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轩辕小枫
AI art by 轩辕小枫 on PixAI. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- 精致的锁骨微微凸起，修长雪白的玉颈托着一张倾城绝美、泛着些许红霞与香汗的鹅蛋玉颜，完美搭配着似火红唇，晶莹瑶鼻，以及一双潋滟的桃花美眸，仿若画中描摹的天上仙女。 虽然眉宇间显得清冷而又孤傲，高挑修长、成熟丰腴的娇躯也在此刻连连倒退，一双褪下拖鞋、因为战斗染上迷人粉红的精致肉丝裸足紧紧踩着纤尘不染的地板，修长匀称的肉丝美腿上青色的法师长袍裙摆微微摇曳。 成熟肥圆，将裙子撑得如同葫芦满月的硕臀之上，是仿佛盈盈一握，急剧收束、暗藏着马甲线般结实有力的纤细小蛮腰。在往上便是一对不断起伏，波涛汹涌，至少也是E罩杯程度，可惜却被裙子完全保护的惊人峰峦。
- Mode
- pro
- Size
- 768 x 1280
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Model & LoRA used
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1girl, solo, adult, aged up, beautiful woman, mature female, light brown hair, short curly hair, curls, blue eyes, makeup, eyeshadow, eyeliner, lipstick, blush, large breasts, curvy, wide hips, thick thighs, normal dress, simple dress, short sleeves, three-quarter view, from side, cowboy shot, standing, weight on one leg, head tilt, looking at viewer, light smile, one eyebrow slightly raised, hand resting on hip, other hand tucking a curl behind her ear, indoors, window light, plaster wall, wooden floor, warm palette, soft shadows
A three-quarter view of a single adult woman, seen from slightly side-on in a cowboy shot cut at mid-thigh, her body turned about forty degrees away from the camera while her face swings back toward the lens. Light brown short curly hair crops the nape of her neck and springs in loose tight spirals around her ears and temples, one curl falling across her forehead; her blue eyes sit under shaped brows, framed by soft brown eyeshadow, a fine black liner wing, warm blush high on both cheeks and a glossy rose lipstick with a clean cupid's bow. A simple knee-length dress of muted sage cotton, short sleeves, a modest round neckline and a gently cinched waist, follows the fuller line of her chest and the slight curve out to wide hips and thick thighs without clinging; the fabric pulls into soft diagonal folds from shoulder to bust and settles in a plain hem at the knee. She stands with her weight sunk into her left leg, right knee slack and right hip dropped, the right hand flat on her hip so the fingers press a shallow dent into the cotton, her left hand lifted to her ear tucking a curl back with the thumb and forefinger, a fine strand springing free of the grip. Her chin tips a little to one side and down, her eyes meeting the viewer directly with a faint closed-lip smile, one eyebrow arched a fraction higher than the other. Daylight comes in through a window just off frame to her right, striking the right side of her face, the shoulder of the dress and the tops of the curls in warm ivory, leaving the left cheek, the far side of her bodice and the hollow under her jaw in cool grey shadow, and her cast shadow falls angled across the wooden floorboards behind her left heel, stretching away from the window. The room is simple: a bare plaster wall, a baseboard, the planks running toward the bottom corner of the frame, nothing else in shot, the palette held to warm ivory skin, sage green, light brown and soft grey shadow. Where her weight presses the heel, the floorboard's dust has been pushed into a small clean crescent. Effortlessly warm, quietly confident.
Kylee Violette (Kiy Chan)
1girl, solo, adult, aged up, beautiful woman, mature female, light brown hair, short curly hair, curls, blue eyes, makeup, eyeshadow, eyeliner, lipstick, blush, large breasts, curvy, wide hips, thick thighs, normal dress, simple dress, short sleeves, three-quarter view, from side, cowboy shot, standing, weight on one leg, head tilt, looking at viewer, light smile, one eyebrow slightly raised, hand resting on hip, other hand tucking a curl behind her ear, indoors, window light, plaster wall, wooden floor, warm palette, soft shadows
A three-quarter view of a single adult woman, seen from slightly side-on in a cowboy shot cut at mid-thigh, her body turned about forty degrees away from the camera while her face swings back toward the lens. Light brown short curly hair crops the nape of her neck and springs in loose tight spirals around her ears and temples, one curl falling across her forehead; her blue eyes sit under shaped brows, framed by soft brown eyeshadow, a fine black liner wing, warm blush high on both cheeks and a glossy rose lipstick with a clean cupid's bow. A simple knee-length dress of muted sage cotton, short sleeves, a modest round neckline and a gently cinched waist, follows the fuller line of her chest and the slight curve out to wide hips and thick thighs without clinging; the fabric pulls into soft diagonal folds from shoulder to bust and settles in a plain hem at the knee. She stands with her weight sunk into her left leg, right knee slack and right hip dropped, the right hand flat on her hip so the fingers press a shallow dent into the cotton, her left hand lifted to her ear tucking a curl back with the thumb and forefinger, a fine strand springing free of the grip. Her chin tips a little to one side and down, her eyes meeting the viewer directly with a faint closed-lip smile, one eyebrow arched a fraction higher than the other. Daylight comes in through a window just off frame to her right, striking the right side of her face, the shoulder of the dress and the tops of the curls in warm ivory, leaving the left cheek, the far side of her bodice and the hollow under her jaw in cool grey shadow, and her cast shadow falls angled across the wooden floorboards behind her left heel, stretching away from the window. The room is simple: a bare plaster wall, a baseboard, the planks running toward the bottom corner of the frame, nothing else in shot, the palette held to warm ivory skin, sage green, light brown and soft grey shadow. Where her weight presses the heel, the floorboard's dust has been pushed into a small clean crescent. Effortlessly warm, quietly confident.
Kylee Violette (Kiy Chan)
1girl, solo, adult, aged up, beautiful woman, mature female, light brown hair, short curly hair, curls, blue eyes, makeup, eyeshadow, eyeliner, lipstick, blush, large breasts, curvy, wide hips, thick thighs, normal dress, simple dress, short sleeves, three-quarter view, from side, cowboy shot, standing, weight on one leg, head tilt, looking at viewer, light smile, one eyebrow slightly raised, hand resting on hip, other hand tucking a curl behind her ear, indoors, window light, plaster wall, wooden floor, warm palette, soft shadows
A three-quarter view of a single adult woman, seen from slightly side-on in a cowboy shot cut at mid-thigh, her body turned about forty degrees away from the camera while her face swings back toward the lens. Light brown short curly hair crops the nape of her neck and springs in loose tight spirals around her ears and temples, one curl falling across her forehead; her blue eyes sit under shaped brows, framed by soft brown eyeshadow, a fine black liner wing, warm blush high on both cheeks and a glossy rose lipstick with a clean cupid's bow. A simple knee-length dress of muted sage cotton, short sleeves, a modest round neckline and a gently cinched waist, follows the fuller line of her chest and the slight curve out to wide hips and thick thighs without clinging; the fabric pulls into soft diagonal folds from shoulder to bust and settles in a plain hem at the knee. She stands with her weight sunk into her left leg, right knee slack and right hip dropped, the right hand flat on her hip so the fingers press a shallow dent into the cotton, her left hand lifted to her ear tucking a curl back with the thumb and forefinger, a fine strand springing free of the grip. Her chin tips a little to one side and down, her eyes meeting the viewer directly with a faint closed-lip smile, one eyebrow arched a fraction higher than the other. Daylight comes in through a window just off frame to her right, striking the right side of her face, the shoulder of the dress and the tops of the curls in warm ivory, leaving the left cheek, the far side of her bodice and the hollow under her jaw in cool grey shadow, and her cast shadow falls angled across the wooden floorboards behind her left heel, stretching away from the window. The room is simple: a bare plaster wall, a baseboard, the planks running toward the bottom corner of the frame, nothing else in shot, the palette held to warm ivory skin, sage green, light brown and soft grey shadow. Where her weight presses the heel, the floorboard's dust has been pushed into a small clean crescent. Effortlessly warm, quietly confident.
Kylee Violette (Kiy Chan)
1girl, solo, adult, aged up, beautiful woman, mature female, light brown hair, short curly hair, curls, blue eyes, makeup, eyeshadow, eyeliner, lipstick, blush, large breasts, curvy, wide hips, thick thighs, normal dress, simple dress, short sleeves, three-quarter view, from side, cowboy shot, standing, weight on one leg, head tilt, looking at viewer, light smile, one eyebrow slightly raised, hand resting on hip, other hand tucking a curl behind her ear, indoors, window light, plaster wall, wooden floor, warm palette, soft shadows
A three-quarter view of a single adult woman, seen from slightly side-on in a cowboy shot cut at mid-thigh, her body turned about forty degrees away from the camera while her face swings back toward the lens. Light brown short curly hair crops the nape of her neck and springs in loose tight spirals around her ears and temples, one curl falling across her forehead; her blue eyes sit under shaped brows, framed by soft brown eyeshadow, a fine black liner wing, warm blush high on both cheeks and a glossy rose lipstick with a clean cupid's bow. A simple knee-length dress of muted sage cotton, short sleeves, a modest round neckline and a gently cinched waist, follows the fuller line of her chest and the slight curve out to wide hips and thick thighs without clinging; the fabric pulls into soft diagonal folds from shoulder to bust and settles in a plain hem at the knee. She stands with her weight sunk into her left leg, right knee slack and right hip dropped, the right hand flat on her hip so the fingers press a shallow dent into the cotton, her left hand lifted to her ear tucking a curl back with the thumb and forefinger, a fine strand springing free of the grip. Her chin tips a little to one side and down, her eyes meeting the viewer directly with a faint closed-lip smile, one eyebrow arched a fraction higher than the other. Daylight comes in through a window just off frame to her right, striking the right side of her face, the shoulder of the dress and the tops of the curls in warm ivory, leaving the left cheek, the far side of her bodice and the hollow under her jaw in cool grey shadow, and her cast shadow falls angled across the wooden floorboards behind her left heel, stretching away from the window. The room is simple: a bare plaster wall, a baseboard, the planks running toward the bottom corner of the frame, nothing else in shot, the palette held to warm ivory skin, sage green, light brown and soft grey shadow. Where her weight presses the heel, the floorboard's dust has been pushed into a small clean crescent. Effortlessly warm, quietly confident.
Kylee Violette (Kiy Chan)
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