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Teather v.1
Teather v.1 AI art by aleksei300974 on PixAI. Tags: High Heels, Shadow, Realistic, Black hair, Chalkboard, Chair. Made with Tsubaki.3 Flash.
Show Parameters
- Original Prompt
- A full-length portrait of an adult woman, executed in the style of classical painting—specifically classicism—with elements of 1940s fashion. Her dark chestnut hair is neatly styled: gathered into a tight bun, with soft, wavy strands left framing her face. She has expressive eyebrows, dark eyes, and a subtle, alluring smile; her lips are pressed together, her eyelids are slightly lowered, and her expression conveys deep concentration. She maintains a calm, composed posture while holding a book. She wears a somber, dark-colored dress with a deep neckline, accented by a white Peter Pan collar and matching white cuffs; the bodice of the dress is completely unbuttoned from top to bottom. The sleeves reach her forearms, and the skirt is mini-length; on her feet, she wears dark leather pumps. The scene is set in a school classroom with tall windows, through which soft, directional light filters in. The perspective is from a low angle, with a slight wide-angle effect, and the shadows are deep and pronounced. Painted in oil on canvas, the work features a smooth brushwork technique and a rich, deep color palette. The composition is vertical: the figure is positioned toward the back of the room, while the tall window openings tower above her, reaching the very top edge of the canvas. Her weight is shifted onto her left leg, while her right leg is extended slightly forward and gently bent at the knee. The tilt of the hips and a slight shift in the shoulders—with one positioned slightly lower than the other—impart a dynamic diagonal line to an otherwise tranquil pose. The hands are held in front of the lower chest, cradling a thick, cloth-bound book: the left hand supports it from beneath, with fingers extended along the spine, while the right palm rests on the cover, the thumb positioned along the outer edge. The book is tilted slightly toward the body, its edge catching the light. The face is turned a little away from the viewer, yet the gaze is directed straight at them from beneath lowered eyelids; the lips are pressed together, with one corner of the mouth lifted ever so slightly. The eyebrows are relaxed, and the expression is calm and focused—only the eyes and that upturned corner of the mouth hint at a subtle allure, while the rest of the features remain composed and serious. The dress is fashioned from a wool crepe in a deep, near-charcoal black; a white collar fits snugly around the base of the neck, and narrow white cuffs encircle the wrists. The bodice is unbuttoned all the way down, its edges parted to reveal a full, high-set bust, with a deep V-neckline receding into shadow. The edges of the placket are slightly turned back, and the buttons glint in the light; the décolletage is not merely displayed—it appears sculpted by the light itself. The bodice fits tightly at the waist, and the skirt is mini-length. Dark chestnut hair is gathered into a smooth bun at the nape of the neck, with neatly curled strands framing the temples. The hairstyle is austere, devoid of any ornamentation. Not a single stray hair is visible on her neck. Her ears are exposed. In the background lies a classroom: in the upper right portion of the frame, two tall, multi-paned windows reveal a grayish-white sky beyond; the windowsills are level with her shoulders. A dark chalkboard runs along the far wall, bearing faint traces of erased chalk. Rows of empty wooden desks with iron legs recede into the space; the nearest one is partially cropped by the lower-left edge of the frame. A profound silence fills the room. The only source of light is the window. A cold, silvery light falls from the upper right at a shallow angle, illuminating the right side of her hair, the bridge of her nose, her white collar, the exposed part of her chest, the cover of a book, and the edge of her right sleeve. Meanwhile, the left side of her face, the folds of her skirt, and the entire left half of the room are immersed in warm, brownish shadows. On the floorboards to her left, the window frames cast a soft shadow, while a long shadow cast by the figure herself stretches backward, falling across the nearest desks. Dust motes dance in the diagonal shafts of light, and the window frames are reflected on the highly polished floor—appearing darker and less distinct than the frames themselves. The color palette consists of refined, deep tones: charcoal black and warm shades of umber appear in her dress, the shadows, and the wooden elements of the interior. Ivory and a cool, pale blue accent the collar, the cuffs, and the light streaming in from the window. Burgundy and the color of aged gold appear in the book’s binding and the brass window latches; the skin is rendered in warm, even mid-tones, with a noticeable reflected light beneath the chin. The entire painting is executed with soft, blended brushstrokes: the contours blur toward the edges, remaining distinct only where the light falls.
- Mode
- flash
- Size
- 512 x 896
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Model & LoRA used
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