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ioppa Version.2

ioppa Version.2 AI art by うざぴょい on PixAI. Tags: Coat, Railing, Power lines, Building, Wide Shot. Made with Tsubaki.3 Flash.

ワンプロンプトの失敗作を秋コンテスト用に再編集！ …だけど元の面影まるで残ってないわw

Contest Entry

Colours of Autumn

#Scarf #Scenery #Evening #Coat #Railing #Power lines #Building #Wide Shot

Published on Nov 15, 2026

うざぴょい

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1girl, solo, light blue hair, anatomically correct proportions, realistic anatomy, retro japanese anime style, 1970s-1980s anime film look, autumn sunset, local city, city street, shopping street, shotengai, warm golden hour, low sun, long shadows, from below, wide shot, lens flare, looking up, head tilted back, leaning on railing, sky, telephone wires, autumn foliage, fallen leaves, gradient sky, soft haze, cel shading, hand-painted background, film grain. The camera sits low, near street level, so the girl and the slice of local city around her rear up against a wide autumn sky. She is in the lower third of the frame, seen from below and slightly to her left: a teenage girl with straight light blue hair cut to her jaw and a soft fringe, the hair catching the low sun along its upper edge and darker toward the tips. She stands on a narrow riverside-kitchen footpath raised above the street, her right hip resting against a slender metal handrail, right forearm laid along the top of the rail, fingers loosely curled over its far edge, her left hand pushed into the pocket of her open charcoal-green winter coat; weight on her left leg, right leg bent at the knee, foot set forward. A cream knit scarf hangs loose round her neck, its end lifted a little by the breeze. Her head is tipped back and her gaze is cast up and out of frame at the sky between the rooftops, chin lifted, lips slightly parted as though she has just taken a breath, eyes half-closed against the glare, one brow faintly drawn. Behind and below her the street recedes: a row of two- and three-storey mixed shopfronts of rust-brown tile and cream stucco, awnings, a bicycle propped against a shutter, pedestrians reduced to a few small distant silhouettes, low illumination signage that is worn and illegible, power lines strung in long dips from pole to pole. The low autumn sun sits off-frame to the right and behind the rooftops, so the whole street is bathed in warm gold-brown light with a pale sandy glow in the sky above; the sun strikes the crown of her head, the top of the scarf and the rail's upper edge in a narrow hot line, and everything facing away from it -- the street's shaded sides, her coat's front, the undersides of the awnings -- sits in cool blue-grey dusk. Low sun throws the rail's long soft shadow across the pavement and inflates her silhouette at the top of the frame. The palette is confined to warm brown and pale sandy gold in the sky and masonry, cool steel-blue in the hair, shaded façades and dusk tones, and the olive-green and moss-green of her coat and the autumn trees and weeds along the rail; nothing outside those hues appears. Leaves gathered on the rail's top pick up the light only where they face the sun. The horizon behind her is compressed by the low camera into a long thin band of rooftops. The whole frame is drawn in the flat cel shading and hand-painted background textures of classic Japanese animation, grain and slight print softness over everything. Quiet, warm, and peaceful.

ioppa Version.2

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