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Fruit Punch
AI art by Fruit Punch on PixAI. Made with Tsubaki.3 Flash.
Show Parameters
- Original Prompt
- character: hiyuki_(wuthering_waves) 1girl, solo, barefoot, soles, from below, feet focus, extreme close-up, supine, lying on back, stretching, arms above head, slightly arched back, knees bent, asymmetric knees, greek foot, red toenails, curled toes, spread toes, mature female body, slightly larger build, fair skin, matte skin, white hair, high ponytail, red eyes, white kimono, off-shoulder, clavicle, bare shoulders, bed, bright indoor lighting, depth of field, strong perspective The camera is positioned at the foot of the bed, looking up from the soles of the feet toward the body. In the extreme close-up foreground, two slender, fair-skinned Greek feet are held upright, their soles facing the lens with detailed skin textures and creases; the right foot's toes are curled tightly while the left foot's toes are spread wide apart, both sporting glossy red nail polish. The heels rest softly against the white fabric of the bed. Beyond the feet, the perspective recedes sharply toward the woman lying flat on her back; her legs are spread flat but her knees are slightly bent, one resting slightly higher than the other. She is mid-stretch, her waist slightly arched and her arms flung upward above her head. Her fair, matte-textured skin is visible at the clavicle and bare shoulders where her white kimono slips off. Her white hair is tied in a high ponytail with sidelocks framing a beautiful face, her red eyes half-lidded in a drowsy, waking expression. The room is filled with bright, diffused indoor light that casts soft, shallow shadows on the bedsheets. Effortlessly serene.
- Mode
- flash
- Size
- 1104 x 1824
Prompt Helper
Model & LoRA used
Similar Images
Show morecharacter: hiyuki_(wuthering_waves)
1girl, solo, barefoot, soles, from below, feet focus, extreme close-up, supine, lying on back, stretching, arms above head, slightly arched back, knees bent, asymmetric knees, greek foot, red toenails, curled toes, spread toes, mature female body, slightly larger build, fair skin, matte skin, white hair, high ponytail, red eyes, white kimono, off-shoulder, clavicle, bare shoulders, bed, bright indoor lighting, depth of field, strong perspective
The camera is positioned at the foot of the bed, looking up from the soles of the feet toward the body. In the extreme close-up foreground, two slender, fair-skinned Greek feet are held upright, their soles facing the lens with detailed skin textures and creases; the right foot's toes are curled tightly while the left foot's toes are spread wide apart, both sporting glossy red nail polish. The heels rest softly against the white fabric of the bed. Beyond the feet, the perspective recedes sharply toward the woman lying flat on her back; her legs are spread flat but her knees are slightly bent, one resting slightly higher than the other. She is mid-stretch, her waist slightly arched and her arms flung upward above her head. Her fair, matte-textured skin is visible at the clavicle and bare shoulders where her white kimono slips off. Her white hair is tied in a high ponytail with sidelocks framing a beautiful face, her red eyes half-lidded in a drowsy, waking expression. The room is filled with bright, diffused indoor light that casts soft, shallow shadows on the bedsheets. Effortlessly serene.
꧁✿ 𝑮𝒐𝒐𝒅 𝑳𝒊𝒇𝒆 ✿꧂
character: hiyuki_(wuthering_waves)
1girl, solo, feet focus, close-up, extreme foreshortening, perspective, from feet, lying on back, supine, depth of field, barefoot, bare soles, soles, detailed soles, detailed skin texture, plantar creases, toes, 5 toes per foot, curled toes, spread toes, red toenails, toenail polish, greek foot, heels on bed, stretching, arched back, arms up, hands above head, mature female, slightly large build, voluptuous, collarbone, bare shoulders, legs flat, knees, ankles, white hair, high ponytail, hair ribbon, red eyes, beautiful face, soft smile, half-closed eyes, off-shoulder, white kimono, japanese clothes, indoor, bed, white sheets, bright lighting, sunlight, natural light
From an extreme foreshortening perspective positioned directly at the soles of the feet looking lengthwise along the reclining body, the camera frames an ultra-detailed close-up of two slender, bare feet set upright in the immediate foreground. The soles face squarely toward the viewer, showcasing smooth, dry matte fair skin with delicately rendered plantar creases across the arches and balls of the feet. Both feet exhibit Greek foot morphology with the second toe visibly longer than the big toe, each foot rendered with five distinct, perfectly shaped toes coated in vibrant red toenail polish. One foot has its toes curled tautly downward, creating subtle flexed tension across the sole, while the other foot has its toes spread apart in a relaxed stretch. Both rounded heels rest firmly against the white cotton bedsheet, casting slight contact shadows on the mattress. Receding along the bed in a shallow depth of field, her legs lie flat with a slight height difference between her knees as one leg rests subtly higher than the other. Her mature, full-figured body stretches lazily with her lower back slightly arched off the bed, accentuating her exposed collarbones and smooth bare shoulders where her traditional off-shoulder kimono garments fall naturally open. Her arms extend upward past her head onto the pillows, and her long white hair flows loose across the sheets from a high ponytail bound with a ribbon. In the softly blurred background, her beautiful face tilts slightly back with half-closed red eyes looking toward the lens in a serene, relaxed gaze. Abundant clean daylight floods the bright indoor room from a large window to the side, highlighting the dry matte texture of her porcelain skin and the crisp folds of the white sheets. Serene intimacy.
꧁✿ 𝑮𝒐𝒐𝒅 𝑳𝒊𝒇𝒆 ✿꧂
character: hiyuki_(wuthering_waves)
sole focus, extreme close-up on soles, soles in extreme foreground, bare feet, barefoot, soles visible, foot focus, from below, from feet, looking at viewer, over shoulder, looking back, lying on side, on bed, pillow, head on pillow, knees bent, legs apart, toes curled, one foot toes curled, other foot toes spread, spread toes, red toenails, red nail polish, greek foot, second toe longest, slender feet, delicate ankles, fair skin, matte skin, dry skin, long white hair, grey-white hair, high ponytail, sidelocks, red eyes, hair ribbon, off-shoulder white kimono, red accents, patterned fabric, bare shoulders, mature female, wide hips, seductive gaze, half-closed eyes, parted lips, 1girl, solo, high detail skin, detailed fabric, strong foreshortening, bright indoor lighting, daylight room, seductive, soft
The camera sits low at the foot of the bed, tilted up along the length of her body, so the two soles fill the near foreground as huge soft shapes and the rest of her recedes into foreshortened depth behind them. Both heels press down into the pale mattress, sinking a shallow dimple into the linen, and the near foot turns its sole almost square to the lens: her toes are curled tight, the pads furrowed and the red polish catching light on the crimped nails, the arch a clean taut curve, the second toe standing longest above the curled row — a Greek foot read clearly even folded. The far foot lies a little deeper in the frame with its toes fanned wide, each toe separated by a dark sliver of shadow, the same red lacquer on every nail, and its ankle rolls outward so the tendon ridge shows under the matte, dry, fair skin — no sheen anywhere, the surface powder-soft and even, every crease and the faint cross-hatching of the sole drawn crisp. Between and behind the feet her legs bend at the knees and fall apart, thighs foreshortened into broad shapes, the fabric of her white-and-red outfit pulled taut over full mature hips in fine woven detail — red patterned bands and embroidered motifs running over white cloth, the seam strain and small fold shadows rendered thread by thread. Her torso twists to one side, one shoulder bared where the off-shoulder collar has slipped, and her head rests sideways on a soft pillow, white-grey hair spilling across it in loose strands, the high ponytail and long sidelocks falling over the pillow edge, one ribbon and hair ornament catching the light near her temple. She looks back at the lens over her shoulder: chin turned, red eyes half-lidded and steady, lips slightly parted, one brow faintly lifted — a slow, knowing seduction rather than a smile. Bright daylight floods in from a window high on the left, so the tops of her soles and the ridge of her shoulder take a warm even glow, while soft cool shadow pools in the gaps between her toes, under the arch of the near foot, and beneath her hip where the mattress gives way; the light is diffuse and shadowless-edged, a bright airy room with a hint of pale wall and sheer curtain blurred far behind. Palette held to white, warm fair skin, and red — red nails, red pattern in the cloth, red eyes — nothing else intruding. Intimate, languid.
꧁✿ 𝑮𝒐𝒐𝒅 𝑳𝒊𝒇𝒆 ✿꧂
character: hiyuki_(wuthering_waves)
bare feet soles, soles facing viewer, extreme close-up on soles, feet in extreme foreground, from below, looking up along body, foreshortening, strong perspective, sole wrinkles, sole creases, toes scrunching, curled toes, correct toe count, greek foot, second toe longest, red toenail polish, bare toes, nothing on feet, slender feet, narrow soles, high arch, ankles, heel resting on bedsheet, lying on side, prone, on bed, head on pillow, looking back over shoulder, looking at viewer, red eyes, long white hair, high ponytail, sidelocks, hair ribbon, off-shoulder white kimono, bare shoulders, red skirt, large buttocks, red skirt hem detail, mature female body, slender legs, knees bent, legs apart, fair skin, matte skin, dry skin, high detail skin, 1girl, solo, bright indoor room, daylight, high quality, detailed fabric, detailed hair strands.
The camera sits low at the foot of the bed, tilted up along the length of the body: two bare soles fill the near foreground in an extreme close-up and dominate the frame, the near sole larger than the far one, both angled back toward the lens so the pale skin of the sole, its fine wrinkles, its creases along the ball of the foot and the heel, read as the sharpest plane in the image. Each sole shows five toes in correct count, the second toe extending longest past the big toe in a Greek foot line, the toes curled and scrunching inward mid-clench, and every toenail lacquered glossy red -- the only glossy surface against otherwise dry matte fair skin. The heels and the outer edge of each foot press down into the white bedsheet, denting it into soft radial creases that catch the light, so the sheet confirms the weight of the legs behind the soles. Beyond the feet, foreshortened, the slender ankles and the bent knees rise: the legs are parted and folded at the knee, one thigh overlapping the other, and above them the mature full curve of the hips swells under the red skirt, whose hem is drawn out in fine detail -- pleats, stitched edging, the fabric pulled taut over the large buttocks and folding away beneath them onto the mattress.
Her torso lies on its side against the bed, shoulders bare above the off-shoulder white kimono whose red-trimmed collar has slipped down her upper arm; she has rolled onto her stomach-side and her head rests sideways on a white pillow, her face turned back over her shoulder toward the viewer -- a beautiful, clearly rendered face, long white hair spilling across the pillowcase in individual strands, the high ponytail falling over her shoulder and the ribbon lying loose behind her ear. Her red eyes look straight back down the length of her own body at the lens, one brow faintly lifted, a small curl at the corner of her mouth, entirely aware of the view.
Light comes from a wide window at the far side of the room, bright and diffuse, raking along the body so the soles are lit almost frontally and stay pale and evenly bright, the sheet glowing, the shadow pooling softly underneath her hips and the pillow; the room beyond is a bright airy interior with pale walls, dissolving into clean bright blur. Palette: white, red, and fair warm skin, nothing else admitted -- red in the nail polish, the skirt, the kimono trim and her eyes. Volumetric perspective is exaggerated deliberately: the toes are crisp, the face softly softened by distance. Quiet, sunlit, self-possessed.
꧁✿ 𝑮𝒐𝒐𝒅 𝑳𝒊𝒇𝒆 ✿꧂
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