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AI artwork featuring #Fate series, #Fate/Grand Order, #Tamamo-no-Mae and #Koyanskaya

Tamamo-no-Mae, Koyanskaya

AI art by きゅうばんめ on PixAI. Tags: Fate/Grand Order. Made with Tsubaki.3.

#Fate series #Fate/Grand Order #Tamamo-no-Mae #Koyanskaya

Published on Nov 14, 2026

き

きゅうばんめ

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character: koyanskaya_(fate) 1girl, solo, koyanskaya_(fate), long hair, pink hair, hair between eyes, sidelocks, ponytail, yellow eyes, fox ears, animal ear fluff, fluffy tail, glasses, round eyewear, grey turtleneck sweater, thick knit, huge breasts, huge hips, wide hips, bare legs, no pants, barefoot, lying on back, supine, on bed, arms above head, one knee raised, head tilted back into the pillow, blush, flushed face, half-closed eyes, looking at viewer, lips parted, from above, close-up, cowboy shot, bed sheet, pillow, warm lamp light, Shot from above, looking steeply down at the woman lying face-up across a rumpled bed, her body filling the frame diagonally from top-left to bottom-right. She lies on her back with her head tilted back into a soft pillow at the upper left of the frame, chin lifted, glasses pushed slightly up her nose but still seated squarely on her face by a thin round metal frame. Her long pink hair fans out across the pillow and the sheet, sidelocks loose against her cheek, the ponytail gathered high and splayed sideways off the pillow's edge, one strand lying across the lens-side temple. A pair of fox ears rise from the crown of her head, fur fluffed at the base; the fluffy tail curls out from beneath her hip along the sheet at the lower right, its fur pressing a soft dent into the covers. She wears a thick grey turtleneck sweater, the ribbed collar high and folded at her throat, the body of the knit drawn taut across her huge breasts by the pull of her raised arms, so the wool rides up and gathers in horizontal folds at the ribs and bunches above the waist; the hem has ridden high over her huge hips and the wide stretch of bare thigh. Her legs are entirely bare, no trousers, no tights, no socks, her feet bare and one knee raised so the sole is flat on the mattress while the other leg lies long and slack, calf across the sheet. Both arms are flung up beside her head, forearms crossed loosely at the wrists, the back of one hand resting against the pillow and the other hanging free, fingers curled. Her face is flushed deep warm red across both cheeks and the bridge of her nose, the blush blooming at the ears and down the neck where the collar meets her skin; her yellow eyes are half-lidded and fixed straight up into the lens, lips parted in a small caught breath, one eyebrow slightly lifted. Her chest rises visibly against the taut knit and the collar has shifted a half-inch, the wool denting where her shoulder presses the pillow. The bed occupies the whole frame: an off-white sheet creased in long folds pulled diagonally by her weight, the mattress dipping in a real crater under her hips and shoulders, the pillow compressed into a shallow bowl under her head. Warm light comes from a single low lamp at the right edge of the frame, raking across the sheet, catching the rim of her glasses and the loose knit at her shoulder, and dropping into soft warm shadow in the creases of the sheet and along the far side of her body; the light casts her fox ears' shadow diagonally down onto the pillow. Palette of warm off-white linen, cool grey wool, deep rose pink in her hair and the blush, and amber-yellow in her eyes and the lamplight, nothing else admitted. The background beyond the mattress edge is dark and out of focus. Intimate, softly breathless.

Tamamo-no-Mae, Koyanskaya

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