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AI art "Stuff"
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Stuff

Stuff AI art by Rudno on PixAI. Made with Tsubaki.3 Flash.

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Rudno

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1boy, solo, short white hair, light gray hair tips, curly short bangs, bangs covering forehead, grayish blue eyes, white button-up shirt, cyan straps across elbows, brown fur hoodie tied around waist, navy cargo pants, white shoes, black and cyan shoe highlights, walking, busy Tokyo street, cowboy shot, from side, dutch angle, looking to the side, outdoors, day, crowd, depth of field A low dutch-angled side view, camera roughly hip height and tilted a few degrees, catching the man mid-stride as he cuts diagonally across the frame from right to left, one shoulder angled toward the lens and his face in three-quarter profile. His short white hair is a tangle of tight curls, the light gray tips catching the daylight only where the curls crest, and the short curly bangs hang in a dense mass over three-quarters of his forehead, leaving a narrow strip of brow visible above his grayish blue eyes; his chin is lifted slightly and his gaze is thrown off to the left, tracking something past the edge of the frame, one brow a touch higher than the other, mouth closed and easy. His leading foot has just planted, sole flat, toe box creased and the cyan flash on its side catching the light, while the trailing heel peels off the pavement behind him; his left arm swings forward with the elbow bent and the cyan strap pulled taut across the joint, his right hand loose and half-curled at his hip beside the brown fur hoodie knotted around his waist, its sleeves hanging down over one thigh and its fur trim bristling where the swing of his body lifts it. The white button-up is unbuttoned at the collar, fabric drawn tight across his chest and rippling behind the swinging arm. Around him a packed Tokyo street recedes in layered depth: a close foreground of blurred passing shoulders and a raised umbrella edge clipping the left corner, a midground of crossing pedestrians parted around him, and a background of stacked shopfronts, vertical signage and awnings compressed by a long lens into soft gray-blue haze, the incidental signage lettering illegible. Overcast midday light comes from high and slightly behind him, so his face sits in soft even shade while the rims of his curls and the fur trim glow, and his shadow falls short and soft on the pavement under his planted foot. Palette held to white, light gray, navy, brown fur and one cyan accent repeating in the straps and shoe highlights against the street's desaturated gray-beige. Effortlessly cool.
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Original Prompt
A man with short white hair with light gray tips. He has curly short bangs covering 3/4 of his forehead. His eyes are grayish blue. He's wearing a white button up shirt and a brown fur hoodie tied around his waist and navy cargo pants. His shirt has cyan straps across his elbows. He has white shoes with black a cyan highlights. He's walking around on a busy street in Tokyo.
Mode
flash
Size
1408 x 1408
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.25k

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1boy, solo, top-down view, high key lighting, bright daylight, sunny day, playful winter scene, city background, white fluffy hair, white eyelashes, blue and yellow eyes, glasses, lip chain piercing, silver triangle necklace, black shirt, blue flannel jacket, black baggy knee-length shorts, holding phone, warm expression, no text, masterpiece, best quality. Seen from directly above, a single boy stands on a snow-dusted city pavement, his body foreshortened so his white fluffy hair and the pale crown of his head dominate the frame while his shoulders and the blue flannel jacket bunch below. A wide-angle fishnet perspective warps the grid of the street around him: the crossing lanes, kerbstones and shopfront edges bow outward toward the frame's corners, and the tall buildings lean away from the lens. High-key winter light floods the scene from a low, bright sun, washing the snow patches and the wet asphalt in luminous whites and cool greys with almost no shadow, only soft contact shadows pooled directly beneath his shoes and the phone in his hand. He tilts his chin up toward the camera, blue and yellow eyes bright behind the lenses of his glasses, a small silver triangle pendant resting at his collarbone and a thin chain at his lip catching the glare; his warm, faintly smiling expression reads as an easy greeting. One hand raises the phone at chest height, fingers curled around its edge, screen turned toward his palm; the other hand hangs relaxed with the thumb hooked near his jacket pocket. His baggy black shorts are dusted faintly with snow at the hem, and the loose flannel shifts with the turn of his shoulders. Snow settles only on upward-facing surfaces โ€” the rim of his phone, the tops of his shoulders, the ledge of a nearby sign โ€” and the whole frame is clean of any lettering, sign text or symbols. Crisp, airy, cheerful.
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1boy, solo, top-down view, high key lighting, bright daylight, sunny day, playful winter scene, city background, white fluffy hair, white eyelashes, blue and yellow eyes, glasses, lip chain piercing, silver triangle necklace, black shirt, blue flannel jacket, black baggy knee-length shorts, holding phone, warm expression, no text, masterpiece, best quality. Seen from directly above, a single boy stands on a snow-dusted city pavement, his body foreshortened so his white fluffy hair and the pale crown of his head dominate the frame while his shoulders and the blue flannel jacket bunch below. A wide-angle fishnet perspective warps the grid of the street around him: the crossing lanes, kerbstones and shopfront edges bow outward toward the frame's corners, and the tall buildings lean away from the lens. High-key winter light floods the scene from a low, bright sun, washing the snow patches and the wet asphalt in luminous whites and cool greys with almost no shadow, only soft contact shadows pooled directly beneath his shoes and the phone in his hand. He tilts his chin up toward the camera, blue and yellow eyes bright behind the lenses of his glasses, a small silver triangle pendant resting at his collarbone and a thin chain at his lip catching the glare; his warm, faintly smiling expression reads as an easy greeting. One hand raises the phone at chest height, fingers curled around its edge, screen turned toward his palm; the other hand hangs relaxed with the thumb hooked near his jacket pocket. His baggy black shorts are dusted faintly with snow at the hem, and the loose flannel shifts with the turn of his shoulders. Snow settles only on upward-facing surfaces โ€” the rim of his phone, the tops of his shoulders, the ledge of a nearby sign โ€” and the whole frame is clean of any lettering, sign text or symbols. Crisp, airy, cheerful.
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