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AI art "Olive"
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Olive

Olive AI art by Simon Kennedy on PixAI. Made with Tsubaki.3 Flash.

Avatar image of Simon Kennedy

Simon Kennedy

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1girl, solo, young woman, side profile, profile, looking away, melancholic, sad expression, lowered gaze, pale porcelain skin, copper-red hair, long curly hair, cascading curls, voluminous hair, off-shoulder dress, olive green gown, satin corset gown, corset, puffed sleeves, voluminous sleeves, gold trim, ruffles, gold-threaded ruffles, bare shoulders, collarbone, gold filigree necklace, amber pendant, small pendant, standing, arms at sides, hands clasped before her, head tilted slightly down, forest, ancient forest, towering tree trunks, dark grey trunks, moss, diffused light, dappled light, canopy light, shallow depth of field, bokeh, vertical bokeh lines, 35mm film, film grain, subtle grain, low contrast, muted palette, deep greens, ochre tones, earthy colors, satin texture, velvet texture, Pre-Raphaelite influence, moody, romantic, ethereal, cinematic, portrait, medium shot, from side, natural light, rim light on cheekbone She stands in side profile facing the left edge of the frame, her body angled a few degrees off the pure profile so the near shoulder and the slope of the corset stay readable: the olive green satin corset laced tight from waist to underbust, its off-the-shoulder neckline cutting a straight low line across both bare shoulders, the voluminous puffed sleeves swelling at the upper arm and gathered just below the shoulder so the pale porcelain skin of her arms and collarbone is exposed. Gold-threaded ruffles cascade in tiered scallops along the neckline and the sleeve cuffs, the gold thread catching the light in thin bright filaments while the velvet underlayers beneath them drink the light in matte patches beside the satin's cool sheen. Her copper-red hair falls in long loose curls, each curl lit along its outer arc and dark in the hollow, spilling past the corset's back lacing and one ringlet swinging forward across her near cheek to hang free over her shoulder. The gold filigree necklace sits at the base of her throat, its openwork scrollwork flat against the collarbone, the small amber pendant hanging just below the collarbone's hollow; she breathes shallowly and the pendant rests against her skin, caught at the edge of the light. Her face is turned fully away from the viewer in profile: chin dipped, the near eye half-lowered and fixed on a point deep between the trunks out of frame, the far eye hidden by the bridge of her nose and her cheekbone. Her lips are closed and drawn slightly down at the corner, her brow faintly knit, the melancholy carried in the slack of her jaw and the downward drift of her gaze rather than in any tears. Her hands are clasped low in front of her waist, fingers interlaced, the near thumb pressing into the far hand. Her weight sits on the far leg, the near hip dropped, one shoulder lower than the other. The forest closes behind her: a column of massive dark grey trunks, some wider than her torso, rising out of frame with no visible crown, their bark furred with damp moss and streaked in ochre lichen, receding into a blurred vertical rhythm of soft bokeh lines at the shallow depth of field. The ground is a carpet of moss and wet leaf litter in deep green and brown, and the damp air hangs visible as a faint haze between the trunks, softening the far distance. The light is the only light source: a soft diffused shaft filtering down through the unseen canopy from high right, laying a gentle highlight along her near shoulder, the top of the satin sleeve and the ridge of her cheekbone, leaving the front of her throat, the inside of the profile and the folds of the ruffles in quiet low-contrast shadow; the whole image is graded low and cool-warm, deep green and ochre and the single warm copper of her hair and amber of the pendant. Shot on 35mm film with the fine even grain of the stock, 85mm at f/2.8, the trunks behind her dissolving into soft vertical bokeh while her profile, the gold filigree and the amber pendant stay crisp, Pre-Raphaelite in its dense ornament and melancholy. Quiet, timeless sorrow.
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Original Prompt
Cinematic period portrait, a young woman with pale porcelain skin and cascading copper-red curly hair, wearing an elaborate off-the-shoulder olive green satin corset gown with voluminous puffed sleeves and intricate gold-threaded ruffles, a delicate gold filigree necklace with a small amber pendant resting on her collarbone, side profile gaze looking away with a melancholic expression, standing within a dim atmospheric ancient forest of towering dark grey tree trunks, soft diffused woodland light filtering through a canopy, muted earthy color palette with deep greens and ochre tones, shot on 35mm film, Kodak Portra 400, 85mm lens, f/2.8 aperture for a shallow depth of field, soft bokeh background of vertical forest lines, subtle grain, velvet and satin fabric textures, damp mossy air, Pre-Raphaelite art movement influence, moody and romantic psychological undertone, low-contrast cinematic grading, soft natural light hitting the shoulder and cheekbone, ethereal and timeless atmosphere.
Mode
flash
Size
1888 x 1056
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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artist: spoon 1girl, solo, princess, full-length Rococo ball gown, off-shoulder dress, champagne-gold and blush-pink gown, sheer organza overlay, floral lace, silk ribbons, diamond-and-pearl tiara, drop earrings, gold hairpins, waist-length hair, strawberry-blonde hair, loose ringlets, emerald eyes, large eyes, long eyelashes, luminous skin, gem-like eyes, slim waist, skinny, medium breasts, radiant, graceful, light smile, head tilt, hands clasped, from below, cowboy shot, dutch angle, manhwa illustration, soft painterly lighting, ultra-detailed fabric texture Low, tilted camera looking up at a single princess from a slight dutch angle, the frame cutting her at mid-thigh in a cowboy shot. She is caught mid-moment in a graceful half-turn: her weight rests on her back foot, the forward hip pushed out and her slim waist drawn in above the wide bell of the skirt, her shoulders rolled softly back so the off-the-shoulder neckline sits low across her collarbones. Both hands are gathered at the front of her waist, fingers interlocked loosely over a knot of silk ribbon, her forearms pressing the organza overlay into shallow folds. Her head tilts a little toward her raised shoulder, chin lifted by the low camera, and her large emerald-green eyes look down past the lens to the side, their two catchlights and the fine radial striations of the iris readable at this distance; the long lashes cast a single soft shadow line on each cheek. A faint closed-lip smile lifts one corner of her mouth, one brow a fraction higher than the other, and a breath of color sits high on her cheeks. Waist-length strawberry-blonde hair falls in loose tubular ringlets down past her shoulder blades, one thick coil swinging forward over her bare shoulder with the turn, a second resting along the gown's back, thin gold hairpins catching the light where they pin the side sections above her ears. The diamond-and-pearl tiara sits level on the crown of her head, its stones throwing small hard glints; below it, the matching drop earrings hang free of the hair, one swinging slightly with the tilt. Her gown reads as strata of material, top to bottom: a fitted champagne-gold bodice with a blush-pink silk ribbon laced in a crisscross over the stomacher, sheer organza ruched along the off-shoulder band, tiers of intricate floral lace blooming down the skirt in relief, wider silk ribbon bows set at the hip and again at the flounce, and the fabric changing from satin's tight sheen on the bodice to organza's diffuse glow to lace's small hard shadows at the hem. The light is soft and painterly, a single broad key from high on the frame's left through a diffusion, warming the champagne-gold to honey where it strikes the bodice, the tiara and the forward coil of hair, and leaving dusky rose-pink shadow in the folds of the skirt and under the lace; no second source, so the organza turns translucent only where the key passes behind it and the hem furthest from the light falls into one soft unbroken shadow. The ground is a seamless warm ivory studio sweep with no horizon line, empty behind her, the floor underneath her lit in a single soft pool and the edges of the frame falling gently darker. Effortlessly radiant, quietly regal.
Ari

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4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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