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まぁすけ

AI art by まぁすけ on PixAI. Made with Tsubaki.2.

ま

まぁすけ

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In a medium shot from a 3/4 view, a young woman with long, flowing brown hair stands centered in the frame. She is wearing an oversized purple hoodie with the hood down, paired with a brown pleated skirt that falls to her mid-thigh. On her feet are chunky black platform boots with thick soles. She maintains a gentle expression while looking toward the viewer, with her hands resting comfortably in her hoodie pockets. The background is a neutral, softly lit urban street, creating a casual and contemporary atmosphere. The image is rendered as a high-quality anime illustration with clean line work, smooth cel-shading, and a vibrant color palette.
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Original Prompt
茶髪ロングヘアーの女性、紫色のパーカー、茶色のプリーツスカート、黒の厚底ブーツ
Mode
lite
Size
768 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
20.14k

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ま
A medium shot from a 3/4 view features a young woman with long brown hair standing centrally in the frame. She is wearing an oversized purple zip-up hoodie with the sleeves partially covering her hands, paired with a brown pleated mini-skirt. On her feet, she wears chunky black platform long boots that reach mid-calf. She stands with a relaxed posture, her hands tucked into the hoodie pockets, looking toward the camera with a neutral expression. The setting is a simple, brightly lit indoor environment with a clean, minimalist aesthetic. The image is rendered in a high-quality anime illustration style, characterized by clean line art, vibrant colors, and soft ambient lighting that creates a modern and casual mood.
まぁすけ
AI artwork
a
artist: konya_karasue, h4sh1rnoto, modare, nanoka_san, nanoka-san 1girl, solo, long straight black hair, hime cut, blunt bangs, blunt sidelocks, purple eyes, gradation eyes, gentle smile, closed mouth, looking at viewer, light lavender hoodie, loose fit, drawstrings, hood down, hands in pockets, hand in pocket, pleated skirt, black skirt, black pantyhose, white chunky sneakers, dad shoes, standing, casual pose, contrapposto, weight on one leg, city street, daytime, clear sky, sunlight, urban background, buildings, street lamps, blurred background, depth of field, bokeh, from below, full body, cinematic lighting, backlighting, volumetric light, luminous bloom, high contrast, saturated colors, atmospheric depth, floating particles, detailed background, sharp focus on subject, cowboy shot, The camera sits low and slightly to her left, tilted up so the girl rises against the clear sky and the building tops lean in above her; she is the only figure on the street, framed from just below the sneakers to a little above the hair. She stands on the sidewalk with her weight settled on her right leg, left knee relaxed and slightly forward, hips canted, shoulders loose and asymmetric — her right hand pushed deep into the hoodie's front pocket so the loose lavender fabric bunches and pulls into a soft diagonal crease, her left arm hanging with the cuff swallowing half her hand. The hime cut reads cleanly from this angle: blunt bangs straight across the brow, two blunt-cut sidelocks falling past her jaw to her collarbones, and the long straight black hair dropping behind her shoulders, a few strands lifted and drifted sideways by the moving air. Her chin is level, lids softly lowered at the outer corners, lips closed in a small gentle smile that reaches her eyes; both purple irises carry a clear top-to-bottom gradient, deep violet at the rim brightening to lilac around the pupils, with a single hard catchlight from the sky in each. She looks straight into the lens. The hoodie is oversized, hem dropping to mid-hip with a slightly dropped shoulder seam, its two flat drawstrings hanging unevenly — the left longer than the right — and the hood lying flat behind her neck rather than bunched. Below the hem, the dark pleated skirt flares in evenly spaced knife pleats that swing a half-step off-center with her stance; black pantyhose sheathes her legs with a soft sheen running down the front of each shin, and the white chunky dad sneakers are visibly heavy-soled, slightly scuffed at the toe caps, planted flat, the left one angled out a few degrees. The light is a low, warm late-day sun coming from behind and to her right, so the top edges of her hair and the crown of her head catch a hot rim while her face sits in soft bounced fill from the pale pavement — the sidewalk under her throws a short, hard-edged shadow pointing left, and long shadows from the street lamps stripe the road behind. That backlight also ignites the thin haze above the asphalt: dust motes and pollen drift through the sunbeam as small bright flecks, visible only inside the light. Beyond her the street falls out of focus fast and smoothly, the depth of field dissolving the mid-rise buildings into soft slabs of warm grey and pale cream with warm-lit window bands, two street lamps stepping away in size down the receding sidewalk, their heads blooming with a faint halo in the bokeh; the sky above stays an unblemished clear blue, deepening slightly toward the top of the frame. The palette holds to lavender, cream, black and warm sunlit white, with the sky's blue and the lamps' amber bloom as the only other colors admitted. Every edge on her is crisp and every edge behind her is soft. Sunlit, breezy, effortlessly calm.
ashens

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