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한채원

AI art by 한채원 on PixAI. Made with Tsubaki.3 Flash.

한

한채원

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1boy, solo, white hair, short curly hair, curtained hair, light yellow eyes, narrow and long eyes, sharp eye shape, beautiful eyes, light smile, half-closed eyes, from above, from side, looking at viewer, front view, head tilted down, shaded face, white shirt, white ascot, white aristocratic coat, navy vest, white gloves, sitting at a chessboard, playing chess, one hand on chin, arm support, holding chess piece, chessboard, chess pieces, black background, wall, overlighting, light from above, spotlight from front, depth of field, flat color, delicate watercolor ink traces, The camera sits high above and slightly to one side of a young man in his twenties, looking down the length of his own shoulder at the lens: his head is tilted back so his face angles up toward the viewer, a steep from-above view that drops the chessboard into the lower foreground and lets the wall rise behind him. He leans over the board with his weight gathered on his left forearm, which is planted on the table edge, while his right elbow rests on the tabletop and his gloved right hand is folded under his chin, knuckles tucked against the jaw, fingers loosely curled; his other gloved hand hovers over a tall chess piece, pinching it lightly between thumb and forefinger, caught halfway through a move. White curls, short and tightly coiled, with a side-swept fringe that arches up from the brow and falls back down in curtained bangs over the right side of his forehead; the lamps from above catch the crown of those curls in pale halos. His narrow, long eyes are sharpened at the outer corners, light yellow irises bright and clear, the lids low and amused; he looks straight up into the lens, head tipped and tipped back, meeting the viewer's gaze across the top edge of the board, and one corner of his mouth lifts in a light, closed-lipped smile — calm, and slightly knowing. Under the overhead light the brow ridge, the underside of the nose, the shelf of the lower lip and the jawline all drop into shadow, so the upper planes of his face — forehead, cheekbones, bridge of the nose, the tops of the curls — blaze while the mask of his features sits in a soft downward shade, and the shadowed face is exactly what makes his eyes cut out so bright. He is dressed in pure white on white: a white shirt buttoned high, a white ascot knotted at the throat with its folds stacked and shaded, a white aristocratic military coat with stiff standing collar and heavy cuffs worn open over a navy vest that reads as the only deep color on his body, and white gloves on both hands. The board in the lower part of the frame is checkered black and white, pieces glossy and dark and light, some toppled at the board's edge where the far side has been played. Behind him the wall is a flat black expanse with a very subtle vertical falloff, and the front spotlight strikes him square-on and washes the wall behind his shoulders in a faint halo of gray; the upper overhead light is the only other source, so the two lights carve his figure out of a total darkness that swallows the room's corners. Shallow depth of field keeps his eyes and the curled glove at his chin razor-sharp, while the chess pieces nearest the camera soften and the wall blurs to a smooth black void behind him. A single pale reflection of the overhead lamp sits in the glossy dome of the chess piece he is moving, and the pieces nearer the front light throw long soft shadows away from it across the board. Palette held to white, black, navy and the pale yellow of his eyes, with the watercolor ink work showing in the faint blooming granulation of the coat's white and the feathered wet edges where the shadow meets his jaw — quiet, aristocratic, and gently theatrical.
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Original Prompt
delicate watercolor ink traces, 8k, masterpiece, delicate illustration, flat color, beautiful eyes, depth of field, masterpiece, best quality, yuki style, 1boy, white hair, light yellow eyes, light smile, short curly hair, curtained hair, 20대 남성, Narrow and long shape eyes, 날카로운 눈매, overlighting(light from above), 측면에서 쳐다보는, white shirt, white ascot, 하얀색 귀족 제복 외투, 하얀 색 장갑, 네이비 색 조끼, shaded face, 체스를 두는, 한 손을 턱에 괴는, 검은색 배경, spotlight from front, wall, front view, looking at viewer, from above
Mode
flash
Quality Tag
﹝Prompts﹞
Size
1888 x 1056
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.27k

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AI artwork
한
1boy, solo, white hair, short curly hair, curtained hair, light yellow eyes, narrow and long eyes, sharp eye shape, beautiful eyes, light smile, half-closed eyes, from above, from side, looking at viewer, front view, head tilted down, shaded face, white shirt, white ascot, white aristocratic coat, navy vest, white gloves, sitting at a chessboard, playing chess, one hand on chin, arm support, holding chess piece, chessboard, chess pieces, black background, wall, overlighting, light from above, spotlight from front, depth of field, flat color, delicate watercolor ink traces, The camera sits high above and slightly to one side of a young man in his twenties, looking down the length of his own shoulder at the lens: his head is tilted back so his face angles up toward the viewer, a steep from-above view that drops the chessboard into the lower foreground and lets the wall rise behind him. He leans over the board with his weight gathered on his left forearm, which is planted on the table edge, while his right elbow rests on the tabletop and his gloved right hand is folded under his chin, knuckles tucked against the jaw, fingers loosely curled; his other gloved hand hovers over a tall chess piece, pinching it lightly between thumb and forefinger, caught halfway through a move. White curls, short and tightly coiled, with a side-swept fringe that arches up from the brow and falls back down in curtained bangs over the right side of his forehead; the lamps from above catch the crown of those curls in pale halos. His narrow, long eyes are sharpened at the outer corners, light yellow irises bright and clear, the lids low and amused; he looks straight up into the lens, head tipped and tipped back, meeting the viewer's gaze across the top edge of the board, and one corner of his mouth lifts in a light, closed-lipped smile — calm, and slightly knowing. Under the overhead light the brow ridge, the underside of the nose, the shelf of the lower lip and the jawline all drop into shadow, so the upper planes of his face — forehead, cheekbones, bridge of the nose, the tops of the curls — blaze while the mask of his features sits in a soft downward shade, and the shadowed face is exactly what makes his eyes cut out so bright. He is dressed in pure white on white: a white shirt buttoned high, a white ascot knotted at the throat with its folds stacked and shaded, a white aristocratic military coat with stiff standing collar and heavy cuffs worn open over a navy vest that reads as the only deep color on his body, and white gloves on both hands. The board in the lower part of the frame is checkered black and white, pieces glossy and dark and light, some toppled at the board's edge where the far side has been played. Behind him the wall is a flat black expanse with a very subtle vertical falloff, and the front spotlight strikes him square-on and washes the wall behind his shoulders in a faint halo of gray; the upper overhead light is the only other source, so the two lights carve his figure out of a total darkness that swallows the room's corners. Shallow depth of field keeps his eyes and the curled glove at his chin razor-sharp, while the chess pieces nearest the camera soften and the wall blurs to a smooth black void behind him. A single pale reflection of the overhead lamp sits in the glossy dome of the chess piece he is moving, and the pieces nearer the front light throw long soft shadows away from it across the board. Palette held to white, black, navy and the pale yellow of his eyes, with the watercolor ink work showing in the faint blooming granulation of the coat's white and the feathered wet edges where the shadow meets his jaw — quiet, aristocratic, and gently theatrical.
한채원
AI artwork
한
1boy, solo, white hair, short curly hair, curtained hair, light yellow eyes, narrow and long eyes, sharp eye shape, beautiful eyes, light smile, half-closed eyes, from above, from side, looking at viewer, front view, head tilted down, shaded face, white shirt, white ascot, white aristocratic coat, navy vest, white gloves, sitting at a chessboard, playing chess, one hand on chin, arm support, holding chess piece, chessboard, chess pieces, black background, wall, overlighting, light from above, spotlight from front, depth of field, flat color, delicate watercolor ink traces, The camera sits high above and slightly to one side of a young man in his twenties, looking down the length of his own shoulder at the lens: his head is tilted back so his face angles up toward the viewer, a steep from-above view that drops the chessboard into the lower foreground and lets the wall rise behind him. He leans over the board with his weight gathered on his left forearm, which is planted on the table edge, while his right elbow rests on the tabletop and his gloved right hand is folded under his chin, knuckles tucked against the jaw, fingers loosely curled; his other gloved hand hovers over a tall chess piece, pinching it lightly between thumb and forefinger, caught halfway through a move. White curls, short and tightly coiled, with a side-swept fringe that arches up from the brow and falls back down in curtained bangs over the right side of his forehead; the lamps from above catch the crown of those curls in pale halos. His narrow, long eyes are sharpened at the outer corners, light yellow irises bright and clear, the lids low and amused; he looks straight up into the lens, head tipped and tipped back, meeting the viewer's gaze across the top edge of the board, and one corner of his mouth lifts in a light, closed-lipped smile — calm, and slightly knowing. Under the overhead light the brow ridge, the underside of the nose, the shelf of the lower lip and the jawline all drop into shadow, so the upper planes of his face — forehead, cheekbones, bridge of the nose, the tops of the curls — blaze while the mask of his features sits in a soft downward shade, and the shadowed face is exactly what makes his eyes cut out so bright. He is dressed in pure white on white: a white shirt buttoned high, a white ascot knotted at the throat with its folds stacked and shaded, a white aristocratic military coat with stiff standing collar and heavy cuffs worn open over a navy vest that reads as the only deep color on his body, and white gloves on both hands. The board in the lower part of the frame is checkered black and white, pieces glossy and dark and light, some toppled at the board's edge where the far side has been played. Behind him the wall is a flat black expanse with a very subtle vertical falloff, and the front spotlight strikes him square-on and washes the wall behind his shoulders in a faint halo of gray; the upper overhead light is the only other source, so the two lights carve his figure out of a total darkness that swallows the room's corners. Shallow depth of field keeps his eyes and the curled glove at his chin razor-sharp, while the chess pieces nearest the camera soften and the wall blurs to a smooth black void behind him. A single pale reflection of the overhead lamp sits in the glossy dome of the chess piece he is moving, and the pieces nearer the front light throw long soft shadows away from it across the board. Palette held to white, black, navy and the pale yellow of his eyes, with the watercolor ink work showing in the faint blooming granulation of the coat's white and the feathered wet edges where the shadow meets his jaw — quiet, aristocratic, and gently theatrical.
한채원
AI artwork
한
1boy, solo, white hair, short curly hair, curtained hair, light yellow eyes, narrow and long eyes, sharp eye shape, beautiful eyes, light smile, half-closed eyes, from above, from side, looking at viewer, front view, head tilted down, shaded face, white shirt, white ascot, white aristocratic coat, navy vest, white gloves, sitting at a chessboard, playing chess, one hand on chin, arm support, holding chess piece, chessboard, chess pieces, black background, wall, overlighting, light from above, spotlight from front, depth of field, flat color, delicate watercolor ink traces, The camera sits high above and slightly to one side of a young man in his twenties, looking down the length of his own shoulder at the lens: his head is tilted back so his face angles up toward the viewer, a steep from-above view that drops the chessboard into the lower foreground and lets the wall rise behind him. He leans over the board with his weight gathered on his left forearm, which is planted on the table edge, while his right elbow rests on the tabletop and his gloved right hand is folded under his chin, knuckles tucked against the jaw, fingers loosely curled; his other gloved hand hovers over a tall chess piece, pinching it lightly between thumb and forefinger, caught halfway through a move. White curls, short and tightly coiled, with a side-swept fringe that arches up from the brow and falls back down in curtained bangs over the right side of his forehead; the lamps from above catch the crown of those curls in pale halos. His narrow, long eyes are sharpened at the outer corners, light yellow irises bright and clear, the lids low and amused; he looks straight up into the lens, head tipped and tipped back, meeting the viewer's gaze across the top edge of the board, and one corner of his mouth lifts in a light, closed-lipped smile — calm, and slightly knowing. Under the overhead light the brow ridge, the underside of the nose, the shelf of the lower lip and the jawline all drop into shadow, so the upper planes of his face — forehead, cheekbones, bridge of the nose, the tops of the curls — blaze while the mask of his features sits in a soft downward shade, and the shadowed face is exactly what makes his eyes cut out so bright. He is dressed in pure white on white: a white shirt buttoned high, a white ascot knotted at the throat with its folds stacked and shaded, a white aristocratic military coat with stiff standing collar and heavy cuffs worn open over a navy vest that reads as the only deep color on his body, and white gloves on both hands. The board in the lower part of the frame is checkered black and white, pieces glossy and dark and light, some toppled at the board's edge where the far side has been played. Behind him the wall is a flat black expanse with a very subtle vertical falloff, and the front spotlight strikes him square-on and washes the wall behind his shoulders in a faint halo of gray; the upper overhead light is the only other source, so the two lights carve his figure out of a total darkness that swallows the room's corners. Shallow depth of field keeps his eyes and the curled glove at his chin razor-sharp, while the chess pieces nearest the camera soften and the wall blurs to a smooth black void behind him. A single pale reflection of the overhead lamp sits in the glossy dome of the chess piece he is moving, and the pieces nearer the front light throw long soft shadows away from it across the board. Palette held to white, black, navy and the pale yellow of his eyes, with the watercolor ink work showing in the faint blooming granulation of the coat's white and the feathered wet edges where the shadow meets his jaw — quiet, aristocratic, and gently theatrical.
한채원

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リオ
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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