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R LG

AI art by R LG on PixAI. Made with Tsubaki.3 Flash.

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R LG

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1boy, solo, little boy, child, short messy dark brown hair, round face, small stature, airport terminal interior, morning, large airport window, early morning sunlight, smartphone in both hands, holding phone, looking at screen, looking down at phone, embarrassed, shy, blush, averted eyes, hunched shoulders, ears red, biting lower lip, sitting on bench, knees together, feet dangling, from above, close-up, high angle, over-shoulder composition, depth of field, soft focus background, warm morning light, golden sunlight, long shadows, pale blue and warm amber palette, cinematic lighting, anime style, cel shading, detailed eyes, detailed hands From a high angle looking down over the boy's shoulder, a single small boy sits alone on a polished airport bench, the terminal empty around him. His messy dark brown hair falls over his forehead as he hunches forward, both hands wrapped around a smartphone held close to his chest, the screen's pale glow washing his rounded cheeks and the tip of his nose. His shoulders are drawn up tight, his chin tucked down, and a hot blush spreads across his face from ear to ear; his eyes flick to the corner of the screen and then away, lower lip caught between his teeth. His shoes dangle above the gleaming floor, toes turned inward. Tall windows behind him pour thin early-morning light across the empty seats and the departure boards, casting a long soft shadow from the bench toward the camera; the sunlight picks out the fine hairs at his nape while the phone light stays small and cool against his face. Pale blue walls and warm amber floor tones hold the frame, the background dissolving into soft bokeh of distant gates and quiet signage. His reflection in the polished floor is dim and blurred beneath him. Quiet embarrassment.
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Original Prompt
在飛機場裏 早上 小男孩 看着螢幕 樣子很尷尬和害羞
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.27k

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AI artwork
rl
1boy, solo, little boy, child, short messy dark brown hair, round face, small stature, airport terminal interior, morning, large airport window, early morning sunlight, smartphone in both hands, holding phone, looking at screen, looking down at phone, embarrassed, shy, blush, averted eyes, hunched shoulders, ears red, biting lower lip, sitting on bench, knees together, feet dangling, from above, close-up, high angle, over-shoulder composition, depth of field, soft focus background, warm morning light, golden sunlight, long shadows, pale blue and warm amber palette, cinematic lighting, anime style, cel shading, detailed eyes, detailed hands From a high angle looking down over the boy's shoulder, a single small boy sits alone on a polished airport bench, the terminal empty around him. His messy dark brown hair falls over his forehead as he hunches forward, both hands wrapped around a smartphone held close to his chest, the screen's pale glow washing his rounded cheeks and the tip of his nose. His shoulders are drawn up tight, his chin tucked down, and a hot blush spreads across his face from ear to ear; his eyes flick to the corner of the screen and then away, lower lip caught between his teeth. His shoes dangle above the gleaming floor, toes turned inward. Tall windows behind him pour thin early-morning light across the empty seats and the departure boards, casting a long soft shadow from the bench toward the camera; the sunlight picks out the fine hairs at his nape while the phone light stays small and cool against his face. Pale blue walls and warm amber floor tones hold the frame, the background dissolving into soft bokeh of distant gates and quiet signage. His reflection in the polished floor is dim and blurred beneath him. Quiet embarrassment.
R LG
AI artwork
rl
1boy, solo, young boy, child, airport, morning, looking ahead, looking to the side, embarrassed, shy, blush, full-face blush, averted eyes, downturned mouth, fidgeting, hands together, shoulders raised, head slightly lowered, standing, from above, high angle, close-up, cowboy shot, terminal window, departure gate, carry-on bag, sneakers, short-sleeved shirt, shorts, messy short hair, brown hair, brown eyes, dawn light, long shadows, cool blue and warm gold palette, lens flare across glass, cel shading, clean linework Shot from above and slightly to one side, the camera looks down at a single small boy of about seven standing alone on the polished floor of an airport departure hall in the early morning. He is turned three-quarters away from the lens, body angled toward the far gates, so the top of his messy short brown hair and one cheek are what the high angle sees; his face is tipped down a little, chin tucked toward his chest, and his eyes are cut sideways and down, fixed on the scuffed toe of his own sneaker rather than on anything in front of him. A hot full-face blush spreads from both cheeks up to the rims of his ears, brightest across the bridge of his nose. His mouth is pressed into a small wavering line, one corner pulled down, and his brows are drawn up and together in the middle. Both shoulders are hunched up toward his ears; his hands are clasped in front of his stomach, fingers laced and twisted, knuckles pale from the grip, thumbs working against each other. He wears a loose short-sleeved shirt and shorts, socks slumped at the ankles, and a small carry-on bag hangs from one lowered hand, its strap pulled taut and its base just clear of the floor. Behind and around him the terminal opens out: a long row of tall windows on the left, rows of waiting seats receding to the right, a departure board glowing above the far desks, all of it empty of people except for distant, simplified silhouettes far down the hall. The low morning sun comes in almost horizontally through the left-hand windows, throwing a long grid of window-mullion shadows and warm rectangles of light across the floor; the light strikes the left side of his face and the left side of his hair while the right side of him falls into cool blue shadow, and his own small shadow stretches long and thin toward the lower right of the frame, distorted by the viewing angle. Dawn air is visible as a faint haze in the sunbeams, and the polished floor carries a soft, dimmer, blurred reflection of his shoes and the window frames. The palette stays in cool slate blue and pale grey concrete against warm honey-gold light, with the blush as the only saturated red in the frame. Lens flare smears faintly across the glass at upper left. Awkward, tender.
R LG

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