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銀杏と青空

銀杏と青空 AI art by 水底神無 on PixAI. Made with Tsubaki.3.

#Girl

Published on Nov 15, 2026

水底神無

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1girl, solo, late teens, young woman, hazel hair, long hair, hair blowing in the wind, brown eyes, big eyes, long eyelashes, soft smile, closed mouth, white shirt, black dress, maroon cardigan, holding handbag with both hands, off-white handbag, standing, looking at viewer, autumn, yellow ginkgo trees, ginkgo tree-lined avenue, tunnel of ginkgo trees, blue sky, white clouds, white bench, falling leaves, ginkgo leaves, outdoors, day, depth of field, full body, from below, The camera sits low, near knee height, tilted up: the young woman stands centered on the ginkgo-lined avenue, seen from below so the tunnel of golden trees converges above her head and a wedge of blue sky with white clouds opens at the vanishing point behind her. She is a late teen, slim, her weight settled on her right leg with the left knee slightly forward and the left foot turned out; her shoulders are relaxed and slightly asymmetrical, one dropped. Her long hazel hair is caught by the wind and streamed sideways to her left in loose strands that cut across the ginkgo canopy behind her; the fringe lifts off her forehead. Her big brown eyes are wide and level, lashes long and dark, aimed straight into the lens with a soft closed-lip smile that lifts one corner a fraction higher than the other. Both hands grip the handles of a small off-white handbag in front of her hips, the bag hanging by the straps at the crest of her thighs, knuckles lightly flexed, the leather straps pressed flat and slightly creased by the curl of her fingers. She wears a white shirt with an open collar, a black dress whose hem shows below the shirt, and a maroon cardigan hanging open over it, sleeves pushed to the wrists, its hem lifting at one side in the same wind that moves her hair. The avenue recedes directly behind her: two dense ranks of ginkgo trunks in dark ochre-grey, their canopies meeting overhead in a yellow tunnel that thins into gold haze at the far end. To her right, in the midground, a white bench stands on the leaf-strewn path, its seat and backrest filmed with fallen ginkgo leaves while the undersides of the slats stay bare. Leaves fall everywhere across the background, thousands of small golden fans at different depths, sharp near her shoulders and blurred further back; they catch and drift rather than drop straight, and a few have settled on the shoulders of her cardigan and on the flat top of the handbag. A low sun comes from behind-left through the canopy, so the leaf-shadow dapple falls across the path and the bench, her backlit hair glows at the rim, and her face and the front of her white shirt are lit by soft bounced light from the bright path below; long thin shadows from the trunks rake across the ground toward the viewer. The palette is built on yellow-gold foliage and pale sky-blue, cut by the black and maroon of her clothes and the off-white bag and bench, the brown of her eyes and hair the only warm neutral between them. Detail is spent on her face, her hands and the wind-shaped fall of her hair; the far canopy simplifies into blocks of gold. Bright, tender.

銀杏と青空

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