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Sonic the Hedgehog
AI art by jiron amos on PixAI. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- generate vertical images of sash lilac kissing long haired amy rose`s mouth
- Mode
- pro
- Size
- 768 x 1280
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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ja
character: amy_rose, sash_lilac
2girls, yuri, kiss, lip kiss, kissing on mouth, lips pressed together, closed eyes, sash lilac, purple hair, long hair, green eyes, animal ears, tail, purple skin, blue gloves, boots, detached sleeves, japanese clothes, dress, shorts, amy rose, long hair, pink hair, white hairband, green eyes, animal ears, tail, bare shoulders, bangle, bracelet, bike shorts under shorts, high heel boots, gloves, vertical, upper body, close-up, profile, from side, outdoors, sunset, warm light, soft light, romantic, blush, hand on another's cheek, hand on waist, leaning forward, gentle
Seen from the side in close profile, the two figures lean into each other against a low amber sky. Sash Lilac stands slightly taller on the left of the frame, her long purple hair swept back and spilling over one shoulder, animal ears tilted forward; her green eyes are closed, her chin dipped so her mouth meets Amy Rose's squarely, lips pressed together with a soft, held pressure. Her left glove rests on Amy's bare shoulder just above the arm, her right hand curled loosely at Amy's waist over the fabric of the shorts. Amy Rose rises to meet her on tiptoe, long pink hair falling past her shoulders with the white hairband bright at the crown, ears angled back; her own eyes are shut, lashes low, cheeks flushed pink, and one gloved hand curls up against Lilac's sleeve while the other hangs at her side with fingers relaxed. Their chests touch, the tails of each curving behind opposite sides, out of the way of the contact. The two profiles seal together in the center of a tall narrow frame, heads near the upper third, shoulders filling the width. Behind them a flat field of low sun hazes the horizon into pale orange and dusty rose; the light comes from the right and behind, rimming the edge of Amy's cheek and hairline in gold while the front of both faces falls into a soft warm shadow, no strong cast shadow on the ground. The palette is limited to purple, pink, cream and warm amber. Quiet, tender.
jiron amos
rs
character: amy_rose, sash_lilac
kiss, two girls, yuri, mouth-to-mouth kiss, lips pressed together, sash lilac, purple hair, long hair, green eyes, animal ears, tail, gloves, boots, detached sleeves, blue gloves, dress, shorts, furry, amy rose, pink hair, long hair, white hairband, green eyes, animal ears, tail, bare shoulders, bike shorts, boots, gloves, bracelet, vertical, cowboy shot, from side, profile, close-up on faces, leaning in, eyes closed, hand on cheek, hand on shoulder, blushing, soft light, warm palette
A vertical side-profile composition: the two figures fill the upper two-thirds of the frame, chest-up, their faces meeting at the center of the image. Sash Lilac is on the left, facing right in a clean profile — long purple hair falling behind her ear and past her shoulder, a strand slipping forward across her cheek, green eyes shut, one gloved hand risen to cup the side of the other girl's jaw, thumb resting along the cheekbone. Amy Rose is on the right, facing left, her long pink hair swept back under a white hairband and hanging in a soft fall down her back, green eyes closed, chin tipped slightly up into the kiss, one hand curled at the other's upper arm, fingers pressing the detached sleeve fabric. Their mouths press together open to the air — lips meeting at one point, noses just clear of each other, no interpenetration, the lower lip of one caught between the other's. Animal ears tilt back on both heads; tails hang low and relaxed behind them, out of the way.
Behind and between them a seamless warm dusk field, no horizon, no props: an empty gradient from soft coral to deep rose filling the entire background. A single warm key light comes from the upper right, grazing the right side of Amy's face and hair while the left side of Lilac's face falls into soft shadow; the light wraps the point where their lips meet, leaving the contact the brightest spot in the frame. A gentle rim of light lifts the pink hair's edge. Soft cool fill from the left keeps the shadow side readable. No cast shadows on the ground, only the light falling across skin and hair. Palette limited to purple, pink, warm coral and cream.
Both bodies lean toward each other at a slight angle, weight on the front foot, shoulders rolled in — a held moment, tender, caught mid-breath.
Roddy shuffle
ja
character: amy_rose, sash_lilac
two characters, kiss, kiss on the mouth, lips touching, yuri, sash lilac, purple hair, long hair, green eyes, animal ears, tail, purple fur, white gloves, detached sleeves, japanese clothes, pink dress with heart cutout, shorts, boots, amy rose, pink hair, long hair, white hairband, green eyes, animal ears, tail, pink fur, bare shoulders, red sleeveless dress with white trim, heart cutout at the chest, bangle, bracelet, fingerless gloves, bike shorts under the skirt, high-heel boots, vertical composition, portrait orientation, from side, close-up, profile, leaning forward, eyes closed, hand on cheek, hand on waist, blushing, embrace, contact, upper body focus.
A vertical portrait frame seen from the side in close-up, the composition split between the two of them along a diagonal that runs from lower left to upper right. On the right of the frame, Sash Lilac leans in and down, her head tilted forward and to her left, her mouth pressed flush against the other woman's mouth: a closed-lip kiss, lips meeting and slightly compressed against each other, the lower lip of one overlapping the upper lip of the other. Her left hand is cupped along Amy Rose's jaw, the white-gloved palm warm against the cheek, thumb resting just below the cheekbone, fingers curling back toward the ear; her right hand lies flat at Amy's waist, closing over the fabric of the red dress and drawing her in. Her weight rides forward on the ball of her front foot, back foot braced, her loose purple hair swinging forward past her shoulder from the motion of the lean and catching a thin rim of light along the strands.
On the left of the frame, Amy Rose turns her face up and into the kiss, chin lifted, head tipped back just enough to meet Lilac's mouth squarely. Her own long pink hair, freed from its usual length, falls in a heavy pink wave down her back and over the far shoulder, spilling past the frame edge and swinging forward at the temple in a strand that crosses her cheek. Her eyes are shut, lashes pressed down, her brow faintly knit in a soft, feeling expression rather than a blank one; a warm flush colours her cheeks and the tips of her ears. Her left hand has come up and closed around the fabric of Lilac's sleeve at the shoulder, gripping it, the fingerless glove digging a small crease into the cloth, and her other hand rests open against Lilac's collarbone, her bracelet catching the light. Both wearers' animal ears are turned slightly toward each other, and behind them both, close to their hips, their tails have curved out and around and are loosely tangled together, the single most telling sign of the contact.
The light comes from a single warm source off the left of the frame, at head height: it rims the profile of Amy's face and the fall of her pink hair, catches the shine on the two pairs of lips exactly where they meet, drops the right side of the frame — Lilac's back and the back of her head — into a soft, cool shadow. Everything behind them is a shallow, unlit ground in deep indigo and mauve, thrown far out of focus so that no background object competes with the faces. The palette holds four colours only: lavender and violet for Lilac, hot pink and warm cream for Amy, with the two skins of their faces meeting in a single bright edge of light at the kiss; nothing else admitted.
Air moves through the frame — a faint draft lifts the loose strands of both their long hair in the same direction and presses a fold of Lilac's sleeve flat against her upper arm, and both of them lean slightly into the draft without breaking the kiss. Render with clean cel-shaded forms, crisp linework and flat, saturated blocks of colour with tight highlight edges on the hair and lips, in the manner of a polished modern animation still. Tender and charged.
jiron amos
rs
character: amy_rose, sash_lilac
2girls, yuri, kiss, lips pressed to lips, mouth to mouth, direct mouth kiss, vertical composition, tall narrow framing, upper bodies, sash lilac, purple hair, long purple hair, animal ears, green eyes, tail, colored skin, blue gloves, detached sleeves, japanese clothes, shorts, boots, amy rose, long pink hair, long hair on amy rose, white hairband, green eyes, animal ears, tail, bare shoulders, pink dress, heart cutout, bike shorts under shorts, bracelet, boots, head tilt, eyes closed, leaning in, hand on cheek, hand on shoulder, arms touching, from side, profile, close-up, soft backlight, warm rim light, pastel palette, blush
A tight vertical close-up seen in profile, two figures framed chest-up and filling the narrow frame edge to edge. Sash Lilac stands on the left, turned to face right; her head tilts down and forward, chin dipped, and her lips are pressed to Amy Rose's mouth. Amy Rose stands on the right, head tipped back and up to meet her, one booted foot forward as her weight shifts onto it, her back curving in a gentle arch away from the contact. Amy is the taller silhouette in the crop: her long pink hair, lengthened well past her shoulders, falls in a heavy soft mass behind her shoulders and spills forward over her right shoulder in one lock that crosses her collarbone; its length is the point, so the tail of it leaves the bottom of the frame. The white hairband sits on her head above the browline, catching the light. Both wear their green eyes closed, lashes low and dark against the cheek, brows slightly lifted — the kiss is quiet and deliberate rather than startled.
Contact is enumerated: Lilac's lips flatten and compress against Amy's upper and lower lip at the center of the kiss; the tips of their noses brush and just clear each other; Lilac's gloved left hand rises to cradle the side of Amy's jaw, fingertips spread across the cheek below the cheekbone, the thumb resting at the corner of the jaw; Amy's bare right shoulder presses lightly against Lilac's chest, her own gloved hand resting flat on Lilac's upper arm, fingers curled slightly into the fabric of the detached sleeve. Lilac's purple tail curves out behind her hip, the only part of her loosening away from the silhouette. Her long purple hair slides forward off her shoulder on the near side, drawn by the tilt of her head, and the loose ends of it hang free in the space between the two bodies without touching skin. Their animal ears are both angled back, flattened a little by the closeness.
Light comes from a single soft source behind and above the right of the frame — a late warm window-light that rims the crown of Amy's hair in pale gold and picks out the individual strands of the lock across her shoulder, catches the top edge of Lilac's purple hair, and lays a thin bright line along the bridge of each nose and the curve of each lower lip, while the near sides of both faces fall into a soft cool shade. Their joined shadows fall together onto the airless pastel background behind them, one merged silhouette.
The palette is pink and purple held against a pale washed background: warm pink in Amy's long hair, her dress and the flush at her cheek and ear; deep violet in Lilac's hair, ears and tail; cool blue at the gloves; and a pale cream-rose ground that admits nothing else. Detail budget goes to the mouths — the compression of the two lips, the small crease at the corner — the closed lashes, and the grip of the gloved fingers on the jaw, with hair rendered as flowing shape and the background dissolved into flat soft color. The scene is hushed, tender.
Roddy shuffle
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