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GAKUENTANTEI CHARLOTTE

AI art by GAKUENTANTEI CHARLOTTE on PixAI. Made with Tsubaki.3 Flash.

gc

GAKUENTANTEI CHARLOTTE

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wide shot, from below, low eye-level camera skimming just above the grass, massive flock of sheep, hundreds of sheep, sheep charging toward viewer, oncoming stampede, front row of sheep looming large in frame, deep layered rows of sheep receding to the horizon, sheep looking at viewer, sheep with lowered heads, woolly coats, dark faces, curled horns on several rams, dust kicked up, grass blades flying, split-rail fence at frame edge, overcast sky, muted palette, cool grey-green grass, cream and soot-black wool, brown trampled earth, motion blur in the far rows, sharp focus on the nearest faces, wide-angle depth, dense center mass of animals, snowless, treeless rolling pasture The camera sits almost at grass height, tilted slightly upward, so the nearest sheep tower over the lens while the field behind them climbs in stacked rows toward a pale overcast horizon. A single sheep fills the left third of the frame, head dropped and horn curling forward, its front hooves planted in churned mud, one foreleg lifted mid-stride so the hoof hangs above a flattened clump of grass; its fleece is clumped and dusty and one dark eye is fixed on the viewer. Immediately right of it, two more sheep crowd shoulder to shoulder, one turning its head so its muzzle crosses in front of the other's neck, all of them pressed forward at the same angle. Behind them the flock thickens into a solid wall of fleece, bodies overlapping, legs lost in the mass, a few raised heads and dark faces visible at intervals, then thinning to specks and a single dust plume near the horizon line in the upper third. A split-rail fence runs in from the right edge at a shallow diagonal, weathered posts leaning, the top rail crossing behind the front sheep's back so the nearest animal occludes it. Dust hangs in the air between the rows, kicked up by the oncoming hooves, catching the light and softening every distance past the first few animals. Nothing else is in the field but the flock, the grass and the sky. Light comes from a flat overcast dome, shadowless and cool, so the nearest faces read dark and the fleeces hold a dozen grey-cream values from soot-black at the deep folds to pale cream on the top-lit shoulders; a soft damp ground reflection of the dust gives the mud a muted brown sheen. Palette confined to cool grey-green grass, cream and charcoal wool, and raw brown earth, nothing warm admitted. Grass blades bend away from the oncoming animals and a low clod of earth is caught mid-air at the lifted hoof, the only thing in the frame not yet landed. Dense, pressing, quietly overwhelming.
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Original Prompt
ๅคง้‡ใซใ“ใฃใกใซๆฅใ‚‹ ็พŠใฎๅคง็พค
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.24k

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AI artwork
gc
wide shot, from below, low eye-level camera skimming just above the grass, massive flock of sheep, hundreds of sheep, sheep charging toward viewer, oncoming stampede, front row of sheep looming large in frame, deep layered rows of sheep receding to the horizon, sheep looking at viewer, sheep with lowered heads, woolly coats, dark faces, curled horns on several rams, dust kicked up, grass blades flying, split-rail fence at frame edge, overcast sky, muted palette, cool grey-green grass, cream and soot-black wool, brown trampled earth, motion blur in the far rows, sharp focus on the nearest faces, wide-angle depth, dense center mass of animals, snowless, treeless rolling pasture The camera sits almost at grass height, tilted slightly upward, so the nearest sheep tower over the lens while the field behind them climbs in stacked rows toward a pale overcast horizon. A single sheep fills the left third of the frame, head dropped and horn curling forward, its front hooves planted in churned mud, one foreleg lifted mid-stride so the hoof hangs above a flattened clump of grass; its fleece is clumped and dusty and one dark eye is fixed on the viewer. Immediately right of it, two more sheep crowd shoulder to shoulder, one turning its head so its muzzle crosses in front of the other's neck, all of them pressed forward at the same angle. Behind them the flock thickens into a solid wall of fleece, bodies overlapping, legs lost in the mass, a few raised heads and dark faces visible at intervals, then thinning to specks and a single dust plume near the horizon line in the upper third. A split-rail fence runs in from the right edge at a shallow diagonal, weathered posts leaning, the top rail crossing behind the front sheep's back so the nearest animal occludes it. Dust hangs in the air between the rows, kicked up by the oncoming hooves, catching the light and softening every distance past the first few animals. Nothing else is in the field but the flock, the grass and the sky. Light comes from a flat overcast dome, shadowless and cool, so the nearest faces read dark and the fleeces hold a dozen grey-cream values from soot-black at the deep folds to pale cream on the top-lit shoulders; a soft damp ground reflection of the dust gives the mud a muted brown sheen. Palette confined to cool grey-green grass, cream and charcoal wool, and raw brown earth, nothing warm admitted. Grass blades bend away from the oncoming animals and a low clod of earth is caught mid-air at the lifted hoof, the only thing in the frame not yet landed. Dense, pressing, quietly overwhelming.
GAKUENTANTEI CHARLOTTE
AI artwork
gc
wide shot, from below, low eye-level camera skimming just above the grass, massive flock of sheep, hundreds of sheep, sheep charging toward viewer, oncoming stampede, front row of sheep looming large in frame, deep layered rows of sheep receding to the horizon, sheep looking at viewer, sheep with lowered heads, woolly coats, dark faces, curled horns on several rams, dust kicked up, grass blades flying, split-rail fence at frame edge, overcast sky, muted palette, cool grey-green grass, cream and soot-black wool, brown trampled earth, motion blur in the far rows, sharp focus on the nearest faces, wide-angle depth, dense center mass of animals, snowless, treeless rolling pasture The camera sits almost at grass height, tilted slightly upward, so the nearest sheep tower over the lens while the field behind them climbs in stacked rows toward a pale overcast horizon. A single sheep fills the left third of the frame, head dropped and horn curling forward, its front hooves planted in churned mud, one foreleg lifted mid-stride so the hoof hangs above a flattened clump of grass; its fleece is clumped and dusty and one dark eye is fixed on the viewer. Immediately right of it, two more sheep crowd shoulder to shoulder, one turning its head so its muzzle crosses in front of the other's neck, all of them pressed forward at the same angle. Behind them the flock thickens into a solid wall of fleece, bodies overlapping, legs lost in the mass, a few raised heads and dark faces visible at intervals, then thinning to specks and a single dust plume near the horizon line in the upper third. A split-rail fence runs in from the right edge at a shallow diagonal, weathered posts leaning, the top rail crossing behind the front sheep's back so the nearest animal occludes it. Dust hangs in the air between the rows, kicked up by the oncoming hooves, catching the light and softening every distance past the first few animals. Nothing else is in the field but the flock, the grass and the sky. Light comes from a flat overcast dome, shadowless and cool, so the nearest faces read dark and the fleeces hold a dozen grey-cream values from soot-black at the deep folds to pale cream on the top-lit shoulders; a soft damp ground reflection of the dust gives the mud a muted brown sheen. Palette confined to cool grey-green grass, cream and charcoal wool, and raw brown earth, nothing warm admitted. Grass blades bend away from the oncoming animals and a low clod of earth is caught mid-air at the lifted hoof, the only thing in the frame not yet landed. Dense, pressing, quietly overwhelming.
GAKUENTANTEI CHARLOTTE
AI artwork
gc
wide shot, from below, low eye-level camera skimming just above the grass, massive flock of sheep, hundreds of sheep, sheep charging toward viewer, oncoming stampede, front row of sheep looming large in frame, deep layered rows of sheep receding to the horizon, sheep looking at viewer, sheep with lowered heads, woolly coats, dark faces, curled horns on several rams, dust kicked up, grass blades flying, split-rail fence at frame edge, overcast sky, muted palette, cool grey-green grass, cream and soot-black wool, brown trampled earth, motion blur in the far rows, sharp focus on the nearest faces, wide-angle depth, dense center mass of animals, snowless, treeless rolling pasture The camera sits almost at grass height, tilted slightly upward, so the nearest sheep tower over the lens while the field behind them climbs in stacked rows toward a pale overcast horizon. A single sheep fills the left third of the frame, head dropped and horn curling forward, its front hooves planted in churned mud, one foreleg lifted mid-stride so the hoof hangs above a flattened clump of grass; its fleece is clumped and dusty and one dark eye is fixed on the viewer. Immediately right of it, two more sheep crowd shoulder to shoulder, one turning its head so its muzzle crosses in front of the other's neck, all of them pressed forward at the same angle. Behind them the flock thickens into a solid wall of fleece, bodies overlapping, legs lost in the mass, a few raised heads and dark faces visible at intervals, then thinning to specks and a single dust plume near the horizon line in the upper third. A split-rail fence runs in from the right edge at a shallow diagonal, weathered posts leaning, the top rail crossing behind the front sheep's back so the nearest animal occludes it. Dust hangs in the air between the rows, kicked up by the oncoming hooves, catching the light and softening every distance past the first few animals. Nothing else is in the field but the flock, the grass and the sky. Light comes from a flat overcast dome, shadowless and cool, so the nearest faces read dark and the fleeces hold a dozen grey-cream values from soot-black at the deep folds to pale cream on the top-lit shoulders; a soft damp ground reflection of the dust gives the mud a muted brown sheen. Palette confined to cool grey-green grass, cream and charcoal wool, and raw brown earth, nothing warm admitted. Grass blades bend away from the oncoming animals and a low clod of earth is caught mid-air at the lifted hoof, the only thing in the frame not yet landed. Dense, pressing, quietly overwhelming.
GAKUENTANTEI CHARLOTTE

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