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AI artwork featuring #Surrealism, #Clock and #Origami
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Surrealism, Clock

AI art by ヤンヤンつけボー on PixAI. Made with Tsubaki.2.

#Surrealism#Clock#Origami
ヤ

ヤンヤンつけボー

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A dynamic-angle, maximalist collage-style composition depicting a surreal dreamscape of absolute visual chaos. In the center, a monumental Hakata kokeshi doll with a body made of fused green circuit boards and a head of glowing, faceted quartz crystals floats, weeping shimmering mercury tears. This central figure is surrounded by a Tibetan mandala constructed from rusty vintage alarm clocks and melting raw wagyu beef, all floating upon a sea of checkerboard tiles that dissolve into a river of black vinyl records carrying tiny brass Arabian coffee pots emitting plumes of pink smoke. The background is a discordant clash between a Mesoamerican stone pyramid covered in glowing neon signage in an obsolete language and a massive structure of interlocking wooden puzzle blocks overgrown with green moss, which fragment into a flock of origami cranes made from maps. Floating in the void are glass spheres containing inverted jelly bean landscapes and a gigantic, staring human eye with a disco ball pupil. The visual style is a mixed-media anime illustration with scrapbook and vintage magazine cutout textures, lit by a retro pixel-art sunset and harsh UV spotlights, creating a high-contrast, layered atmosphere.
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masterpiece, best quality, very aesthetic, absurdres,​extremely detailed, finely detailed,sharp focus,​highre, A maximalist, photorealistic composition of absolute visual chaos, where a Tibetan mandala is constructed from rusty vintage alarm clocks and melting raw wagyu beef. In the center, a monumental Hakata kokeshi doll with a body of fused circuit boards and a head of glowing, faceted quartz crystals is weeping mercury tears. It is floating in a sea of checkerboard tiles that dissolves into a river of black vinyl records carrying tiny brass Arabian coffee pots emitting pink smoke. The background is a discordant clash: a Mesoamerican stone pyramid covered in neon signage in an obsolete language, and a structure built from giant, interlocking wooden puzzle blocks overgrown with moss, dissolving into a flock of origami cranes made of actual maps. Floating in the void are glass spheres containing miniature inverted landscapes made of jelly beans, and a gigantic, staring human eye with a disco ball pupil. Cinematic lighting from a retro pixel-art sunset and strong UV spotlights, creating an impossible, collage-like dreamscape with extreme textual contrasts and no clear horizon. .smile.dynamic angle,
Mode
lite
Style
Vintage Collage
Size
1024 x 1024
Style: Vintage Collage

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
20.16k

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ヤ
A dynamic-angle, maximalist collage-style composition depicting a surreal dreamscape of absolute visual chaos. In the center, a monumental Hakata kokeshi doll with a body made of fused green circuit boards and a head of glowing, faceted quartz crystals floats, weeping shimmering mercury tears. This central figure is surrounded by a Tibetan mandala constructed from rusty vintage alarm clocks and melting raw wagyu beef, all floating upon a sea of checkerboard tiles that dissolve into a river of black vinyl records carrying tiny brass Arabian coffee pots emitting plumes of pink smoke. The background is a discordant clash between a Mesoamerican stone pyramid covered in glowing neon signage in an obsolete language and a massive structure of interlocking wooden puzzle blocks overgrown with green moss, which fragment into a flock of origami cranes made from maps. Floating in the void are glass spheres containing inverted jelly bean landscapes and a gigantic, staring human eye with a disco ball pupil. The visual style is a mixed-media anime illustration with scrapbook and vintage magazine cutout textures, lit by a retro pixel-art sunset and harsh UV spotlights, creating a high-contrast, layered atmosphere.
ヤンヤンつけボー
#Clock#Building#Pyramid
AI artwork
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(masterpiece best quality 1.2) ultra-detailed character design low angle zoomed in up close front view camera positioned extremely low tilted sharply upward extreme wide angle full body framing 1creature solo Zion Tenth Birth Catastrophe form a being so massive the camera cannot contain it the frame is filled by the creature's body and the body extends beyond the frame edges in every direction implying infinite continuation the creature has six arms three on each side each arm a different length and thickness and angle — the topmost arms reaching upward and outward like grasping hands the middle arms extended sideways like balancing poles the lowest arms hanging downward like afterthoughts each arm ends in a hand with too many fingers and each finger ends in a different shape — a claw a point a mouth an eye a key each hand is a different tool for a different catastrophe four legs visible beneath the massive form not legs in the traditional sense but structural pillars thick and root-like and spread wide like the legs of a spider or the roots of a tumor-tree the legs are not separate from the ground they have fused with it the creature is rooted into reality and reality is rooting into the creature body bulbous and massive and covered in tumors but not random tumors — each tumor is a face a different face a face of someone whose fortune has been stolen each tumor-face has milky white eyes with crimson irises and each pair of eyes sees a different possible future each tumor-face has a mouth filled with sharp teeth and each mouth is whispering a different prediction the whispers overlap and combine into a cacophony of prophecy that drives everything in proximity to madness the primary face is at the top of the body — the largest face the original face its mouth is lipless and stretched wide showing massive teeth each tooth carved with a tiny engraved symbol representing a different form of misfortune the primary face's eyes are the largest — milky white with crimson irises that swirl like weather patterns the eyes do not look at the viewer they look at everything simultaneously because catastrophe does not choose a target it targets choice itself thick black smoke billowing from every tumor-face and from the primary mouth and from every crack in the creature's skin the smoke does not dissipate it accumulates it builds and layers and creates a canopy of darkness above and around the creature like a private storm system the smoke obscures vision and within the smoke visible hallucination-flickers — images of people's worst fears projected in shadow-play against the smoke walls the karma meter visible not on the creature's forehead but as a floating phenomenon — a massive glowing dial hovering above the primary face like a second sun the dial is split into halves one dark one light and the dark half is growing the karma meter is climbing and the higher it climbs the more the environment warps structures in the background not just collapsing but rearranging — buildings swapping floors the sky changing color weather inverting rain falling upward the ground splitting into chessboard tiles that rearrange themselves the environment is not being destroyed it is being reorganized by misfortune and the reorganization is more terrifying than destruction because destruction at least leaves ruins but catastrophe leaves nothing recognizable the creature's body language is immobile it does not need to move it has rooted into reality and now reality orbits it it is the center of gravity for misfortune and everything falls toward it and breaks rim light along six arm silhouettes reaching in different directions rim light catching tumor-faces with milky crimson eyes whispering overlapping prophecies rim light catching primary lipless mouth with carved misfortune-teeth rim light catching massive milky eyes with swirling crimson weather-pattern irises rim light catching floating karma meter dial overhead dark half growing rim light catching billowing accumulated black smoke canopy with hallucination-shadow projections rim light catching rearranging environment — buildings swapping floors sky inverting chessboard ground tiles rim light catching four root-like legs fused with ground rim light catching hands ending in different shapes — claw mouth eye key shadow cataclysmic catastrophe shadow with reality rearranging around rooted god-thing chiaroscuro catastrophic divine lighting with milky-crimson irises and black smoke canopy and floating karma-meter dial ambient glow highly detailed 8K cinematic composition detailed Zion Form 10 Catastrophe rooted tumor-faced karma-dial reality-rearranging texture
Grim
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4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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