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Jwan Ahmed
AI art by Jwan Ahmed on PixAI. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- sword of nullwhite white sword look like heavenly star
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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1 sword, single weapon, no characters, white sword, heavenly star appearance, dark energy, floating sword, vertical composition, from below, low angle, foreshortening, glowing blade, star-shaped crossguard, radial light burst, black and white palette, high contrast, dramatic
A single white sword hangs point-down in the center of the frame, viewed from below so the blade recedes upward into depth and the pommel sits closest to the camera; nothing else occupies the image. The blade is porcelain-white and mirror-polished, its core blazing with a pure white radiance while thin veins of black energy crawl across the flat like cracks in ice, bleeding a faint dark vapor that curls off both edges and dissolves before it reaches the tip. The crossguard is forged as a six-pointed heavenly star, its points flared and faceted, each facet catching the white core light; around it a radial burst of pale light rays spreads in a halo, brightest at the star and thinning to nothing at the frame's corners. The grip is wrapped in white cord, and the pommel is a small dark star of compressed void that swallows the light around it, its edges rimmed with white heat. The dark energy behaves as a real force: it drifts upward and away from the blade in slow laminar threads pulled by the white radiance, and where it passes in front of the star's rays it silhouettes them, each thread casting a blurred shadow on the far rays behind it. Environment is a seamless void that is not flat black: a deep charcoal gradient darkens toward the top of the frame while the sword's own light pools below it, the only illumination in the image. The palette admits only white, black, and the grey of the falloff, with the star's facet highlights as the single brightest note. The sword floats perfectly still, level and unbowed, its balance read in the equal spread of the two lowest star points. Still, absolute.
Jwan Ahmed
object focus, solo, no humans, holy sword, full view of entire sword, wide long pure white blade, crimson gem set in the sword, golden hilt, sun emblem at center of the hilt, plain background, empty seamless background, vertical composition, slight three-quarter angle, from side, floating, still life, polished metal, rim light, high contrast shading, gold, white, crimson, cold blue-white, dark grey
A single holy sword floats alone against a completely empty seamless field of flat dark cool grey, nothing else in the frame, no floor line, no cast surface, no people, no hands, no creatures. The whole weapon hangs vertically in a slight three-quarter turn, its broad blade angled just enough to catch the light across its flat, its long axis running from lower third to the crown of the frame with the tip pointing down and the pommel near the upper edge, so the entire length fits inside the image with a clean margin at both ends. The blade is a wide, long, pure white slab of polished steel-white metal, its two edges running parallel and unbroken down its length, a crisp central ridge dividing two broad planes; down the upper half of the blade sits the fine engraved linework of a groove, and the white surface answers the light with a hard bright highlight along the left plane and a cool blue-grey shadow along the right. Above it the golden hilt: a swept crossguard of warm gold, its quillons curving outward and slightly up toward the blade, the metal worked with small repeated ornament and worn to a soft matte sheen at the tips. At the exact center of the hilt, where guard, grip and blade meet, a roundel of golden rays spreads outward in a carved sun emblem, its points radiating evenly, each ray beveled so its edge glints. Set into the heart of that sun, framed by the gold, is a single cabochon crimson gem, deep blood-red and glassy, its domed face carrying one small sharp specular spark and a faint inner glow that darkens toward its rim. The grip rises above the roundel, wrapped in gold-toned bands over a darker core, and ends in a simple heavy gold pommel. The light comes from one high cold source at the upper left: it strikes the sword's left face, lays a thin white rim along the leading edge, and drops the right side into cool shadow, so the blade throws a soft narrow reflection into the empty grey and a faint dark halo of occlusion sits where the gold meets the steel; beyond the sword the darkness is even and absolute. Palette is held to pure white, warm gold, crimson and the cold grey field. Clean linework, crisp cel shading with hard-edged shadow shapes, smooth metal rendering, no grain, no texture on the background. Regal, still.
ルルハワ塚本
object focus, solo, no humans, holy sword, full view of entire sword, wide long pure white blade, crimson gem set in the sword, golden hilt, sun emblem at center of the hilt, plain background, empty seamless background, vertical composition, slight three-quarter angle, from side, floating, still life, polished metal, rim light, high contrast shading, gold, white, crimson, cold blue-white, dark grey
A single holy sword floats alone against a completely empty seamless field of flat dark cool grey, nothing else in the frame, no floor line, no cast surface, no people, no hands, no creatures. The whole weapon hangs vertically in a slight three-quarter turn, its broad blade angled just enough to catch the light across its flat, its long axis running from lower third to the crown of the frame with the tip pointing down and the pommel near the upper edge, so the entire length fits inside the image with a clean margin at both ends. The blade is a wide, long, pure white slab of polished steel-white metal, its two edges running parallel and unbroken down its length, a crisp central ridge dividing two broad planes; down the upper half of the blade sits the fine engraved linework of a groove, and the white surface answers the light with a hard bright highlight along the left plane and a cool blue-grey shadow along the right. Above it the golden hilt: a swept crossguard of warm gold, its quillons curving outward and slightly up toward the blade, the metal worked with small repeated ornament and worn to a soft matte sheen at the tips. At the exact center of the hilt, where guard, grip and blade meet, a roundel of golden rays spreads outward in a carved sun emblem, its points radiating evenly, each ray beveled so its edge glints. Set into the heart of that sun, framed by the gold, is a single cabochon crimson gem, deep blood-red and glassy, its domed face carrying one small sharp specular spark and a faint inner glow that darkens toward its rim. The grip rises above the roundel, wrapped in gold-toned bands over a darker core, and ends in a simple heavy gold pommel. The light comes from one high cold source at the upper left: it strikes the sword's left face, lays a thin white rim along the leading edge, and drops the right side into cool shadow, so the blade throws a soft narrow reflection into the empty grey and a faint dark halo of occlusion sits where the gold meets the steel; beyond the sword the darkness is even and absolute. Palette is held to pure white, warm gold, crimson and the cold grey field. Clean linework, crisp cel shading with hard-edged shadow shapes, smooth metal rendering, no grain, no texture on the background. Regal, still.
ルルハワ塚本
object focus, solo, no humans, holy sword, full view of entire sword, wide long pure white blade, crimson gem set in the sword, golden hilt, sun emblem at center of the hilt, plain background, empty seamless background, vertical composition, slight three-quarter angle, from side, floating, still life, polished metal, rim light, high contrast shading, gold, white, crimson, cold blue-white, dark grey
A single holy sword floats alone against a completely empty seamless field of flat dark cool grey, nothing else in the frame, no floor line, no cast surface, no people, no hands, no creatures. The whole weapon hangs vertically in a slight three-quarter turn, its broad blade angled just enough to catch the light across its flat, its long axis running from lower third to the crown of the frame with the tip pointing down and the pommel near the upper edge, so the entire length fits inside the image with a clean margin at both ends. The blade is a wide, long, pure white slab of polished steel-white metal, its two edges running parallel and unbroken down its length, a crisp central ridge dividing two broad planes; down the upper half of the blade sits the fine engraved linework of a groove, and the white surface answers the light with a hard bright highlight along the left plane and a cool blue-grey shadow along the right. Above it the golden hilt: a swept crossguard of warm gold, its quillons curving outward and slightly up toward the blade, the metal worked with small repeated ornament and worn to a soft matte sheen at the tips. At the exact center of the hilt, where guard, grip and blade meet, a roundel of golden rays spreads outward in a carved sun emblem, its points radiating evenly, each ray beveled so its edge glints. Set into the heart of that sun, framed by the gold, is a single cabochon crimson gem, deep blood-red and glassy, its domed face carrying one small sharp specular spark and a faint inner glow that darkens toward its rim. The grip rises above the roundel, wrapped in gold-toned bands over a darker core, and ends in a simple heavy gold pommel. The light comes from one high cold source at the upper left: it strikes the sword's left face, lays a thin white rim along the leading edge, and drops the right side into cool shadow, so the blade throws a soft narrow reflection into the empty grey and a faint dark halo of occlusion sits where the gold meets the steel; beyond the sword the darkness is even and absolute. Palette is held to pure white, warm gold, crimson and the cold grey field. Clean linework, crisp cel shading with hard-edged shadow shapes, smooth metal rendering, no grain, no texture on the background. Regal, still.
ルルハワ塚本
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