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安全日だからいいよ

安全日だからいいよ AI art by ジムスナイパー on PixAI. Tags: Cure Prism, lying down, Lying on back, Towel, On bed. Made with Tsubaki.3.

#lying down #Lying on back #Towel #On bed #Mashiro Nijigaoka #Cure Prism

Published on Nov 14, 2026

ジ

ジムスナイパー

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character: cure_prism 1girl, solo, cure_prism, pink hair, long hair, braid, hair ribbon, white ribbon, bow, pink bow, white bow, green eyes, bath towel, towel wrapped around body, bare shoulders, bare legs, lying on back, supine, on bed, on pillow, arms up, hands behind head, one knee raised, looking at viewer, light smile, half-closed eyes, blush, from above, foreshortening, close-up, head tilt, earrings, no clothes, bare feet, viewed from above and slightly behind the crown of her head, so the camera looks down the length of her body: one girl lies on her back on a low bed, her head sunk into a white pillow in the near foreground and her bare feet small and far away at the bottom of the frame. She is wrapped only in a thick white bath towel, its damp terry cloth folded over itself across her chest and tucked at the swell of her hip; the towel covers her torso and hips, and her shoulders, collarbones, arms and legs are bare, her skin prickling faintly where the wet fabric has chilled it. Her long pink hair, still damp and darkened at the tips, fans out and tangles across the pillow in one loose braid, the white ribbon at its end flattened sideways under the weight of her head; a small pink bow and a pair of tiny earrings catch the light at one ear as her head tilts on the pillow. Both arms are folded up beside her head, elbows bent, hands tucked loosely behind her skull, so her shoulders lift and the towel strains a little under her arms. One leg lies flat along the mattress; the other is drawn up, knee bent and leaning outward, its foot planted on the sheet, the sole of that foot turned toward the far edge of the frame. Her chin tips up toward the lens; her green eyes look straight up into it, lashes heavy and half lowered, the corners of her mouth pulled into a small closed-lipped smile, a faint flush high on both cheeks, breath held in the pause. The bed is a plain mattress dressed in a pale linen sheet, creased and dimpled in a broad hollow where her hips and shoulders press down, and drawn taut where the raised knee pulls it; two shallow troughs run from her heels toward the edge of the mattress. Behind and above her, in the blurred upper part of the frame, a wall of warm grey and the corner of a wooden headboard, nothing else in focus. A single window, out of frame at the upper left, throws soft cool late-afternoon light across the scene; it strikes the raised side of her face, the tops of her shoulders, the downy edge of the towel and the shin of the bent leg, and lays a long, low shadow of her own forearm and the lifted knee across the sheet toward the bottom right. Only the surfaces facing that window lighten; the hollow of the pillow under her hair, the far side of the towel and the space beneath the raised knee stay in a soft cool shadow. The palette is narrow: the warm off-white of linen and towel, the cool white of the window light, and the pale rose of her hair and the flush on her cheeks. Textures are close and tactile — looped terry, the tooth of the sheet, damp hair, skin. Quiet, lazy warmth.

安全日だからいいよ

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