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AI art "Rangiku Matsumoto's embrace" featuring #Bleach and #Rangiku Matsumoto
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Rangiku Matsumoto's embrace

Rangiku Matsumoto's embrace AI art by Paleoclast on PixAI. Made with Tsubaki.3.

#Bleach
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Paleoclast

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character: matsumoto_rangiku, copyright: bleach two people, 2girls?, no — 1girl and 1boy, matsumoto rangiku, long hair, blonde hair, orange hair, blue eyes, mole under mouth, adult woman, tall curvaceous figure, accurate anatomy, standing, hugging, embracing, melting into embrace, forehead kiss, kiss on forehead, 1boy, muscular, muscular male, brown hair, tousled hair, short brown hair, brown eyes, round eyewear, round eyeglasses, black-framed glasses, sharp business casual, dress shirt, blazer, no necktie needed — open collar shirt, bare feet of no one — shoes on both, from side, profile, cowboy shot, close-up on the kiss, eyes closed, closed eyes, gentle smile, blush, tender, protective, arms around waist, arms around shoulders, hand on her back, hand at the nape, head tilt, leaning in, looking at another, dark suit against pale blouse-free back — no, she wears canon clothing, shihakusho, black kimono, white sash, japanese clothes, jewelry — no jewelry added beyond canon, artwork, hard-edged anime style, firm linework, muted controlled palette, realistic lighting Profile view, camera level with the kiss and placed on their right: the two stand pressed close, bodies turned three-quarters toward each other so the lens reads them in a near-profile. A tall blonde woman with long orange-blonde hair and a single beauty mark beside her lower lip stands with her weight settled onto her back foot, her chin lifted, her shoulders dropped and slack; her eyes are closed, her lips parted in a small exhale, a faint flush across her cheeks and the tips of her ears. Both her arms come up around his shoulders, her forearms folded behind his neck, one hand resting flat between his shoulder blades. Beside her, a broad-shouldered man a head taller, his build deliberately heavy through the chest and upper arms, the musculature carried by tailored cloth rather than exposed; tousled brown hair falling forward over his brow, brown eyes behind round black-rimmed glasses, the lenses catching a soft highlight that hides his pupils, his gaze angled down at her brow. He wears sharp business casual: a charcoal blazer, an open-collared pale shirt, dark trousers; his left hand spreads wide across the small of her back, fingers splayed and pressing the cloth; his right hand cups the back of her head at the nape, thumb along her hairline, fingers buried in the blonde strands that spill over his wrist. His head is tilted so his lips land squarely on her forehead just above the inner ends of her brows, his jaw relaxed, his brow faintly furrowed with concentration. The point of contact is the anchor of the frame: the forehead flattens slightly under his mouth, her brow skin compresses, and the hair at her temples is pushed back by the heel of his hand. Her hair spills down her back and forward over his shoulder; a few loose strands hang across his lapel and stir slightly away from his chest as she leans in. Where her cheek rests against his shoulder, the blazer cloth dimples and the seam pulls. She leans her whole upper body into him so his torso takes her weight; his stance is set, feet apart, knees braced, heels grounded — he carries her balance without shifting. Her heels lift slightly off the floor at the back foot from the lean. The single light source is a tall window at their left, cool late-afternoon daylight falling across his glasses, the top of her head and his cheekbone, and leaving the far side of both figures in soft shadow; the shadow of his jaw and nose falls down across her forehead and the bridge of her nose. The palette is completely controlled: charcoal and slate in his suit, muted navy-black of her shihakusho with its pale sash, warm blonde and copper in her hair, and a low warm brown floor as the only ground, everything desaturated and slightly cool except the warmth of skin and hair. Background is a plain dim interior, a suggestion of wall and window light behind them, out of focus, almost empty, so nothing competes with the embrace. Clean, hard-edged anime rendering with firm confident linework and structured anatomy, controlled slightly muted colors, realistic lighting and subtle gradients, polished and modern with a Korean illustration influence — cool, refined, emotionally restrained. Tender, quietly protective.
Show Parameters
Original Prompt
Accurate body, Rangiku (Bleach), standing with her lover, the lover is a muscular man with tousled brown hair, brown eyes, round eyeglasses wearing sharp business casual, he is kissing her on the forehead in a promise to protect her as she melts into his embrace
Mode
pro
Style
Polished Manhwa
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Polished Manhwa
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: nami_(one_piece), copyright: one_piece 2girls, 1boy, 2boys, male focus, hug, forehead kiss, kiss, height difference, muscular, muscular male, brown hair, tousled hair, short hair, brown eyes, round eyewear, glasses, business casual, sharp suit, white dress shirt, open collar, dark blazer, dress pants, standing, leaning back, melting into embrace, eyes closed, blush, light smile, content, tender, orange hair, long hair, orange eyes, bare shoulders, jewelry, earrings, bracelet, cowboy shot, from side, profile, close-up, soft focus background, warm light, depth of field Side-on view at chest height, framed as a vertical cowboy shot that crops both figures just below the hips, so the embrace fills the frame across its width. On the left the man stands planted and tall, seen in near-profile: a bulky, heavily muscled build that strains the shoulders of a sharply tailored dark navy blazer, his short brown hair tousled and pushed back off his brow, round thin-rimmed eyeglasses catching a small arc of light on the near lens, warm brown eyes hidden behind closed lids. He is a full head taller. His chin is tipped down and his lips press flat and firm to the crown of her forehead, just above her brow line; his near hand cradles the back of her skull, fingers spread through her long orange hair, and his far arm bands low across her back, palm flat between her shoulder blades, drawing her in. On the right she stands with her weight surrendered onto her back foot, spine arched softly backward, head tipped up and tilted into the kiss so her throat is bared and her orange hair spills backward over his forearm in a loose, swinging fall. Her eyes are shut, lashes low, mouth parted in a small open exhale, a warm blush across both cheeks and the bridge of her nose. Both her hands are gathered loosely at his chest, fingers curled into the lapel of his blazer, knuckles resting against the dress shirt beneath. Her bare shoulders and the curve of her collarbone catch the light above a simply cut top, a slim bracelet at one wrist and small earrings at her ears. Their two bodies meet along one continuous line -- his chest to her cheek, his forearm to her back, her hip against his thigh -- and every contact compresses: the wool of his sleeve dimples where her hair presses it, his lapel bunches under her knuckles. Light comes from a single warm source at frame left, low and slightly behind the camera, so it rakes across his jaw, the rim of his glasses and the side of her face while the far side of both figures falls into soft shadow; a broad dim falloff behind them, no visible window or lamp, the background a smooth dark warm-grey sweep with the faintest suggestion of vertical depth, everything beyond the couple blurred to a soft haze. Palette is restricted to warm brown, navy, cream and the orange of her hair, her eyes and the blush -- nothing else admitted. A single strand of her hair lifts at her temple as his breath moves past it. Quiet, tender.
Paleoclast

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