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AI art "宇佐見蓮子＆マエリベリー・ハーン：廃墟と化した神社にて" featuring #Touhou Project, #Usami Renko and #Maribel Hearn
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宇佐見蓮子＆マエリベリー・ハーン：廃墟と化した神社にて

宇佐見蓮子＆マエリベリー・ハーン：廃墟と化した神社にて AI art by みかずし on PixAI. Tags: Usami Renko, Maribel Hearn, Touhou Project. Made with Tsubaki.3.

#Touhou Project#Usami Renko#Maribel Hearn
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みかずし

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character: maribel_hearn, usami_renko character: maribel_hearn, usami_renko, 2girls, outdoors, ruined shrine, expedition, from below, wide shot, dutch angle, standing, looking at another, wind, overcast sky, stone steps, fallen leaves, cracked stone lantern, bare trees, no extra people, no earrings, no jewelry, hair completely unadorned except the stated bows, usami_renko: brown hair, short hair, asymmetrical sidelocks, white bow, hair bow, hat bow, black fedora hat, brown eyes, white shirt, collared shirt, long sleeves, red necktie, black capelet, white dashed trim, black skirt, maribel_hearn: medium-length blonde hair, hair between eyes, purple eyes, white mob cap, purple dress, long sleeves, white collar, red string tie, sophisticated 2D anime style, soft gradient coloring, smooth cel shading, crisp clean lineart, sharp focus, cinematic depth, soft lighting, soft shadow, high-gloss specular highlights, bloom, extremely detailed background, meticulously rendered environment, intricate details, masterpiece, best quality, very aesthetic, highres, best illustration. Low-angle wide shot, tilted a few degrees off level, looking up from the foot of the shrine steps: two girls stand on the broken stone stair of a decayed shrine, the great weathered torii and its sagging roofline rising behind and above them against a flat overcast sky. On the left, the brown-haired girl in the black fedora holds the higher step, her short brown hair flicking sideways with the wind, asymmetrical sidelocks unequal on either side of her face, the white hat bow pinned against the fedora's band; her brown eyes are narrowed and turned to her companion, chin lifted, one hand gripping the strap of a satchel slung across her white collared long-sleeve shirt, the other arm flung out behind her for balance, the red necktie blown back across her shoulder, the black capelet with its row of white dashed trim lifting off her back so the dashes catch the light in a broken line, the black skirt swinging against her knees. On the right and half a step lower, the blonde girl in the white mob cap leans forward with both hands braced flat on her thighs, hair-between-the-eyes strand hanging loose and blown across her brow, purple eyes fixed on the brown-haired girl's face, her purple long-sleeve dress dragging at the hem, the white collar turned up, the little red string tie cinched at her throat with its visible loop and crossing. Between them, a crack runs up the stair. The shrine behind is ruined: rafters showing through broken roof tiles, moss on the offering box, a stone lantern split down its face, dry leaves pooled in the step corners and swept into a ridge where the wind has pushed them against the leaning lantern base. Wind is the through-line — it moves both girls' hair in one direction, lifts the capelet, presses the dress against the blonde's leg, and scatters one trail of leaves off the top step. Light is flat, cool and diffuse from the overcast sky above and slightly behind them, no hard cast shadows, only a soft darkening in the folds of the capelet and under the torii's beam; the whole palette is grey stone, moss green, cold white sky, with the two deliberate colour notes of the black-and-white uniforms and the purple dress. Detail is spent on the faces, the hands, the two costumes' trims and the contact of feet on broken stone; the shrine beyond is kept to big shapes and the sky to a blank field. Quiet, windblown.
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Original Prompt
character: maribel_hearn, usami_renko, 2girls, outdoors, ruined shrine, expedition, from below, wide shot, dutch angle, standing, looking at another, wind, overcast sky, stone steps, fallen leaves, cracked stone lantern, bare trees, no extra people, no earrings, no jewelry, hair completely unadorned except the stated bows, usami_renko: brown hair, short hair, asymmetrical sidelocks, white bow, hair bow, hat bow, black fedora hat, brown eyes, white shirt, collared shirt, long sleeves, red necktie, black capelet, white dashed trim, black skirt, maribel_hearn: medium-length blonde hair, hair between eyes, purple eyes, white mob cap, purple dress, long sleeves, white collar, red string tie, sophisticated 2D anime style, soft gradient coloring, smooth cel shading, crisp clean lineart, sharp focus, cinematic depth, soft lighting, soft shadow, high-gloss specular highlights, bloom, extremely detailed background, meticulously rendered environment, intricate details, masterpiece, best quality, very aesthetic, highres, best illustration. Low-angle wide shot, tilted a few degrees off level, looking up from the foot of the shrine steps: two girls stand on the broken stone stair of a decayed shrine, the great weathered torii and its sagging roofline rising behind and above them against a flat overcast sky. On the left, the brown-haired girl in the black fedora holds the higher step, her short brown hair flicking sideways with the wind, asymmetrical sidelocks unequal on either side of her face, the white hat bow pinned against the fedora's band; her brown eyes are narrowed and turned to her companion, chin lifted, one hand gripping the strap of a satchel slung across her white collared long-sleeve shirt, the other arm flung out behind her for balance, the red necktie blown back across her shoulder, the black capelet with its row of white dashed trim lifting off her back so the dashes catch the light in a broken line, the black skirt swinging against her knees. On the right and half a step lower, the blonde girl in the white mob cap leans forward with both hands braced flat on her thighs, hair-between-the-eyes strand hanging loose and blown across her brow, purple eyes fixed on the brown-haired girl's face, her purple long-sleeve dress dragging at the hem, the white collar turned up, the little red string tie cinched at her throat with its visible loop and crossing. Between them, a crack runs up the stair. The shrine behind is ruined: rafters showing through broken roof tiles, moss on the offering box, a stone lantern split down its face, dry leaves pooled in the step corners and swept into a ridge where the wind has pushed them against the leaning lantern base. Wind is the through-line — it moves both girls' hair in one direction, lifts the capelet, presses the dress against the blonde's leg, and scatters one trail of leaves off the top step. Light is flat, cool and diffuse from the overcast sky above and slightly behind them, no hard cast shadows, only a soft darkening in the folds of the capelet and under the torii's beam; the whole palette is grey stone, moss green, cold white sky, with the two deliberate colour notes of the black-and-white uniforms and the purple dress. Detail is spent on the faces, the hands, the two costumes' trims and the contact of feet on broken stone; the shrine beyond is kept to big shapes and the sky to a blank field. Quiet, windblown.
Mode
pro
Size
1744 x 1152
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, normal quality, jpeg artifacts, signature, watermark, username, blurry
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character: izayoi_sakuya, kirisame_marisa, hakurei_reimu, copyright: touhou multiple girls, 3girls, touhou, hakurei reimu, izayoi sakuya, kirisame marisa, gensokyo, torii gate, stone stairs, autumn, maple leaves, falling leaves, light rays, sunbeam, dappled sunlight, from below, looking up, dutch angle, wide shot, low angle, outstretched arm, walking down, mid-step, hair bow, hair tubes, sidelocks, red skirt, detached sleeves, yellow ascot, maid, maid headdress, twin braids, grey hair, blue eyes, green bow, white apron, puffy short sleeves, witch hat, black hat, blonde hair, single braid, side braid, white bow, yellow eyes, holding broom, grin, one eye closed, light smile, open mouth, looking at another, looking to the side, wind, hair blowing, skirt lift, backlighting, rim light, warm palette, autumn palette The camera sits low at the foot of the stone stairs, tilted a few degrees off level, looking up: the staircase climbs away through the frame from bottom-left to upper-right, its worn granite steps broad in the foreground and narrowing with perspective toward a great torii gate that straddles the top of the flight, its vermilion pillars bright against the sky. The three girls descend toward the viewer in a loose diagonal file, mid-step and caught in motion. Reimu leads on the highest step, right of center, one geta-clad foot planted on the tread and the other heel lifted behind her, weight on her front leg; her detached red-and-white sleeves hang wide and her yellow ascot lifts at her throat in the draught, the long brown hair and its red frilled bow and two frilled hair tubes swinging forward over her shoulders as she turns her chin down toward the other two, both red eyes on them, one corner of her mouth pulled into a small wry smile. Her right arm is flung out low and back toward the stairs behind her, palm open, as if she has just said something over her shoulder. Sakuya stands a step below and to the left, seen slightly from the side: her short grey hair with its green bow and twin braids sways out from her cheek, blue eyes turned up and sideways toward Reimu, lips closed in a faint patient smile, one brow faintly raised. She holds the front hem of her white waist-apron pinched between finger and thumb so it will not catch the wind, her puffy short-sleeved maid dress and headdress crisped by the moving air, her other hand loose at her side, one foot poised on the next tread with the toe touching down first. Marisa is lowest and nearest the camera on the left, half turned, blonde single side-braid with its white bow whipping across her shoulder; her black witch hat with its bow is tipped back and one yellow eye is squeezed shut against the low sun, the other wide and bright, her mouth open in a broad grin aimed up at the two above her. She plants the broom's shaft on the step beside her like a walking staff, her right hand wrapped around it near the top, her left hand flung up in the air for balance, coat and apron swinging as she drops one step. Above and behind them the torii's great crossbeam frames the sky, and beyond it the maple canopy burns deep red and orange; leaves come loose and tumble down the stairwell past the figures, and the few that have already landed lie scattered and flattened on the upward-facing treads, dusting the edges of the steps while the risers stay bare. The sun is low behind the gate, the only light source: it rakes down the stairs from the upper right, so the girls are rimmed in warm gold along hair, shoulders and hat brims, long soft shadows cast forward down the steps toward the viewer, and visible shafts of light cut through the leaf haze in slanted bands across the middle distance. The palette is autumn throughout -- vermilion gate, deep crimson and amber leaves, grey stone, and the red, white, black and blonde of the three figures. Wide shot, generous depth, figures at mid-size rather than portrait crop, the staircase and gate carrying the scale around them; crisp cel-style linework, flat clean colour with warm gradients in the leaf mass and the light shafts. Bright, buoyant, late-autumn warmth.
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character: izayoi_sakuya, kirisame_marisa, hakurei_reimu, copyright: touhou multiple girls, 3girls, touhou, hakurei reimu, izayoi sakuya, kirisame marisa, gensokyo, torii gate, stone stairs, autumn, maple leaves, falling leaves, light rays, sunbeam, dappled sunlight, from below, looking up, dutch angle, wide shot, low angle, outstretched arm, walking down, mid-step, hair bow, hair tubes, sidelocks, red skirt, detached sleeves, yellow ascot, maid, maid headdress, twin braids, grey hair, blue eyes, green bow, white apron, puffy short sleeves, witch hat, black hat, blonde hair, single braid, side braid, white bow, yellow eyes, holding broom, grin, one eye closed, light smile, open mouth, looking at another, looking to the side, wind, hair blowing, skirt lift, backlighting, rim light, warm palette, autumn palette The camera sits low at the foot of the stone stairs, tilted a few degrees off level, looking up: the staircase climbs away through the frame from bottom-left to upper-right, its worn granite steps broad in the foreground and narrowing with perspective toward a great torii gate that straddles the top of the flight, its vermilion pillars bright against the sky. The three girls descend toward the viewer in a loose diagonal file, mid-step and caught in motion. Reimu leads on the highest step, right of center, one geta-clad foot planted on the tread and the other heel lifted behind her, weight on her front leg; her detached red-and-white sleeves hang wide and her yellow ascot lifts at her throat in the draught, the long brown hair and its red frilled bow and two frilled hair tubes swinging forward over her shoulders as she turns her chin down toward the other two, both red eyes on them, one corner of her mouth pulled into a small wry smile. Her right arm is flung out low and back toward the stairs behind her, palm open, as if she has just said something over her shoulder. Sakuya stands a step below and to the left, seen slightly from the side: her short grey hair with its green bow and twin braids sways out from her cheek, blue eyes turned up and sideways toward Reimu, lips closed in a faint patient smile, one brow faintly raised. She holds the front hem of her white waist-apron pinched between finger and thumb so it will not catch the wind, her puffy short-sleeved maid dress and headdress crisped by the moving air, her other hand loose at her side, one foot poised on the next tread with the toe touching down first. Marisa is lowest and nearest the camera on the left, half turned, blonde single side-braid with its white bow whipping across her shoulder; her black witch hat with its bow is tipped back and one yellow eye is squeezed shut against the low sun, the other wide and bright, her mouth open in a broad grin aimed up at the two above her. She plants the broom's shaft on the step beside her like a walking staff, her right hand wrapped around it near the top, her left hand flung up in the air for balance, coat and apron swinging as she drops one step. Above and behind them the torii's great crossbeam frames the sky, and beyond it the maple canopy burns deep red and orange; leaves come loose and tumble down the stairwell past the figures, and the few that have already landed lie scattered and flattened on the upward-facing treads, dusting the edges of the steps while the risers stay bare. The sun is low behind the gate, the only light source: it rakes down the stairs from the upper right, so the girls are rimmed in warm gold along hair, shoulders and hat brims, long soft shadows cast forward down the steps toward the viewer, and visible shafts of light cut through the leaf haze in slanted bands across the middle distance. The palette is autumn throughout -- vermilion gate, deep crimson and amber leaves, grey stone, and the red, white, black and blonde of the three figures. Wide shot, generous depth, figures at mid-size rather than portrait crop, the staircase and gate carrying the scale around them; crisp cel-style linework, flat clean colour with warm gradients in the leaf mass and the light shafts. Bright, buoyant, late-autumn warmth.
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