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M I

AI art by M I on PixAI. Made with Tsubaki.3.

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M I

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4koma, comic, multiple views, 2girls, two girls, girl meets girl, meeting, first encounter, monochrome, greyscale, manga page, panel borders, screentone, hatching, spotted blacks, speed lines, school setting, corridor, shoulder-length hair, dark hair, medium hair, white short-sleeved shirt, button-down shirt, dark ribbon tie, dark pleated skirt, long hair, black hair, low ponytail, hair tied back, oversized cardigan, light cardigan, floral print dress, light dress, from above, from below, close-up, cowboy shot, wide shot, looking at another, wide-eyed, surprised, head tilt, leaning forward, outstretched arm, pointing, arms up, holding, blush, light smile, open mouth, :o, one eye closed, waving, standing on one leg, dutch angle, footsteps, sunlight, window light, dust motes, atmospheric perspective A four-panel black-and-white 4-koma comic strip, panels stacked vertically in reading order, thin ink panel borders with a slightly heavier outer frame, screentone and hatching carrying every tone from white paper to solid black. Panel 1: a wide shot down a school corridor, drawn from a low eye-level camera so the vanishing lines of the polished floor and the row of windows converge on a single bright point at the far end. A teenage girl with shoulder-length dark hair, a white short-sleeved button-down shirt and a dark pleated skirt with a dark ribbon tie at her throat stands in the near left foreground, three-quarters turned away, weight on her back foot, one hand hooked on the strap of the bag at her shoulder, the other lifted to shield her eyes from the window glare. She is alone in the frame, mid-step, her skirt pleats swinging out with the turn of her hips; the corridor behind her is empty and over-lit, window mullions casting long diagonal shadow bars across the floor. Screentone holds the distance as flat pale grey. Small hand-lettered caption box in the upper left corner of the panel: "Same time, same corridor." Panel 2: a tight over-shoulder shot from behind the dark-haired girl's right shoulder, her hair and shoulder a large soft-focus dark mass across the left edge of the panel, and beyond her, at the corridor corner, a second teenage girl with long black hair tied in a low ponytail and a light oversized cardigan slipping off one shoulder over a light floral-print dress, caught mid-turn, one hand raised to push a loose strand behind her ear. The second girl's eyes have just come up and fixed on the first; her mouth is slightly open. The first girl's visible ear and the back of her jaw are the only part of her face in the panel, and her shoulders are visibly lifting in a small startled jolt. Hatching deepens the corner where the second girl stands; a fan of fine speed lines snaps outward from the point where their lines of sight meet. A small jagged speech bubble at the top right, tail pointing to the black-haired girl, reads "Ah—". Panel 3: a two-shot from a low angle, dutch-tilted about eight degrees, both girls now facing each other half-profile in the corridor, the dark-haired girl on the left and the black-haired girl on the right, about an arm's length apart. The dark-haired girl is leaning far forward from the waist, one arm flung out and her index finger pointed at the other girl's cardigan, her ribbon tie swung forward off her chest, her front foot planted flat and her back heel lifted; her brows are up and her eyes are wide. The black-haired girl has rocked back onto her heels, both hands up at chest height, palms out, the oversized cardigan bunching at her elbows, one eye screwed shut and the other wide, her ponytail flicked sideways by her recoil. Both girls stare directly at each other. Big rounded speech bubble above the dark-haired girl, bold hand-lettering: "That cardigan— it's the one from the window!" Smaller bubble beside the black-haired girl, thinner hand-lettering with a little wobble: "You've been watching the window?" Panel 4: the punchline, a close two-shot cropped at the collarbones and shot from above, the camera looking down between the two girls' heads, the corridor floor and their two pairs of shoes visible small and foreshortened in the gap between them. The black-haired girl is smiling a small closed-lip smile with one eyebrow arched, one hand lifted to her chin; the dark-haired girl has gone stiff with both arms straight down at her sides, cheeks darkened with a heavy screentone blush that reaches her ears, mouth a tiny flat line. Both are looking at each other, and the black-haired girl's gaze has dropped slightly to the blush itself. Their shoes almost touch toe to toe on the floorboards. A flat hand-lettered box along the bottom edge of the panel, unboxed and clean: "Girl meets girl. Neither of them says another word." Ink linework with clean tapered contours, screentone dots and cross-hatching rather than gradients, solid black spotting in hair and cardigan folds, white paper reserved for the window light, no hues anywhere. Sunlight from the corridor windows is the only light source, falling in hard bars that lay across the floor and climb the girls' clothing; the panels read in ascending order of closeness, from the long cold corridor to the warm crowded final frame. Quiet, comic, and warm.
Show Parameters
Original Prompt
girl meets girl, 4koma,
Mode
ultra
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of M I
4koma, comic, multiple views, 2girls, two girls, girl meets girl, meeting, first encounter, monochrome, greyscale, manga page, panel borders, screentone, hatching, spotted blacks, speed lines, school setting, corridor, shoulder-length hair, dark hair, medium hair, white short-sleeved shirt, button-down shirt, dark ribbon tie, dark pleated skirt, long hair, black hair, low ponytail, hair tied back, oversized cardigan, light cardigan, floral print dress, light dress, from above, from below, close-up, cowboy shot, wide shot, looking at another, wide-eyed, surprised, head tilt, leaning forward, outstretched arm, pointing, arms up, holding, blush, light smile, open mouth, :o, one eye closed, waving, standing on one leg, dutch angle, footsteps, sunlight, window light, dust motes, atmospheric perspective A four-panel black-and-white 4-koma comic strip, panels stacked vertically in reading order, thin ink panel borders with a slightly heavier outer frame, screentone and hatching carrying every tone from white paper to solid black. Panel 1: a wide shot down a school corridor, drawn from a low eye-level camera so the vanishing lines of the polished floor and the row of windows converge on a single bright point at the far end. A teenage girl with shoulder-length dark hair, a white short-sleeved button-down shirt and a dark pleated skirt with a dark ribbon tie at her throat stands in the near left foreground, three-quarters turned away, weight on her back foot, one hand hooked on the strap of the bag at her shoulder, the other lifted to shield her eyes from the window glare. She is alone in the frame, mid-step, her skirt pleats swinging out with the turn of her hips; the corridor behind her is empty and over-lit, window mullions casting long diagonal shadow bars across the floor. Screentone holds the distance as flat pale grey. Small hand-lettered caption box in the upper left corner of the panel: "Same time, same corridor." Panel 2: a tight over-shoulder shot from behind the dark-haired girl's right shoulder, her hair and shoulder a large soft-focus dark mass across the left edge of the panel, and beyond her, at the corridor corner, a second teenage girl with long black hair tied in a low ponytail and a light oversized cardigan slipping off one shoulder over a light floral-print dress, caught mid-turn, one hand raised to push a loose strand behind her ear. The second girl's eyes have just come up and fixed on the first; her mouth is slightly open. The first girl's visible ear and the back of her jaw are the only part of her face in the panel, and her shoulders are visibly lifting in a small startled jolt. Hatching deepens the corner where the second girl stands; a fan of fine speed lines snaps outward from the point where their lines of sight meet. A small jagged speech bubble at the top right, tail pointing to the black-haired girl, reads "Ah—". Panel 3: a two-shot from a low angle, dutch-tilted about eight degrees, both girls now facing each other half-profile in the corridor, the dark-haired girl on the left and the black-haired girl on the right, about an arm's length apart. The dark-haired girl is leaning far forward from the waist, one arm flung out and her index finger pointed at the other girl's cardigan, her ribbon tie swung forward off her chest, her front foot planted flat and her back heel lifted; her brows are up and her eyes are wide. The black-haired girl has rocked back onto her heels, both hands up at chest height, palms out, the oversized cardigan bunching at her elbows, one eye screwed shut and the other wide, her ponytail flicked sideways by her recoil. Both girls stare directly at each other. Big rounded speech bubble above the dark-haired girl, bold hand-lettering: "That cardigan— it's the one from the window!" Smaller bubble beside the black-haired girl, thinner hand-lettering with a little wobble: "You've been watching the window?" Panel 4: the punchline, a close two-shot cropped at the collarbones and shot from above, the camera looking down between the two girls' heads, the corridor floor and their two pairs of shoes visible small and foreshortened in the gap between them. The black-haired girl is smiling a small closed-lip smile with one eyebrow arched, one hand lifted to her chin; the dark-haired girl has gone stiff with both arms straight down at her sides, cheeks darkened with a heavy screentone blush that reaches her ears, mouth a tiny flat line. Both are looking at each other, and the black-haired girl's gaze has dropped slightly to the blush itself. Their shoes almost touch toe to toe on the floorboards. A flat hand-lettered box along the bottom edge of the panel, unboxed and clean: "Girl meets girl. Neither of them says another word." Ink linework with clean tapered contours, screentone dots and cross-hatching rather than gradients, solid black spotting in hair and cardigan folds, white paper reserved for the window light, no hues anywhere. Sunlight from the corridor windows is the only light source, falling in hard bars that lay across the floor and climb the girls' clothing; the panels read in ascending order of closeness, from the long cold corridor to the warm crowded final frame. Quiet, comic, and warm.
M I
AI artwork
Avatar image of M I
4koma, comic, multiple views, 2girls, two girls, girl meets girl, meeting, first encounter, monochrome, greyscale, manga page, panel borders, screentone, hatching, spotted blacks, speed lines, school setting, corridor, shoulder-length hair, dark hair, medium hair, white short-sleeved shirt, button-down shirt, dark ribbon tie, dark pleated skirt, long hair, black hair, low ponytail, hair tied back, oversized cardigan, light cardigan, floral print dress, light dress, from above, from below, close-up, cowboy shot, wide shot, looking at another, wide-eyed, surprised, head tilt, leaning forward, outstretched arm, pointing, arms up, holding, blush, light smile, open mouth, :o, one eye closed, waving, standing on one leg, dutch angle, footsteps, sunlight, window light, dust motes, atmospheric perspective A four-panel black-and-white 4-koma comic strip, panels stacked vertically in reading order, thin ink panel borders with a slightly heavier outer frame, screentone and hatching carrying every tone from white paper to solid black. Panel 1: a wide shot down a school corridor, drawn from a low eye-level camera so the vanishing lines of the polished floor and the row of windows converge on a single bright point at the far end. A teenage girl with shoulder-length dark hair, a white short-sleeved button-down shirt and a dark pleated skirt with a dark ribbon tie at her throat stands in the near left foreground, three-quarters turned away, weight on her back foot, one hand hooked on the strap of the bag at her shoulder, the other lifted to shield her eyes from the window glare. She is alone in the frame, mid-step, her skirt pleats swinging out with the turn of her hips; the corridor behind her is empty and over-lit, window mullions casting long diagonal shadow bars across the floor. Screentone holds the distance as flat pale grey. Small hand-lettered caption box in the upper left corner of the panel: "Same time, same corridor." Panel 2: a tight over-shoulder shot from behind the dark-haired girl's right shoulder, her hair and shoulder a large soft-focus dark mass across the left edge of the panel, and beyond her, at the corridor corner, a second teenage girl with long black hair tied in a low ponytail and a light oversized cardigan slipping off one shoulder over a light floral-print dress, caught mid-turn, one hand raised to push a loose strand behind her ear. The second girl's eyes have just come up and fixed on the first; her mouth is slightly open. The first girl's visible ear and the back of her jaw are the only part of her face in the panel, and her shoulders are visibly lifting in a small startled jolt. Hatching deepens the corner where the second girl stands; a fan of fine speed lines snaps outward from the point where their lines of sight meet. A small jagged speech bubble at the top right, tail pointing to the black-haired girl, reads "Ah—". Panel 3: a two-shot from a low angle, dutch-tilted about eight degrees, both girls now facing each other half-profile in the corridor, the dark-haired girl on the left and the black-haired girl on the right, about an arm's length apart. The dark-haired girl is leaning far forward from the waist, one arm flung out and her index finger pointed at the other girl's cardigan, her ribbon tie swung forward off her chest, her front foot planted flat and her back heel lifted; her brows are up and her eyes are wide. The black-haired girl has rocked back onto her heels, both hands up at chest height, palms out, the oversized cardigan bunching at her elbows, one eye screwed shut and the other wide, her ponytail flicked sideways by her recoil. Both girls stare directly at each other. Big rounded speech bubble above the dark-haired girl, bold hand-lettering: "That cardigan— it's the one from the window!" Smaller bubble beside the black-haired girl, thinner hand-lettering with a little wobble: "You've been watching the window?" Panel 4: the punchline, a close two-shot cropped at the collarbones and shot from above, the camera looking down between the two girls' heads, the corridor floor and their two pairs of shoes visible small and foreshortened in the gap between them. The black-haired girl is smiling a small closed-lip smile with one eyebrow arched, one hand lifted to her chin; the dark-haired girl has gone stiff with both arms straight down at her sides, cheeks darkened with a heavy screentone blush that reaches her ears, mouth a tiny flat line. Both are looking at each other, and the black-haired girl's gaze has dropped slightly to the blush itself. Their shoes almost touch toe to toe on the floorboards. A flat hand-lettered box along the bottom edge of the panel, unboxed and clean: "Girl meets girl. Neither of them says another word." Ink linework with clean tapered contours, screentone dots and cross-hatching rather than gradients, solid black spotting in hair and cardigan folds, white paper reserved for the window light, no hues anywhere. Sunlight from the corridor windows is the only light source, falling in hard bars that lay across the floor and climb the girls' clothing; the panels read in ascending order of closeness, from the long cold corridor to the warm crowded final frame. Quiet, comic, and warm.
M I
AI artwork
Avatar image of M I
4koma, comic, multiple views, 2girls, two girls, girl meets girl, meeting, first encounter, monochrome, greyscale, manga page, panel borders, screentone, hatching, spotted blacks, speed lines, school setting, corridor, shoulder-length hair, dark hair, medium hair, white short-sleeved shirt, button-down shirt, dark ribbon tie, dark pleated skirt, long hair, black hair, low ponytail, hair tied back, oversized cardigan, light cardigan, floral print dress, light dress, from above, from below, close-up, cowboy shot, wide shot, looking at another, wide-eyed, surprised, head tilt, leaning forward, outstretched arm, pointing, arms up, holding, blush, light smile, open mouth, :o, one eye closed, waving, standing on one leg, dutch angle, footsteps, sunlight, window light, dust motes, atmospheric perspective A four-panel black-and-white 4-koma comic strip, panels stacked vertically in reading order, thin ink panel borders with a slightly heavier outer frame, screentone and hatching carrying every tone from white paper to solid black. Panel 1: a wide shot down a school corridor, drawn from a low eye-level camera so the vanishing lines of the polished floor and the row of windows converge on a single bright point at the far end. A teenage girl with shoulder-length dark hair, a white short-sleeved button-down shirt and a dark pleated skirt with a dark ribbon tie at her throat stands in the near left foreground, three-quarters turned away, weight on her back foot, one hand hooked on the strap of the bag at her shoulder, the other lifted to shield her eyes from the window glare. She is alone in the frame, mid-step, her skirt pleats swinging out with the turn of her hips; the corridor behind her is empty and over-lit, window mullions casting long diagonal shadow bars across the floor. Screentone holds the distance as flat pale grey. Small hand-lettered caption box in the upper left corner of the panel: "Same time, same corridor." Panel 2: a tight over-shoulder shot from behind the dark-haired girl's right shoulder, her hair and shoulder a large soft-focus dark mass across the left edge of the panel, and beyond her, at the corridor corner, a second teenage girl with long black hair tied in a low ponytail and a light oversized cardigan slipping off one shoulder over a light floral-print dress, caught mid-turn, one hand raised to push a loose strand behind her ear. The second girl's eyes have just come up and fixed on the first; her mouth is slightly open. The first girl's visible ear and the back of her jaw are the only part of her face in the panel, and her shoulders are visibly lifting in a small startled jolt. Hatching deepens the corner where the second girl stands; a fan of fine speed lines snaps outward from the point where their lines of sight meet. A small jagged speech bubble at the top right, tail pointing to the black-haired girl, reads "Ah—". Panel 3: a two-shot from a low angle, dutch-tilted about eight degrees, both girls now facing each other half-profile in the corridor, the dark-haired girl on the left and the black-haired girl on the right, about an arm's length apart. The dark-haired girl is leaning far forward from the waist, one arm flung out and her index finger pointed at the other girl's cardigan, her ribbon tie swung forward off her chest, her front foot planted flat and her back heel lifted; her brows are up and her eyes are wide. The black-haired girl has rocked back onto her heels, both hands up at chest height, palms out, the oversized cardigan bunching at her elbows, one eye screwed shut and the other wide, her ponytail flicked sideways by her recoil. Both girls stare directly at each other. Big rounded speech bubble above the dark-haired girl, bold hand-lettering: "That cardigan— it's the one from the window!" Smaller bubble beside the black-haired girl, thinner hand-lettering with a little wobble: "You've been watching the window?" Panel 4: the punchline, a close two-shot cropped at the collarbones and shot from above, the camera looking down between the two girls' heads, the corridor floor and their two pairs of shoes visible small and foreshortened in the gap between them. The black-haired girl is smiling a small closed-lip smile with one eyebrow arched, one hand lifted to her chin; the dark-haired girl has gone stiff with both arms straight down at her sides, cheeks darkened with a heavy screentone blush that reaches her ears, mouth a tiny flat line. Both are looking at each other, and the black-haired girl's gaze has dropped slightly to the blush itself. Their shoes almost touch toe to toe on the floorboards. A flat hand-lettered box along the bottom edge of the panel, unboxed and clean: "Girl meets girl. Neither of them says another word." Ink linework with clean tapered contours, screentone dots and cross-hatching rather than gradients, solid black spotting in hair and cardigan folds, white paper reserved for the window light, no hues anywhere. Sunlight from the corridor windows is the only light source, falling in hard bars that lay across the floor and climb the girls' clothing; the panels read in ascending order of closeness, from the long cold corridor to the warm crowded final frame. Quiet, comic, and warm.
M I

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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