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AI art "鏡の前の魅惑的な彼女" featuring #Black hair, #Smile, #Aqua eyes, #Reflection, #Red Dress, #Girl, #Indoors and #Mirror
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鏡の前の魅惑的な彼女

鏡の前の魅惑的な彼女 AI art by chinatyu on PixAI. Tags: Aqua eyes, Reflection, Red Dress, Indoors, Mirror. Made with Tsubaki.3 Flash.

鏡の前で鮮やかな赤いドレスに袖を通す彼女の姿があまりに美しくて、思わず見惚れてしまいました。少し照れながらもどこか楽しげな表情が、とても愛らしくて魅力的です。気に入っていただけたら、いいねやフォローをよろしくお願いします！感想もコメントでぜひ聞かせてくださいね。

#Black hair#Smile#Aqua eyes#Reflection#Red Dress#Girl#Indoors#Mirror
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chinatyu

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character: hiodoshi_ao, copyright: hololive Theme: A photo of a new piece from an apparel brand being worn in a daily life setting. In a shopping mall fitting room in the evening, she is trying on a tight mini skirt and the hem is caught on her hips, preventing her from pulling it down. Subject: Hiiragi Ao from Hololive. Slender waist, long legs. Person and expression: Neat and beautiful. Slightly round face with slightly baby-like plump cheeks. Monolids, small nose, clear eyes. White skin with warmth, realistic but with a sense of cleanliness. Black hair reaching the shoulders, tucked behind one ear. Light makeup, bean paste colored lip gloss. Smiling shyly toward the mirror, looking up slightly while tilting her head down, cheeks slightly flushed, corners of the mouth relaxed. Clothing and pose: A wine-red, low-cut, tight-fitting short knit dress. Three-dimensional tailoring, the chest line appears naturally from the neckline, fitting tightly at the waist. The hem is caught on the hips and has not been pulled down yet. No outerwear is worn; it is hanging on a hook behind her. Standing in front of the mirror, grabbing both sides of the hem with both hands and pulling downward. Leaning the body slightly forward, exposing the hips, buttocks, and thighs. Two arms and two hands on the entire body. Five fingers on each hand, natural structure. Background and light: Shopping mall fitting room. A few pieces of clothing are hanging on the light beige partition wall. The curtain is half-drawn. Warm white ceiling lighting and lights in front of the mirror are bright and soft, with light hitting the face evenly. Composition and lens: 9:16 vertical composition, 50mm, shot through a mirror. Looking down horizontally from hip height, capturing from the top of the head to the knees, including the chest, waist, buttocks, and legs in the frame. The person occupies 70% of the screen. Focus is on the face.
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テーマ：アパレルブランドの新作を、日常の中で実際に着た様子を撮影。夕方のショッピングモールの試着室で、彼女はタイトなミニスカートを試着し、裾が腰に引っかかって下ろせずにいる 被写体：ホロライブの火威青。細いウエスト、長い脚 人物と表情：清楚で美しい。やや丸い顔に、少し赤ちゃんのようなふっくらした頬。奥二重、小さな鼻、澄んだ目。白く温かみのある肌で、リアルだが清潔感がある。肩にかかる黒髪を片側の耳の後ろに留める。薄化粧、豆沙色のリップグロス。鏡に向かって照れ笑いをし、少しうつむきながら目を上げ、頬をわずかに赤らめ、口角は力を抜いている 服装とポーズ：ワインレッドの胸元の開いた、体にフィットするショート丈のニットワンピース。立体的な裁断で、首元から自然に胸のラインが現れ、ウエストにぴったりフィット。裾は腰に引っかかったまま、まだ下ろせていない。上着は着ておらず、後ろのフックに掛けてある。鏡の前に立ち、両手で裾の両側をつかんで下に引いている。体を少し前に傾け、腰、お尻、太ももが露出している。全身に腕は2本、手は2つだけ。各手に指は5本で、構造は自然 背景と光：ショッピングモールの試着室。薄いベージュの間仕切り壁に服が数着掛かっている。カーテンは半分引かれている。暖白色の天井照明と鏡の前のライトが明るく柔らかく、顔に均一に光が当たっている 構図とレンズ：9:16の縦構図、50mm、鏡越しに撮影。腰の高さから水平に見下ろすように、頭頂から膝までを収め、胸、腰、お尻、脚を画面に入れる。人物は画面の7割を占める。焦点は顔
Mode
flash
Size
1104 x 1824
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Avatar image of Bryan Luna
1girl, solo, Shino Sosaki, mature female, tall slender adult woman, dark brown hair in a short bob with a swept fringe, hazel eyes, slight confident half-lidded expression, sexy tight dress, sleeveless bodycon dress, deep neckline, mid-thigh hem, glossy dark wine-red fabric stretched taut over the hips, black high heels, standing, arms folded under her chest, weight on her right leg, head tilted, looking down at viewer, from below, low angle, close-up, cowboy shot, one hand flat on her own hip, sharp side lighting, deep red and warm charcoal palette. The camera is planted low and close, looking up at her: she fills the frame from mid-thigh to above her head, the low angle giving her height and a level gaze down the lens, her chin dipped so her eyes travel down to meet the viewer under her own brow. Her weight sits on her right leg, the left knee softened and slightly forward, so the tight sheath of the dress pulls diagonally across her thighs and one hip rides higher; her left hand rests flat on that hip with the fingers spread and the fabric dimpling at each fingertip, her right arm folded up under her chest with the forearm pressing the material so the dress seams strain along the fold. Her shoulders are square to the low lens but her head tilts to her right, fringe swinging across her brow. The dress is the whole subject: a glossy dark wine-red bodycon sheath that hugs her torso and hips with no slack anywhere, the knit stretched so the light runs down it in one long continuous highlight along her left hip, the hem stopping at mid-thigh with a slight upward creep on the hip that carries her weight; the fabric is pulled taut enough that her posture is legible through it -- the line of her hip, the narrowing of her waist, the crease where she folds her arm. The texture is the tell: where the cloth is stretched, the sheen is sharp and cool; where it relaxes at her waist and under the fold of her arm, the same fabric goes matte and reads a shade darker. A single hard light source stands low and to the right of frame, raking across her: it catches the front plane of the dress as a hot, narrow vertical highlight, picks out the silver of her eye whites and the edge of her jaw, and leaves the left side of her face, her left arm and the back half of the dress in a deep, warm shadow with no fill. Beyond her, the background is a seamless unlit sweep of near-black warm charcoal, no props, nothing to read -- just enough falling-off of the red light to suggest a wall far behind her. The only cool note in the frame is that stretched sheen on the fabric against her warm skin. Her eyes stay on the viewer, lid heavy, one corner of her mouth barely lifted -- poise, not invitation. Effortlessly composed.
Bryan Luna

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