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影澤直紀

AI art by 影澤直紀 on PixAI. Made with Tsubaki.3 Flash.

Published on Nov 15, 2026

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影澤直紀

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character: hakase_fuyuki, koshimizu_toru, higuchi_kaede, furen_e_lustario, sakura_ritsuki, copyright: nijisanji 1girl, solo, fusion, five-character fusion, super huge breasts, enormous breasts, giant breasts, impossibly large chest, breasts resting on the floor, leaning forward, from above, close-up, cowboy shot, looking up, looking at viewer, dutch angle, grey_hair, white_hair, purple_hair, blue_hair, brown_hair, multicolored hair, five-tone hair, very_long_hair, long_hair, twintails, ponytail, sidelocks, hair_between_eyes, hairclip, hair bow, white bow, hair flower, triangle hair ornament, red_eyes, heterochromia, purple_eyes, green_eyes, mole, mole_under_eye, hat, white_shirt, collared_shirt, black_skirt, black_kimono, off_shoulder, bare_shoulders, obi, white_jacket, black_jacket, open_clothes, long_sleeves, black_gloves, layering, frills, ribbon, earrings, jewelry, dark pantyhose, fingerless_gloves, nail polish, headphones, grin, open mouth, teeth, fang, one eye closed, wink, raised eyebrow, blush, A tall, boldly built young woman stands alone on a seamless studio sweep of deep charcoal grey, lit by a single hard key from high camera-left. The camera sits above her eyeline, tilted into a slight dutch angle: she leans forward into the frame, hips pushed back and weight carried on her left leg, her right knee turned slightly in, so the top-down axis runs the length of her spine and spills over the sheer, impossible volume of her chest, which layers in three massive stacked masses that overhang and completely bury her waist and hips from this view. She is a fusion of five singers fused into one body, and the hybrid reads as intentional design at every seam: a bristling crown of hair, five distinct lengths and five distinct colours — grey-white, white twintail locks, a purple ponytail tail sweeping to one side, blue short strands jagged at the opposite temple, and brown very-long lengths falling well past her waist — with hairpins, one white bow, one hair flower, one triangle ornament and one small hat set among the strands; around her face between the eyes a cluster of bangs. Her right eye red, left eye purple, and a third pale green under the notch of the hat, and a distinct mole set under the right eye. Dress and costume are also layered like the fusion — a white collared shirt open at the collar, frilled ribbon at the throat, a small earring in each ear, a bare-shouldered black kimono with an obi wrapped around the underside of her chest, an unbuttoned white jacket that pulls off one shoulder, long sleeves rolled past the wrist into black gloves, and fingerless gloves over the gloves, with dark pantyhose below and nail polish on her visible fingertips; the black headphones rest around her neck, trailing a cable over the jacket. Her hands push up against the underside of the topmost volume of her chest, palms flat, fingers splayed and gently bent at the knuckles, and the flesh visibly gives and compresses where each hand presses, a slow red indentation rising from her own weight and from the pressure of her palms; where her chest meets the top of her thigh the sheer weight distends the fabric of the kimono and bunches it into stretched, pale folds, and the open shirt's seams pull along the line of each volume. One knee angles into the gap between the masses, and the hose there strains tight and glossy. She grins at the lens — wide open mouth, a fang, one eye squeezed shut in a wink, one brow arched high, teeth bared, a dark flush across the nose and cheeks — and her stare is all confidence, the teasing pleasure of showing off the whole impossible body at once. The key light rakes her cheekbone, the crown of her hair and the top of each breast, and the fill side of the volumes falls into deep, uninterrupted shade, casting a heavy shadow beneath her chest and onto her hips and knees; a single low rim light catches the jacket edge and the topmost strands of hair, and the seamless grey floor shows only a soft, diffuse shadow directly under her feet and knees, making the volume above her read as far larger than the floor. Palette limited to charcoal, flesh, white, black, grey, purple, blue, brown and the single red eye. Stylised high-contrast illustration with a crisp cel edge and soft airbrushed gradients on the skin, cool palette with a warm skin register. Sheer, bold, and faintly absurd.

影澤直紀

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