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hongyouyouzu

AI art by hongyouyouzu on PixAI. Made with Tsubaki.3.

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1girl, solo, glasses, round-framed glasses, sailor school uniform, seifuku, white sailor blouse, blue sailor collar, red neckerchief, blue pleated skirt, bob haircut, short bob, black hair, blunt bangs, hair tucked behind one ear, lower abdomen bulge, bulge, hands on own stomach, standing, leaning back, weight on back foot, from below, from side, cowboy shot, dutch angle, looking down at own stomach, wide-eyed, open mouth, sweatdrop, half-closed eyes, parted lips, blush, clenched teeth, indoors, classroom, empty classroom, afternoon, strong window light. The camera looks up from hip height at a slight dutch tilt, so the girl's figure rises diagonally across the frame: a short black bob cut blunt across the brow, one side tucked behind her right ear, the rest swinging forward past her jaw as she leans back. Round thin-rimmed glasses sit high on her nose, and through both lenses her eyes are angled down at her own body, wide and fixed on her lower stomach, brows drawn; her mouth is open on a caught breath, teeth just visible, a single sweatdrop running from her temple toward her jaw. She wears a white sailor blouse with a blue collar squared across her shoulders and its red neckerchief hanging loose, a blue pleated skirt pulled low on her hips so the fabric stretches taut across her lower abdomen: there the cloth domes outward in a hard, rounded swell pushed up from inside, the pleats splayed over it and the hem riding up, and a faint tightness runs through the weave at its crest. Both hands press flat and low over that swell, fingers spread, thumbs braced at her hip bones, the heel of each palm digging in as if to hold the pressure down; her elbows tuck in, her back arches away from the push, one knee bent and the back foot carrying her weight while the front foot has slid half a step out. Behind her, an empty classroom afternoon: dark wooden desks in a receding row to the left, a tall window at frame right with its sash dividing the light, the floorboards scuffed dull. Low afternoon sun comes in through that window as the only light source, striking the right side of her skirt and her forearms in a warm band and leaving her face and the left half of the room in cool shade; her shadow stretches long across the floorboards toward camera, broken into separate dark bands by the gaps between floor planks where the standing dust catches the same light. The palette holds to white blouse, navy collar and skirt, deep red neckerchief, black hair and the honeyed window light on worn wood, nothing else admitted. Mood: tense, breath-held.
Show Parameters
Original Prompt
ใƒกใ‚ฌใƒใฃๅจ˜ใ€ใ‚ปใƒผใƒฉใƒผๆœใ€้ซชๅฝขใƒœใƒ–ใ€ไธ‹่…น้ƒจใŒๅญๅฎฎใ‹ใ‚‰็ชใไธŠใ’ใ‚‰ใ‚Œใ‚‹ใ€
Mode
pro
Quality Tag
๏นPrompts๏นž
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

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AI artwork
ใ‚‰
A digital anime illustration of the character from image1 standing up in a sunlit classroom. She retains her short black hair, round glasses, heavy blush, and is sweating with her mouth slightly open. She wears the same outfit as image1: a white short-sleeved sailor uniform with a blue collar, a red tie, and a dark blue pleated skirt. She is standing beside a wooden desk. The background features a blackboard, empty desks, and large windows, all illuminated by warm, late-afternoon golden hour lighting that casts distinct shadows. The art style stays the same as the input image1.
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AI artwork
ใ‚‰
1girl, solo, sailor uniform, serafuku, white sailor collar, blue neckerchief, short sleeves, pleated skirt, bob haircut, short hair, black hair, blunt bangs, glasses, round-framed glasses, standing, flustered, impatient, gritted teeth, furrowed brow, sweatdrop, blush, clenched hands, fists at sides, stomach bulge, distended belly, hands not touching belly, from side, cowboy shot, dutch angle, looking down at own stomach, school uniform, indoor, classroom, desks, window light, afternoon, high contrast A Dutch-tilted cowboy shot from the side: a girl in a sailor uniform stands alone in a sunlit classroom, turned three-quarters away, head bowed toward her own midsection. She wears a white sailor blouse with navy collar stripes and a blue neckerchief knotted at the throat, a navy pleated skirt, and round wire glasses that have slid a little down her nose. Her black bob is blunt-cut with straight bangs, one strand stuck to her damp temple. The uniform blouse strains and rides up over a hard, rounded swelling of her lower belly, pushed outward and upward from low in her pelvisโ€”the fabric stretched taut and shiny across it, the hem lifted clear of the waistband. Both hands are clenched into fists at her sides, knuckles white, deliberately not touching her stomach; she is mid-weight-shift, one hip cocked, one heel lifted off the floor. Her expression is flustered and impatient: brows drawn hard together, teeth gritted behind parted lips, a sweatdrop at her jaw, eyes cut down at the bulge. Behind her, rows of empty desks and chairs, late-afternoon light through tall windows laying long hard shadows across the floor; she casts her own shadow to the left. Palette limited to white, navy, warm afternoon gold, and the pale skin tone of her exposed midriff. Quiet, tense unease.
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