and some blurred with depth, drifting upward, and the only light is the heart-shaped frame itself: a hot pink rim-light edging every cheek, nose, shoulder and veil on the side facing the glow, with soft magenta darkness filling the gaps between them and no shadows cast beyond their own bodies. Everything is drawn in flat, high-contrast cel colors with clean black outlines and simple two-tone shadows, the pinks saturated and the whites of the dresses cool beside the warm skin. Sweet, giddy, and unapologetically romantic.
ๆฏ่่
ใซใผใซ
3girls, 1boy, male focus, group, man in center, heart-shaped pupils, heart eyes, two brides, bride, wedding dress, white dress, veil, kissing, cheek kiss, kissed on both cheeks, double cheek kiss, yuri, arms around neck, leaning in, closed eyes, blush, smile, open mouth, cleavage, large breasts, heart-shaped frame, glowing frame, heart background, floating hearts, romantic, love, from below, close-up, cowboy shot, looking at viewer, hetero, pink theme, warm lighting, cel shading, flat colors, clean outlines, high contrast, TV anime style
A low, upward-tilted cowboy-shot view frames three figures inside a tall heart-shaped ring of glowing pink light that arcs over their heads and closes below their waists, its outline blooming softly like neon in a dark romantic space. At the center stands a young man, chest square to the camera, head tipped slightly back and up, his shoulders relaxed and his hands hanging loose at his sides โ his eyes are literally two glossy pink heart shapes with small highlights, no irises, no pupils, wide open in bliss. Flanking him, symmetric left and right, two brides in white wedding dresses with sheer veils and bare shoulders lean inward at matching angles; each has her head tilted so her lips press flat against one of his cheeks, one on the left, one on the right, both with eyes shut and a soft pleased curve to their mouths, small pink blushes high on their cheeks. Each bride's inner hand lifts to rest lightly on the opposite side of his jaw, fingertips just dimpling his cheek, while her outer arm hangs free with the lace cuff of her sleeve slipping down her wrist; the veils and the loose strands of their hair are drawn backward and up by the tilt of the composition, floating slightly. Between the brides' leaning shoulders the man's shirt is open wide at the collar, and the deep shadowed line of his exposed chest runs down the center of the frame as the lowest bright note of skin. Around and behind the trio the darkness is scattered with small floating hearts of many sizes, some crisp and some blurred with depth, drifting upward, and the only light is the heart-shaped frame itself: a hot pink rim-light edging every cheek, nose, shoulder and veil on the side facing the glow, with soft magenta darkness filling the gaps between them and no shadows cast beyond their own bodies. Everything is drawn in flat, high-contrast cel colors with clean black outlines and simple two-tone shadows, the pinks saturated and the whites of the dresses cool beside the warm skin. Sweet, giddy, and unapologetically romantic.
ๆฏ่่
ใซใผใซ
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