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Red Shirt 443
Red Shirt 443 AI art by Gross Toad on PixAI. Tags: long hair, Black hair, Smile, Freckles, Messy hair. Made with Kodo's Test models.
Show Parameters
- Original Prompt
- high contrast, sketch, detailed, dutch angle, masterpiece, high quality, very aesthetic, ultra detailed, masterpiece, best quality, amazing quality, cinematic angle, cinematic shadows, 1girl, solo, large female, tall female, very tall, thick thighs, wide hips, wide shoulders, body freckles, large breasts, fat and muscular, Muscular, muscular female, extremely fit body, athletic build, curvy yet solid frame, bodybuilder physique, plump, thigh gap, thick thighs, broad shoulders, thick arms, strong legs, brown eyes, thick lips, aquiline nose, freckles, thick eyebrows, black hair, loose hair strand, messy hair, long hair, big hair, wavy hair, shiny skin, neon green lining, red crop top, green jacket, black pants, belt, red boots, grin, turning to look at viewer, from side, street, shops, stores, city, night, neon lights, , detailed shading, rough strokes, semi-realistic anime,thick lineart, painterly style,vibrant colors, high contrast, expressive eyes.Anime semi-realistic, Detailed linework, High contrast, Chiaroscuro, Dramatic lightin, ,
- Size
- 768 x 1280
- Sampling Steps
- 10
- Sampling Method
- Euler a
- CFG Scale
- 2.5
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,
Face Fix
Model & LoRA used
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Red Shirt 442
Gross Toad
r
1girl, solo, tall female, muscular female, toned body, abs, black eyes, medium hair, wavy hair, messy hair, tube top, strapless, bandeau, biker jacket, leather jacket, open jacket, black jeans, denim, combat boots, black boots, lace-up boots, full body, standing, looking at viewer, from below, low angle, looking down at viewer, weight on one leg, hand in pocket, head tilt, parted lips, smug, one eyebrow raised, urban alley, night, neon signage, ground-level view,
A single tall, powerfully built woman stands at ground level in a narrow city alley at night, seen in full body from a low angle so that the camera sits near her knees and looks up the length of her: her frame fills the centre of the vertical frame, boots at the bottom edge, the top of her head just under the upper edge, alley walls converging behind her shoulders. She stands with her weight sunk into her right leg, left knee loose and slightly forward, hips canted so the right hip rides higher; her left hand is pushed deep into the front pocket of her jeans, thumb hooked over the pocket lip, dragging the denim taut across the thigh, while her right arm hangs free with the fingers curled loosely at her side just clear of the jacket hem. Her chest is broad and straight, the strapless black bandeau tube top cutting a level horizontal band across her ribcage, its knit stretched tight over the toned plane of her stomach and the stacked rows of her abs, the fabric edge sitting flat and even along the collarbone with bare skin above it. The black leather biker jacket is worn open and hangs off her shoulders, its lapels folded back past her chest, its sleeves pushed to the wrist, the leather creasing at the inner elbow and catching a hard sheen along the shoulder yoke. The black denim jeans are snug through the hips and thighs, breaking in a single fold over the boot tops; the black lace-up combat boots are planted wide on the wet asphalt, laces cinched in even rows, soles dark and heavy. Her medium-length wavy hair is unbrushed and messy, strands pushed back off her temple and falling loose over one brow and along the jaw on the left side, the tilt of her head throwing the mass of it toward her left shoulder. Her chin is tipped down, black eyes fixed directly on the lens from under a lowered brow, one eyebrow arched higher than the other, lips parted a fraction in a lopsided half-smile that is more challenge than welcome.
The alley is the only environment: brick and stucco walls close in on both sides and recede to a dark vanishing point behind her right shoulder, a few shallow doorways and a rusted drainpipe breaking the wall plane, all detail simplified into shadow shapes. The light is a single cold neon tube mounted high on the left wall, and it is the only light source: it strikes the left side of her face and shoulder in a pale cyan-white edge, rakes down the outer edge of her jacket sleeve, and pools on the wet asphalt in a long distorted reflection below her boots, while the right side of her body and the far wall fall away into near-black. The neon's colour is doubled in the standing water between the paving seams, a reflected glow softer and darker than its source, and her boots break its surface into concentric rings that spread and flatten against the kerb. The palette is narrowed to wet asphalt grey, cold cyan-white, deep shadow black and the warm brown undertone of her skin, nothing else admitted. Secondary motion: the loose hair stirs at her cheek and one jacket hem lifts a little away from her hip. Cool, effortlessly tough.
RAM?
MUNCH - Red Jacket 1
Gross Toad
MUCH - Red Shirt 1
Gross Toad
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