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Jacqueline

AI art by Jacqueline on PixAI. Made with Tsubaki.3 Flash.

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Jacqueline

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1girl, solo, one person, long hair, wavy hair, black hair, straight cut bangs, blunt bangs, headband, tight sports bra, midriff, navel, bare arms, bare shoulders, collarbone, dynamic pose, left arm forward, outstretched arm, hand reaching toward viewer, foreshortening, hand near viewer, spread fingers, looking at viewer, eye contact, closed mouth, slight smile, narrowed eyes, confident expression, head tilt, shoulders angled, torso twist, from above, looking down at character, cowboy shot, upper body, head chest and belly in frame, legs out of frame, white background, solid white background, no background detail, simple shading, sharp shadow edges, saturated simple palette, clean thick linework, cel shading, The camera looks down from slightly above and a little to her right, so the top of her head, the part in her bangs and the tilt of her shoulders are all visible while her chin comes forward and her jaw clears the line of her collarbones. Her body is caught mid-step in a hard twist: her right shoulder is pulled back and dropped, her right arm bent with the elbow tucked in toward her ribs and the hand loosely closed against her side, while her left arm drives up and out at the lens, the elbow almost straight, the forearm foreshortened so that the open left hand looms largest in the picture, fingers spread and slightly curled, thumb low and away, palm turned three-quarters toward the viewer with the pad of the middle finger catching the light. Her weight rides on her right hip, so her ribcage lifts and folds away to her left, stretching the tight sports bra diagonally across her chest and exposing a short run of belly and a small navel just above the bottom edge of the crop. Her head tips toward her outstretched left hand but her eyes do not follow it: they stay locked straight into the lens under lowered lids, one brow a fraction higher than the other, lips closed and pressed into a flat, faintly smug line, no teeth. Her long wavy black hair falls in loose, heavy S-curves over both shoulders and swings back off the left shoulder with the momentum of the out-stretched arm; a thin headband sits low across the crown behind the blunt straight-cut fringe, which hangs level across her forehead and splits into a few separate locks at the brow. Contact points are precise: the sports bra's lower band grips her ribs with a slight compression at the hem, its straps cut into the tops of both shoulders, the left strap pulled tauter than the right, and her hair brushes the bra straps where the waves cross them. The hand in the foreground is the sharpest thing in the image; her face and torso are one level softer, her wavy hair mass the simplest. Light comes from the upper left, hard and single, striking the back of the reaching left hand, the bridge of her nose, the left cheekbone and the upper curve of her left shoulder; the shadow side falls away in flat, unbroken tone down the right side of her face, under her jaw, along the right flank of her ribs and in the crease where the bra band meets her skin. Every shadow is a crisp-edged shape with no gradient, the cast shadow of her reaching arm dropping a clean dark diagonal across the upper chest and the shadow of her bangs a blunt bar across her brow. The palette is four flat colours at most, deeply saturated -- the blue-black of her hair with one cooler highlight band, a single strong garment colour against bare warm skin, a dark warm shadow tone used identically everywhere -- and the figure sits on a completely solid white field with no gradient, no horizon line, no cast shadow on the ground. Clean thick black contour lines of even weight enclose every form, filled with flat saturated colour and one simple shading tone, sharp-edged throughout, no rendering, no texture. Bold, cocky, high-energy.
Show Parameters
Original Prompt
A dynamic posed anime character with her left hand out stretched towards the viewer. They look at the viewer. Their head, chest, and belly are in frame, with their legs out of frame. They have long wavy black hair with straight cut bangs and a headband. They wear a tight sports bra. The framing is from slightly above, looking down on the character. The character has a simple, closed mouth expression. Expressive body language, dynamic pose. The image uses clean, thick linework with simple shading. Colours are simple and saturated. Shadows have sharp edges. Solid white background.
Mode
flash
Size
1232 x 1232
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.27k

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AI artwork
Avatar image of Jacqueline
1girl, solo, one person, long hair, wavy hair, black hair, straight cut bangs, blunt bangs, headband, tight sports bra, midriff, navel, bare arms, bare shoulders, collarbone, dynamic pose, left arm forward, outstretched arm, hand reaching toward viewer, foreshortening, hand near viewer, spread fingers, looking at viewer, eye contact, closed mouth, slight smile, narrowed eyes, confident expression, head tilt, shoulders angled, torso twist, from above, looking down at character, cowboy shot, upper body, head chest and belly in frame, legs out of frame, white background, solid white background, no background detail, simple shading, sharp shadow edges, saturated simple palette, clean thick linework, cel shading, The camera looks down from slightly above and a little to her right, so the top of her head, the part in her bangs and the tilt of her shoulders are all visible while her chin comes forward and her jaw clears the line of her collarbones. Her body is caught mid-step in a hard twist: her right shoulder is pulled back and dropped, her right arm bent with the elbow tucked in toward her ribs and the hand loosely closed against her side, while her left arm drives up and out at the lens, the elbow almost straight, the forearm foreshortened so that the open left hand looms largest in the picture, fingers spread and slightly curled, thumb low and away, palm turned three-quarters toward the viewer with the pad of the middle finger catching the light. Her weight rides on her right hip, so her ribcage lifts and folds away to her left, stretching the tight sports bra diagonally across her chest and exposing a short run of belly and a small navel just above the bottom edge of the crop. Her head tips toward her outstretched left hand but her eyes do not follow it: they stay locked straight into the lens under lowered lids, one brow a fraction higher than the other, lips closed and pressed into a flat, faintly smug line, no teeth. Her long wavy black hair falls in loose, heavy S-curves over both shoulders and swings back off the left shoulder with the momentum of the out-stretched arm; a thin headband sits low across the crown behind the blunt straight-cut fringe, which hangs level across her forehead and splits into a few separate locks at the brow. Contact points are precise: the sports bra's lower band grips her ribs with a slight compression at the hem, its straps cut into the tops of both shoulders, the left strap pulled tauter than the right, and her hair brushes the bra straps where the waves cross them. The hand in the foreground is the sharpest thing in the image; her face and torso are one level softer, her wavy hair mass the simplest. Light comes from the upper left, hard and single, striking the back of the reaching left hand, the bridge of her nose, the left cheekbone and the upper curve of her left shoulder; the shadow side falls away in flat, unbroken tone down the right side of her face, under her jaw, along the right flank of her ribs and in the crease where the bra band meets her skin. Every shadow is a crisp-edged shape with no gradient, the cast shadow of her reaching arm dropping a clean dark diagonal across the upper chest and the shadow of her bangs a blunt bar across her brow. The palette is four flat colours at most, deeply saturated -- the blue-black of her hair with one cooler highlight band, a single strong garment colour against bare warm skin, a dark warm shadow tone used identically everywhere -- and the figure sits on a completely solid white field with no gradient, no horizon line, no cast shadow on the ground. Clean thick black contour lines of even weight enclose every form, filled with flat saturated colour and one simple shading tone, sharp-edged throughout, no rendering, no texture. Bold, cocky, high-energy.
Jacqueline
AI artwork
Avatar image of Jacqueline
1girl, solo, one person, long hair, wavy hair, black hair, straight cut bangs, blunt bangs, headband, tight sports bra, midriff, navel, bare arms, bare shoulders, collarbone, dynamic pose, left arm forward, outstretched arm, hand reaching toward viewer, foreshortening, hand near viewer, spread fingers, looking at viewer, eye contact, closed mouth, slight smile, narrowed eyes, confident expression, head tilt, shoulders angled, torso twist, from above, looking down at character, cowboy shot, upper body, head chest and belly in frame, legs out of frame, white background, solid white background, no background detail, simple shading, sharp shadow edges, saturated simple palette, clean thick linework, cel shading, The camera looks down from slightly above and a little to her right, so the top of her head, the part in her bangs and the tilt of her shoulders are all visible while her chin comes forward and her jaw clears the line of her collarbones. Her body is caught mid-step in a hard twist: her right shoulder is pulled back and dropped, her right arm bent with the elbow tucked in toward her ribs and the hand loosely closed against her side, while her left arm drives up and out at the lens, the elbow almost straight, the forearm foreshortened so that the open left hand looms largest in the picture, fingers spread and slightly curled, thumb low and away, palm turned three-quarters toward the viewer with the pad of the middle finger catching the light. Her weight rides on her right hip, so her ribcage lifts and folds away to her left, stretching the tight sports bra diagonally across her chest and exposing a short run of belly and a small navel just above the bottom edge of the crop. Her head tips toward her outstretched left hand but her eyes do not follow it: they stay locked straight into the lens under lowered lids, one brow a fraction higher than the other, lips closed and pressed into a flat, faintly smug line, no teeth. Her long wavy black hair falls in loose, heavy S-curves over both shoulders and swings back off the left shoulder with the momentum of the out-stretched arm; a thin headband sits low across the crown behind the blunt straight-cut fringe, which hangs level across her forehead and splits into a few separate locks at the brow. Contact points are precise: the sports bra's lower band grips her ribs with a slight compression at the hem, its straps cut into the tops of both shoulders, the left strap pulled tauter than the right, and her hair brushes the bra straps where the waves cross them. The hand in the foreground is the sharpest thing in the image; her face and torso are one level softer, her wavy hair mass the simplest. Light comes from the upper left, hard and single, striking the back of the reaching left hand, the bridge of her nose, the left cheekbone and the upper curve of her left shoulder; the shadow side falls away in flat, unbroken tone down the right side of her face, under her jaw, along the right flank of her ribs and in the crease where the bra band meets her skin. Every shadow is a crisp-edged shape with no gradient, the cast shadow of her reaching arm dropping a clean dark diagonal across the upper chest and the shadow of her bangs a blunt bar across her brow. The palette is four flat colours at most, deeply saturated -- the blue-black of her hair with one cooler highlight band, a single strong garment colour against bare warm skin, a dark warm shadow tone used identically everywhere -- and the figure sits on a completely solid white field with no gradient, no horizon line, no cast shadow on the ground. Clean thick black contour lines of even weight enclose every form, filled with flat saturated colour and one simple shading tone, sharp-edged throughout, no rendering, no texture. Bold, cocky, high-energy.
Jacqueline
AI artwork
Avatar image of Jacqueline
1girl, solo, one person, long hair, wavy hair, black hair, straight cut bangs, blunt bangs, headband, tight sports bra, midriff, navel, bare arms, bare shoulders, collarbone, dynamic pose, left arm forward, outstretched arm, hand reaching toward viewer, foreshortening, hand near viewer, spread fingers, looking at viewer, eye contact, closed mouth, slight smile, narrowed eyes, confident expression, head tilt, shoulders angled, torso twist, from above, looking down at character, cowboy shot, upper body, head chest and belly in frame, legs out of frame, white background, solid white background, no background detail, simple shading, sharp shadow edges, saturated simple palette, clean thick linework, cel shading, The camera looks down from slightly above and a little to her right, so the top of her head, the part in her bangs and the tilt of her shoulders are all visible while her chin comes forward and her jaw clears the line of her collarbones. Her body is caught mid-step in a hard twist: her right shoulder is pulled back and dropped, her right arm bent with the elbow tucked in toward her ribs and the hand loosely closed against her side, while her left arm drives up and out at the lens, the elbow almost straight, the forearm foreshortened so that the open left hand looms largest in the picture, fingers spread and slightly curled, thumb low and away, palm turned three-quarters toward the viewer with the pad of the middle finger catching the light. Her weight rides on her right hip, so her ribcage lifts and folds away to her left, stretching the tight sports bra diagonally across her chest and exposing a short run of belly and a small navel just above the bottom edge of the crop. Her head tips toward her outstretched left hand but her eyes do not follow it: they stay locked straight into the lens under lowered lids, one brow a fraction higher than the other, lips closed and pressed into a flat, faintly smug line, no teeth. Her long wavy black hair falls in loose, heavy S-curves over both shoulders and swings back off the left shoulder with the momentum of the out-stretched arm; a thin headband sits low across the crown behind the blunt straight-cut fringe, which hangs level across her forehead and splits into a few separate locks at the brow. Contact points are precise: the sports bra's lower band grips her ribs with a slight compression at the hem, its straps cut into the tops of both shoulders, the left strap pulled tauter than the right, and her hair brushes the bra straps where the waves cross them. The hand in the foreground is the sharpest thing in the image; her face and torso are one level softer, her wavy hair mass the simplest. Light comes from the upper left, hard and single, striking the back of the reaching left hand, the bridge of her nose, the left cheekbone and the upper curve of her left shoulder; the shadow side falls away in flat, unbroken tone down the right side of her face, under her jaw, along the right flank of her ribs and in the crease where the bra band meets her skin. Every shadow is a crisp-edged shape with no gradient, the cast shadow of her reaching arm dropping a clean dark diagonal across the upper chest and the shadow of her bangs a blunt bar across her brow. The palette is four flat colours at most, deeply saturated -- the blue-black of her hair with one cooler highlight band, a single strong garment colour against bare warm skin, a dark warm shadow tone used identically everywhere -- and the figure sits on a completely solid white field with no gradient, no horizon line, no cast shadow on the ground. Clean thick black contour lines of even weight enclose every form, filled with flat saturated colour and one simple shading tone, sharp-edged throughout, no rendering, no texture. Bold, cocky, high-energy.
Jacqueline
AI artwork
Avatar image of Jacqueline
1girl, solo, outstretched arm, left hand reaching toward viewer, hand reaching towards viewer, foreshortening, from above, looking up, looking at viewer, head tilt, closed mouth, light smile, long hair, wavy hair, black hair, blunt bangs, straight-cut bangs, headband, black headband, tight sports bra, black sports bra, midriff, navel, cowboy shot, upper body, legs out of frame, dynamic pose, contrapposto, expressive body language, clean thick linework, simple shading, saturated colors, sharp-edged shadows, solid white background. Slightly from above, looking down on the single woman in a cowboy-shot crop that holds her head, chest and belly and cuts her legs away at the hips. Her left arm is thrown forward out of the picture plane toward the viewer, the forearm foreshortened and enlarged by the lens, the palm open with fingers spread, the near fingertips just short of the frame edge while the right arm swings back behind her hip, elbow bent, knuckles lightly resting against her lower back. Her weight is on her right hip, the hip pushed out, ribs lifted and chest turned three-quarters toward the viewer so the torso twists along a diagonal from the planted hip up to the lifted left shoulder, chin tipped down and slightly to her right so the eyes still travel up under the brows to meet the viewer's, holding the look without a blink. The mouth stays shut in a faint closed-lip smile that pulls a little higher on the left corner, one brow arched a touch, and her head tilts toward the outstretched hand. Her black hair falls in heavy loose waves over both shoulders and swings forward across the lifted left shoulder with the motion, the straight-cut fringe sitting level just above the brows, and the headband presses a shallow groove into the hair behind the fringe. The black sports bra is tight across the chest, its hem band gripped against the ribs, the shoulder straps taut over the collarbones, and the curves of fabric and skin are simplified into broad flat planes. Clean thick dark outline around every form, simple flat two-tone shading, simple saturated color: warm skin, deep black hair, black bra, the white field alone at the back. A single hard light from the upper right casts sharp-edged shadows โ€” under the jaw, beneath the waves of hair on her neck, down the shadowed side of the bra and along the inner edge of the outstretched arm โ€” the sliver of background visible between her fingers staying the same solid white as the surrounding field. The only cast shadow on any surface is the short one her own hand drops onto the air in front of her shoulder. Bright, punchy, mischievous energy.
Jacqueline

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