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エドキミ

AI art by エドキミ on PixAI. Made with Tsubaki.3 Flash.

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A highly detailed digital anime illustration of the boy from image1 and the boy from image2 eating at a sushi restaurant in Jones Beach Island, New York. The older boy from image1 has long green hair, green eyes, a black cap with a white club symbol, a white and black layered top, and brown pants. The younger boy from image2 has short light blue hair, thick blue round glasses, a small white bandage on his nose, a light blue open jacket over a blue star-print shirt, and dark blue shorts. They are seated at a wooden table enjoying plates of fresh sushi, with a bright coastal beach view visible through the restaurant windows behind them. The style is changed to a highly detailed, polished anime illustration with rich lighting, complex shading, and fully realized backgrounds.
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Original Prompt
1枚目の画像の16歳の少年と2枚目の画像の11歳の少年がニューヨーク・Jones Beach Islandの寿司屋で食事。ディテールを良くしてください。
Mode
flash
Size
960 x 2048
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character: david_martinez, lucy_(cyberpunk), copyright: cyberpunk:_edgerunners, cyberpunk_edgerunners character: david_martinez, character: lucy_(cyberpunk) — Cyberpunk: Edgerunners alternate happy ending, travel scene drawn in Studio Trigger's bold anime style with clean cel shading. A traditional Japanese ryokan room on the outskirts of Tokyo, bright morning light streaming golden through the shoji screens. The two are seated on tatami cushions at the low wooden table, dressed in their yukata, sharing a beautifully arranged traditional Japanese breakfast: a lacquer tray for each of them holding a big steaming bowl of miso soup with tofu and wakame, two plump onigiri rice balls wrapped in crisp nori on small plates, a piece of salt-grilled fish with the skin crisped golden, a small dish of bright yellow pickles, a neat mound of spinach ohitashi glistening with sesame seeds and dashi broth, and green tea in covered cups, steam curling up into the morning light. Lucy — a young woman with a short white bob with pastel highlights and red eyeliner, yukata sleeves pushed up as she eats — holds her chopsticks in one hand and a glowing holo-planner above her other palm in the other, its soft blue light showing today's itinerary lines in Japanese, talking David through the schedule with an organized, slightly bossy expression: "the office tour is at ten, then lunch with your team, dinner is free after six." David Martinez — a young man in a navy yukata, cheeks full of onigiri mid-bite — nods along while stuffing his mouth, one eyebrow raised in playful protest at the word "ten", eyes flicking between her face and the hologram, clearly more interested in the grilled fish than the agenda. Warm morning glow washing the tatami, a garden with stone lanterns visible through the open shoji, birds on a branch outside, the quiet hum of a peaceful morning far from Night City, close two-shot across the low table centered on the breakfast trays and the floating holo-planner, soft warm lighting with crisp morning shadows, cozy everyday-travel mood, rich Trigger-style color contrast, clean bold linework.
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