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Dagger 105
AI art by Dagger 105 on PixAI. Made with Tsubaki.3 Flash.
Show Parameters
- Original Prompt
- ในใซใผใใๅฑฅใใๅฅณๆง้ง ๅกใใใใใใใฟ่พผใใงๅพฎ็ฌใ
- Mode
- flash
- Size
- 1104 x 1824
Prompt Helper
Model & LoRA used
Similar Images
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1girl, solo, station attendant, uniform, skirt, pencil skirt, blazer, collared shirt, necktie, name tag, peaked cap, crouching, squatting, knees together, arms resting on knees, leaning forward, head tilt, light smile, closed mouth, looking at viewer, from above, close-up, cowboy shot, indoor, train station, platform, daytime, soft light, depth of field, warm palette
A high-angle medium shot looking down on a single female station attendant crouched low on a station platform, the camera tilted down so the platform's tiled edge runs diagonally across the lower third of the frame. She is the only figure in the shot: a young woman in a pressed dark navy uniform blazer buttoned once at the waist, a white collared shirt closed to the throat under a narrow navy necktie, a small rectangular name tag pinned flat on her left chest, and a matching navy pencil skirt falling over her bent knees to just above mid-calf; a peaked uniform cap sits tilted on her dark brown hair, which is gathered in a low bun with a few loose strands brushing her cheek. She crouches with her weight sunk into her heels, both knees together and angled slightly to her right, back rounded forward, forearms resting across the tops of her thighs with both hands loosely clasped at one another, fingers interlaced, the hem of her skirt drawn taut over the knee by the bend and creasing into a shallow fan at her lap. Her face is lifted toward the lens, chin tipped up a touch, eyes open and meeting the viewer with a soft closed-lip smile that pushes the apples of her cheeks up and warms the corners of her mouth; one brow sits a hair higher than the other. Behind her the platform recedes in soft focus: the yellow tactile strip, two distant pillars, an out-of-focus departure board on the far wall, and a dark train carriage edge at the right margin, all rendered with shallow depth of field so the crouching figure stays sharp. Light comes from a broad overhead platform luminaire behind and slightly left of camera, falling on her cap brim, the crown of her shoulders, and the tops of her knees, casting her eyes into gentle shade under the cap and dropping a soft compact shadow beneath her crouching hips on the tile; the far platform falls into cool shadow. The palette is anchored in navy, warm skin, and the bright yellow tactile strip, with everything else muted to gray-green and pale stone. The skirt's fabric bunches and glints faintly where the overhead light catches the crease over her knee, quieter than the shine on her shoes; a single strand of loose hair hangs still and undisturbed in the air. Calm, quietly warm.
Dagger 105
1girl, solo, station attendant, uniform, skirt, pencil skirt, blazer, collared shirt, necktie, name tag, peaked cap, crouching, squatting, knees together, arms resting on knees, leaning forward, head tilt, light smile, closed mouth, looking at viewer, from above, close-up, cowboy shot, indoor, train station, platform, daytime, soft light, depth of field, warm palette
A high-angle medium shot looking down on a single female station attendant crouched low on a station platform, the camera tilted down so the platform's tiled edge runs diagonally across the lower third of the frame. She is the only figure in the shot: a young woman in a pressed dark navy uniform blazer buttoned once at the waist, a white collared shirt closed to the throat under a narrow navy necktie, a small rectangular name tag pinned flat on her left chest, and a matching navy pencil skirt falling over her bent knees to just above mid-calf; a peaked uniform cap sits tilted on her dark brown hair, which is gathered in a low bun with a few loose strands brushing her cheek. She crouches with her weight sunk into her heels, both knees together and angled slightly to her right, back rounded forward, forearms resting across the tops of her thighs with both hands loosely clasped at one another, fingers interlaced, the hem of her skirt drawn taut over the knee by the bend and creasing into a shallow fan at her lap. Her face is lifted toward the lens, chin tipped up a touch, eyes open and meeting the viewer with a soft closed-lip smile that pushes the apples of her cheeks up and warms the corners of her mouth; one brow sits a hair higher than the other. Behind her the platform recedes in soft focus: the yellow tactile strip, two distant pillars, an out-of-focus departure board on the far wall, and a dark train carriage edge at the right margin, all rendered with shallow depth of field so the crouching figure stays sharp. Light comes from a broad overhead platform luminaire behind and slightly left of camera, falling on her cap brim, the crown of her shoulders, and the tops of her knees, casting her eyes into gentle shade under the cap and dropping a soft compact shadow beneath her crouching hips on the tile; the far platform falls into cool shadow. The palette is anchored in navy, warm skin, and the bright yellow tactile strip, with everything else muted to gray-green and pale stone. The skirt's fabric bunches and glints faintly where the overhead light catches the crease over her knee, quieter than the shine on her shoes; a single strand of loose hair hangs still and undisturbed in the air. Calm, quietly warm.
Dagger 105
1girl, solo, station attendant, uniform, skirt, pencil skirt, blazer, collared shirt, necktie, name tag, peaked cap, crouching, squatting, knees together, arms resting on knees, leaning forward, head tilt, light smile, closed mouth, looking at viewer, from above, close-up, cowboy shot, indoor, train station, platform, daytime, soft light, depth of field, warm palette
A high-angle medium shot looking down on a single female station attendant crouched low on a station platform, the camera tilted down so the platform's tiled edge runs diagonally across the lower third of the frame. She is the only figure in the shot: a young woman in a pressed dark navy uniform blazer buttoned once at the waist, a white collared shirt closed to the throat under a narrow navy necktie, a small rectangular name tag pinned flat on her left chest, and a matching navy pencil skirt falling over her bent knees to just above mid-calf; a peaked uniform cap sits tilted on her dark brown hair, which is gathered in a low bun with a few loose strands brushing her cheek. She crouches with her weight sunk into her heels, both knees together and angled slightly to her right, back rounded forward, forearms resting across the tops of her thighs with both hands loosely clasped at one another, fingers interlaced, the hem of her skirt drawn taut over the knee by the bend and creasing into a shallow fan at her lap. Her face is lifted toward the lens, chin tipped up a touch, eyes open and meeting the viewer with a soft closed-lip smile that pushes the apples of her cheeks up and warms the corners of her mouth; one brow sits a hair higher than the other. Behind her the platform recedes in soft focus: the yellow tactile strip, two distant pillars, an out-of-focus departure board on the far wall, and a dark train carriage edge at the right margin, all rendered with shallow depth of field so the crouching figure stays sharp. Light comes from a broad overhead platform luminaire behind and slightly left of camera, falling on her cap brim, the crown of her shoulders, and the tops of her knees, casting her eyes into gentle shade under the cap and dropping a soft compact shadow beneath her crouching hips on the tile; the far platform falls into cool shadow. The palette is anchored in navy, warm skin, and the bright yellow tactile strip, with everything else muted to gray-green and pale stone. The skirt's fabric bunches and glints faintly where the overhead light catches the crease over her knee, quieter than the shine on her shoes; a single strand of loose hair hangs still and undisturbed in the air. Calm, quietly warm.
Dagger 105
1girl, solo, female station attendant, tight skirt, pencil skirt, knee-length skirt, white blouse, short-sleeved blouse, neck ribbon, name tag, peaked cap, from below, close-up, cowboy shot, dutch angle, standing on train platform, holding signal paddle, looking to the side, head tilt, arms up, one arm raised, open mouth, grin, motion blur on skirt hem, train platform, station canopy, afternoon sunlight, backlight, lens flare, warm palette, navy and white and amber, cinematic composition, depth of field, looking off-camera, confident, brisk mood
From a low dutch angle, a single young woman in station-attendant uniform stands on a commuter platform, leaning her weight onto her right hip while her left foot has just lifted off the platform edge tile, skirt hem swinging a half-step behind her. A collared white short-sleeved blouse tucks sharply into a navy tight pencil skirt that hugs her hips and thighs and stops at the knee, the fabric pulling into taut diagonal creases across the front of her thighs from the mid-stride twist; a narrow navy neck ribbon sits at her throat, a rectangular name tag with deliberately illegible lettering is pinned at her left breast, and a peaked station cap rests slightly back on her head with a few strands of dark brown hair slipping out beneath the brim. Her right arm is flung up overhead gripping a round signal paddle by its handle, the paddle angled into the sky so its face catches the afternoon light; her left hand presses flat against the skirt's side seam to keep it from riding up, and the skirt fabric bunches around her knuckles. She is caught mid-turn, chin tipped down toward her raised paddle, eyes looking up and to the side past the paddle with one brow arched and a bright half-open grin. The station canopy recedes behind her in strong perspective, its support pillars cutting long diagonal shadows that rake across the platform tiles, and a yellow tactile warning strip runs along the platform edge, one of her lifted feet hovering just above it. Sunlight enters from the upper left behind the roof edge, backlighting her cap brim and the loose hair strands into bright rims while her face and the front of the blouse sit in cool shadow, and the paddle's shadow falls as a clean circle on the tile beside her. The palette holds only navy, white, platform grey and warm amber sunlight. Brisk and effortlessly confident.
Dagger 105
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