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抑制栽培
AI art by 抑制栽培 on PixAI. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- 一人の女性、ポニーテール、銀色の髪、オレンジ色の瞳、クール、 上半身、顔を大きく映した構図、コラージュ風のイラスト、ミクストメディア、背景に貼り重ねられた鑑識の記録、ライトを当てられて一部が光った暗いオレンジ色の背景、方眼紙に描かれた指紋の比較図、透明な証拠袋に入った鍵とボタンと髪の毛、物差しを添えた足跡の写真、化学式と分析結果の手書きのメモ、古書のページの切り抜きと脚注、図書館の貸出カード、タイプライターで打たれた報告書、虫眼鏡越しに拡大された文字、クリップとホチキスの留め跡、深緑と生成り色と黒の色調、片手に証拠袋を掲げ、もう片方の手で眼鏡の縁を押し上げながら、横目でこちらを見る姿、斜め前からのアングル、中央配置探偵助手の装い、白いハイネックのブラウス、深緑のベスト、黒いロングスカート、腕にかけた白衣、首から下げた拡大鏡、細い眼鏡
- Mode
- pro
- Size
- 1824 x 1104
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark, yellow tint, makeup, bare chest
Prompt Helper
Model & LoRA used
Similar Images
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抑
1girl, solo, single subject, silver hair, ponytail, high ponytail, long hair, orange eyes, cool expression, half-closed eyes, calm confident stare, thin-framed glasses, pushing glasses up, hand on glasses, holding evidence bag, clear plastic evidence bag, looking sideways at viewer, sidelong glance, diagonal angle, three-quarter view, upper body, portrait, face shown large, close-up, centered composition, detective assistant outfit, white turtleneck blouse, dark green vest, black long skirt, white coat draped over arm, magnifier hanging from neck, collage-style illustration, mixed media, forensic records layered in background, fingerprint comparison chart, graph paper, footprint photo with ruler, handwritten chemical formulas, analysis notes, typewritten report, old book page clipping, footnotes, library lending card, paperclips, staple marks, magnifying glass, magnified letters, dark orange background, dramatic spotlight, dark green ecru and black color scheme, layered paper collage, torn paper edges, tape, quiet cool mystery
The shot is a tight upper-body portrait seen from a diagonal three-quarter angle in front of her, her body turned slightly to her left so the camera catches her right cheek forward, her face filling the frame large while one shoulder and one arm fall to the lower edge. She occupies the center of the composition, chin level and slightly drawn back, eyes half-lidded under thin silver-rimmed glasses, her gaze sliding sideways out of the corner of her eye to meet the viewer with a cool, unbothered, faintly appraising look, mouth closed in a flat calm line, one brow a fraction higher than the other.
Her right hand is raised beside her face, the pads of two fingers pressed to the outer rim of the glasses and lifting it a millimeter, elbow out in a sharp angle. Her left hand is lifted to chest height, pinching the top corner of a transparent plastic evidence bag so it hangs free and catches the light, the bag creased along its seam, a key, a button and a single strand of hair sealed inside and settled at the bottom corner. Her silver hair is pulled back into a high ponytail that sweeps behind her shoulder, loose strands curling at the temple, a couple of them catching the rim light.
At her shoulder a long white coat hangs draped over her arm and falls out of frame, the fabric gathered where she holds it, and the round glass of a magnifier dangles from a cord around her neck and rests against the dark green vest. The white turtleneck blouse closes high and clean at the throat above the vest, no tie at the collar, both earlobes bare and unadorned.
The world behind her is not a room but a layered scrapbook collage of forensic paper stacked and pasted in overlapping planes: a fingerprint comparison chart drawn in pencil on graph paper taped at the corner, a footprint photograph with a wooden ruler lying across its lower edge, a typewritten report on ecru stock with crooked typed lines, a torn page of an old book with footnotes cut at its margin, a library lending card in a paper pocket, and at the edges a magnifying glass pressed flat to the paper enlarging a scrap of letters, with handwritten notes of chemical formulas and analysis results scrawled across the gaps and paperclips and stapled corners holding the layers down. Every curled edge casts a small hard drop shadow onto the sheet beneath it, so the layers read as physically pasted, not printed.
A single lamp strikes her from the upper-left diagonal: it burns a hot edge along her ponytail, the top of the glasses frame, the curve of the evidence bag and the ridge of the taped fingerprint chart, while the rest of the background recedes into a deep dark orange that darkens to near-black at the right edge and lower corners. The palette is strictly dark green, ecru and black, with the dark orange held in the background and in the lamp's pool of light on the paper; the evidence bag is the one clear, cold highlight. Her expression stays cool and still amid the busy layers, the light resting on the lifted lens. Restrained, sharp-eyed, quietly suspenseful.
抑制栽培
抑
1girl, solo, single subject, silver hair, ponytail, high ponytail, long hair, orange eyes, cool expression, half-closed eyes, calm confident stare, thin-framed glasses, pushing glasses up, hand on glasses, holding evidence bag, clear plastic evidence bag, looking sideways at viewer, sidelong glance, diagonal angle, three-quarter view, upper body, portrait, face shown large, close-up, centered composition, detective assistant outfit, white turtleneck blouse, dark green vest, black long skirt, white coat draped over arm, magnifier hanging from neck, collage-style illustration, mixed media, forensic records layered in background, fingerprint comparison chart, graph paper, footprint photo with ruler, handwritten chemical formulas, analysis notes, typewritten report, old book page clipping, footnotes, library lending card, paperclips, staple marks, magnifying glass, magnified letters, dark orange background, dramatic spotlight, dark green ecru and black color scheme, layered paper collage, torn paper edges, tape, quiet cool mystery
The shot is a tight upper-body portrait seen from a diagonal three-quarter angle in front of her, her body turned slightly to her left so the camera catches her right cheek forward, her face filling the frame large while one shoulder and one arm fall to the lower edge. She occupies the center of the composition, chin level and slightly drawn back, eyes half-lidded under thin silver-rimmed glasses, her gaze sliding sideways out of the corner of her eye to meet the viewer with a cool, unbothered, faintly appraising look, mouth closed in a flat calm line, one brow a fraction higher than the other.
Her right hand is raised beside her face, the pads of two fingers pressed to the outer rim of the glasses and lifting it a millimeter, elbow out in a sharp angle. Her left hand is lifted to chest height, pinching the top corner of a transparent plastic evidence bag so it hangs free and catches the light, the bag creased along its seam, a key, a button and a single strand of hair sealed inside and settled at the bottom corner. Her silver hair is pulled back into a high ponytail that sweeps behind her shoulder, loose strands curling at the temple, a couple of them catching the rim light.
At her shoulder a long white coat hangs draped over her arm and falls out of frame, the fabric gathered where she holds it, and the round glass of a magnifier dangles from a cord around her neck and rests against the dark green vest. The white turtleneck blouse closes high and clean at the throat above the vest, no tie at the collar, both earlobes bare and unadorned.
The world behind her is not a room but a layered scrapbook collage of forensic paper stacked and pasted in overlapping planes: a fingerprint comparison chart drawn in pencil on graph paper taped at the corner, a footprint photograph with a wooden ruler lying across its lower edge, a typewritten report on ecru stock with crooked typed lines, a torn page of an old book with footnotes cut at its margin, a library lending card in a paper pocket, and at the edges a magnifying glass pressed flat to the paper enlarging a scrap of letters, with handwritten notes of chemical formulas and analysis results scrawled across the gaps and paperclips and stapled corners holding the layers down. Every curled edge casts a small hard drop shadow onto the sheet beneath it, so the layers read as physically pasted, not printed.
A single lamp strikes her from the upper-left diagonal: it burns a hot edge along her ponytail, the top of the glasses frame, the curve of the evidence bag and the ridge of the taped fingerprint chart, while the rest of the background recedes into a deep dark orange that darkens to near-black at the right edge and lower corners. The palette is strictly dark green, ecru and black, with the dark orange held in the background and in the lamp's pool of light on the paper; the evidence bag is the one clear, cold highlight. Her expression stays cool and still amid the busy layers, the light resting on the lifted lens. Restrained, sharp-eyed, quietly suspenseful.
抑制栽培
抑
1girl, solo, single subject, silver hair, ponytail, high ponytail, long hair, orange eyes, cool expression, half-closed eyes, calm confident stare, thin-framed glasses, pushing glasses up, hand on glasses, holding evidence bag, clear plastic evidence bag, looking sideways at viewer, sidelong glance, diagonal angle, three-quarter view, upper body, portrait, face shown large, close-up, centered composition, detective assistant outfit, white turtleneck blouse, dark green vest, black long skirt, white coat draped over arm, magnifier hanging from neck, collage-style illustration, mixed media, forensic records layered in background, fingerprint comparison chart, graph paper, footprint photo with ruler, handwritten chemical formulas, analysis notes, typewritten report, old book page clipping, footnotes, library lending card, paperclips, staple marks, magnifying glass, magnified letters, dark orange background, dramatic spotlight, dark green ecru and black color scheme, layered paper collage, torn paper edges, tape, quiet cool mystery
The shot is a tight upper-body portrait seen from a diagonal three-quarter angle in front of her, her body turned slightly to her left so the camera catches her right cheek forward, her face filling the frame large while one shoulder and one arm fall to the lower edge. She occupies the center of the composition, chin level and slightly drawn back, eyes half-lidded under thin silver-rimmed glasses, her gaze sliding sideways out of the corner of her eye to meet the viewer with a cool, unbothered, faintly appraising look, mouth closed in a flat calm line, one brow a fraction higher than the other.
Her right hand is raised beside her face, the pads of two fingers pressed to the outer rim of the glasses and lifting it a millimeter, elbow out in a sharp angle. Her left hand is lifted to chest height, pinching the top corner of a transparent plastic evidence bag so it hangs free and catches the light, the bag creased along its seam, a key, a button and a single strand of hair sealed inside and settled at the bottom corner. Her silver hair is pulled back into a high ponytail that sweeps behind her shoulder, loose strands curling at the temple, a couple of them catching the rim light.
At her shoulder a long white coat hangs draped over her arm and falls out of frame, the fabric gathered where she holds it, and the round glass of a magnifier dangles from a cord around her neck and rests against the dark green vest. The white turtleneck blouse closes high and clean at the throat above the vest, no tie at the collar, both earlobes bare and unadorned.
The world behind her is not a room but a layered scrapbook collage of forensic paper stacked and pasted in overlapping planes: a fingerprint comparison chart drawn in pencil on graph paper taped at the corner, a footprint photograph with a wooden ruler lying across its lower edge, a typewritten report on ecru stock with crooked typed lines, a torn page of an old book with footnotes cut at its margin, a library lending card in a paper pocket, and at the edges a magnifying glass pressed flat to the paper enlarging a scrap of letters, with handwritten notes of chemical formulas and analysis results scrawled across the gaps and paperclips and stapled corners holding the layers down. Every curled edge casts a small hard drop shadow onto the sheet beneath it, so the layers read as physically pasted, not printed.
A single lamp strikes her from the upper-left diagonal: it burns a hot edge along her ponytail, the top of the glasses frame, the curve of the evidence bag and the ridge of the taped fingerprint chart, while the rest of the background recedes into a deep dark orange that darkens to near-black at the right edge and lower corners. The palette is strictly dark green, ecru and black, with the dark orange held in the background and in the lamp's pool of light on the paper; the evidence bag is the one clear, cold highlight. Her expression stays cool and still amid the busy layers, the light resting on the lifted lens. Restrained, sharp-eyed, quietly suspenseful.
抑制栽培
抑
1girl, solo, single subject, silver hair, ponytail, high ponytail, long hair, orange eyes, cool expression, half-closed eyes, calm confident stare, thin-framed glasses, pushing glasses up, hand on glasses, holding evidence bag, clear plastic evidence bag, looking sideways at viewer, sidelong glance, diagonal angle, three-quarter view, upper body, portrait, face shown large, close-up, centered composition, detective assistant outfit, white turtleneck blouse, dark green vest, black long skirt, white coat draped over arm, magnifier hanging from neck, collage-style illustration, mixed media, forensic records layered in background, fingerprint comparison chart, graph paper, footprint photo with ruler, handwritten chemical formulas, analysis notes, typewritten report, old book page clipping, footnotes, library lending card, paperclips, staple marks, magnifying glass, magnified letters, dark orange background, dramatic spotlight, dark green ecru and black color scheme, layered paper collage, torn paper edges, tape, quiet cool mystery
The shot is a tight upper-body portrait seen from a diagonal three-quarter angle in front of her, her body turned slightly to her left so the camera catches her right cheek forward, her face filling the frame large while one shoulder and one arm fall to the lower edge. She occupies the center of the composition, chin level and slightly drawn back, eyes half-lidded under thin silver-rimmed glasses, her gaze sliding sideways out of the corner of her eye to meet the viewer with a cool, unbothered, faintly appraising look, mouth closed in a flat calm line, one brow a fraction higher than the other.
Her right hand is raised beside her face, the pads of two fingers pressed to the outer rim of the glasses and lifting it a millimeter, elbow out in a sharp angle. Her left hand is lifted to chest height, pinching the top corner of a transparent plastic evidence bag so it hangs free and catches the light, the bag creased along its seam, a key, a button and a single strand of hair sealed inside and settled at the bottom corner. Her silver hair is pulled back into a high ponytail that sweeps behind her shoulder, loose strands curling at the temple, a couple of them catching the rim light.
At her shoulder a long white coat hangs draped over her arm and falls out of frame, the fabric gathered where she holds it, and the round glass of a magnifier dangles from a cord around her neck and rests against the dark green vest. The white turtleneck blouse closes high and clean at the throat above the vest, no tie at the collar, both earlobes bare and unadorned.
The world behind her is not a room but a layered scrapbook collage of forensic paper stacked and pasted in overlapping planes: a fingerprint comparison chart drawn in pencil on graph paper taped at the corner, a footprint photograph with a wooden ruler lying across its lower edge, a typewritten report on ecru stock with crooked typed lines, a torn page of an old book with footnotes cut at its margin, a library lending card in a paper pocket, and at the edges a magnifying glass pressed flat to the paper enlarging a scrap of letters, with handwritten notes of chemical formulas and analysis results scrawled across the gaps and paperclips and stapled corners holding the layers down. Every curled edge casts a small hard drop shadow onto the sheet beneath it, so the layers read as physically pasted, not printed.
A single lamp strikes her from the upper-left diagonal: it burns a hot edge along her ponytail, the top of the glasses frame, the curve of the evidence bag and the ridge of the taped fingerprint chart, while the rest of the background recedes into a deep dark orange that darkens to near-black at the right edge and lower corners. The palette is strictly dark green, ecru and black, with the dark orange held in the background and in the lamp's pool of light on the paper; the evidence bag is the one clear, cold highlight. Her expression stays cool and still amid the busy layers, the light resting on the lifted lens. Restrained, sharp-eyed, quietly suspenseful.
抑制栽培
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