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tuogpyg7#0
AI art by tuogpyg7#0 on PixAI. Made with Tsubaki.3.
Contest Entry
PixAI x Chaotic Helleaven Contest#Chaotic Helleaven
Show Parameters
- Original Prompt
- (masterpiece best quality 1.2), ultra-detailed, dark fantasy character design, extreme low angle, ground-level camera looking sharply upward, extremely zoomed in up close, tight framing on her body filling the frame edge to edge, very voluptuous woman, extremely voluptuous figure, extremely wide hips, extremely massive breasts, deep heavy cleavage, solo, 1female, inside a traditional Japanese mansion, a fully ruined hallway behind her, torn screens and broken beams and scattered rubble in her wake, warm brown skin, sharp golden-brown eyes, long dark brown hair flowing down her back past her extremely wide hips, full lips with brown lipgloss, brown nails, a pink head scarf visible above her flowing dark brown hair, long fancy brown robes with golden-brown embroidery trailing behind her on the ruined tatami floor, the silk fabric dragging across the broken mats, pose: walking away through the destroyed mansion, pure rear view, her ass prominent in the walking-away posture, the long brown robes clinging to her ass with each step, the fabric stretching and swaying across her cheeks as she walks, the silk pulling tight on the forward stride and loosening on the back, the golden-brown embroidery shifting with the fabric, her extremely wide hips swaying with her departing stride, the full width displayed from behind, her extremely massive breasts barely visible at the upper edges of the frame, the weight swaying with her walk, the ruined mansion visible around her โ torn screens and broken beams and scattered rubble in her wake, warm amber lighting from flickering lanterns casting long shadows ahead of her, the brown robes trailing dramatically behind her across the debris, highly detailed, cinematic composition, 8K
- Mode
- ultra
- Style
- Neon Poster
- Quality Tag
- ๏นPrompts๏น
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Style: Neon Poster
Prompt Helper
Model & LoRA used
Similar Images
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a
A low-angle, close-up shot from a zoomed-in perspective depicts a towering, bulky Female Martial Arts Master walking away from the viewer inside a traditional Japanese mansion. She possesses a very voluptuous frame with (massive breasts:1.8) and wide hips, her form swaying violently as she moves. She has brown skin, long dark brown hair, and sharp brown eyes that cast a disgusted, annoyed, and mean look back over her shoulder. Her full lips are coated in brown lipgloss, and her long nails are painted brown. She is dressed in (Mythical Japanese Fight Outfit:1.8) consisting of long, fancy brown robes with intricate design patterns and a pink head scarf, evoking a godly and royal presence. The setting features the polished wooden floors and sliding shoji screens of the mansion. The scene is a high-contrast anime illustration with strong, graphic linework, sharp ink-like strokes, and a limited color palette that emphasizes light-dark tension and bold silhouettes.
auhdu
b0
solo, 1girl, extreme close-up, low angle looking up, from below, towering over viewer, looking down at viewer, glaring, half-closed eyes, sharp golden-brown eyes, angry, disgusted, annoyed, contemptuous expression, furrowed brow, mean royal expression, full lips, brown lipgloss, warm brown skin, long dark brown hair, hair past shoulders, pink headscarf, long brown robes, golden-brown embroidery, intricate design patterns, huge breasts, deep cleavage, arms crossed under breasts, crossed arms, wide hips, brown nails, standing in center, destroyed traditional Japanese mansion interior, rubble, torn screens, shattered beams, ripped tatami, ruined hall, wheelless room, lantern light, warm amber light, dramatic lighting, cinematic composition, high contrast, boastful posture, immense presence, monumental scale, no extra people outside
Extreme close-up from a low angle looking up: a single woman fills the frame from mid-thigh to the top of her head, her body looming so close that her shoulders and the flowing robes crowd the upper edges, and behind her the ruined hall recedes sharply upward. She stands in the center of what was once a formal audience room, now a wreck: huge splintered beams jut at angles through broken wall panels, torn paper screens hang in strips from their frames, and ripped tatami mats peel back in curled shards across the floor beneath her feet. She plants her weight on her back foot with one hip thrust slightly higher, arms folded tightly under her massive chest, forearms pressing inward so the deep cleavage and the brown robes bunch and strain across her compressed bust; the gold-brown embroidery catches the light along the folds. Her wide hips flare beneath the draping robe, the fabric falling in heavy vertical lines toward her feet. Her warm brown-skinned face tilts down with her sharp golden-brown eyes fixed on the viewer beneath a heavy brow, full lips in brown lipgloss set in a flat, disgusted sneer, long dark brown hair spilling over her shoulders and edging across her cheeks, a pink headscarf wrapped around her hair and knotted behind. Her brown-nailed fingers rest crisply on the opposite arm.
Her gaze meets the lens with open contempt, chin slightly drawn back as if she has already dismissed whatever stands before her, and her eyes track the viewer as she surveys the destruction she has left behind โ the evidence of her rampage visible in every broken beam. The only light source is a single surviving paper lantern slung from a leaning post to the left, warm amber light raking across the side of her body and striking the rubble at her feet, throwing her face half into shadow, catching the sheen of her lipgloss and the polish of her nails, while the far corners of the hall fall into near-blackness. Deep warm palette: amber lantern light, umber and mahogany browns of her robes and hair, the muted ochre of old wood, the pink scarf and gold-brown embroidery as the two accents, no cool colors admitted. Thin dust particles float through the lantern glow and smoke curls around the broken beams.
The high-contrast graphic rendering: thick black outlines biting into her silhouette, flat halftone dot patterns shading the shadows of her face and the rubble, and neon-amber light popping against the darkened hall, giving the whole scene a bold, pop-comic energy. High contrast, cinematic, brutal and imposingly regal.
bhibhio#0
a
A (masterpiece best quality:1.2) ultra-detailed, low-angle, zoomed-in shot of a towering, very tall female figure with a bulky frame and wide hips, walking away from the viewer inside a traditional Japanese mansion. She possesses an extremely unique appearance with brown skin, sharp brown eyes reflecting a disgusted and annoyed expression, full lips coated in brown lipgloss, and long dark brown hair. She is dressed in long, fancy brown robes with intricate design patterns and a pink head scarf, her royal and godly presence amplified by her mean demeanor. As she walks away on a violent rampage, her (massive breasts:1.2) and (deep heavy cleavage:1.2) sway violently with each step. Her hands, featuring brown nails, are positioned naturally by her sides as she strides. The environment consists of polished wooden floors and sliding shoji screens of the mansion. The visual style is a high-contrast anime illustration with strong, graphic linework, sharp ink-like strokes, and a limited palette that emphasizes light-dark tension, creating an intense and dramatic mood.
auhdu
u0
solo, 1girl, extreme close-up, zoomed in, low angle, from below, foreshortening, warm brown skin, sharp golden-brown eyes, long dark brown hair, hair whipping, full lips, brown lipgloss, brown nails, pink headscarf, long brown robes, golden-brown embroidery, robes flying up, wide hips, thick thighs, huge breasts, deep cleavage, cleavage, strained fabric, kicking, extended leg, shoji door, wooden frame, shattering, splinters, planted leg, hand near face, dismissive gesture, clenched hand, annoyed, disgusted, angry, serious expression, mean expression, regal, dynamic shadows, warm amber lighting, traditional japanese mansion, interior, detailed face, pink headscarf only, bare ears, no earrings, no jewelry,
The view is from low and close, looking up the length of her body at a steep foreshortening: the planted leg and the hip above it sit huge in the lower foreground, the extended leg thrusts diagonally forward past the camera, and her face, tilted down toward the viewer, closes the top of the frame. She is the only figure in the image. Warm brown skin in a creamy caramel tone, long dark brown hair torn sideways and upward by the kick's backdraft, strands crossing her jaw and one lock flung across the pink headscarf that wraps her crown and knots at the back of her head. The headscarf is the single ornament on her head; her ears are bare. Sharp golden-brown eyes look down at the viewer from under a low brow, lids narrowed, one corner of the full brown-glossed lips pulled back in a disgusted sneer, chin lifted, nostrils faintly flared โ a mean, royal, unimpressed contempt rather than a shout.
Her extended leg drives forward and her wrapped foot and shin punch through the paper-and-lattice shoji panel; the wooden kumiko grid breaks around her shin, thin rails snapped and peeled outward, paper skinned into curling strips, and a spray of splinters and paper flakes hangs in the air around the extended leg, thrown toward the camera and drifting upward. Through the torn opening, the next room glows darker and warmer. The other leg is planted flat, knee flexed, heel pressing a tatami mat whose weave compresses under her weight. Her long brown robes with golden-brown embroidery billow upward off the kick, the embroidered hems flying above her wide hips and thick thighs and exposing them, the fabric pulled taut across her massive breasts so the embroidered panels strain over the deep, heavy cleavage that catches the warm amber light; one sash end whips past her shoulder. One hand is raised near her face, palm turned out and fingers loosely curled in a dismissive flick, brown nails catching the light along their edges; the other hand is clenched in a fist at her side, knuckles tight, nails pressed into her palm.
The mansion corridor around her recedes in dark polished wood: beams and pillars rise behind her, shoji panels and tatami floor step back into shadow, and a single hanging paper lantern at the upper left is the only light source โ warm amber, low and raking, throwing her long shadow up the corridor floor behind her and leaving the deep recesses of the ceiling and the far room in near-black. The amber rim catches the pink headscarf, the golden-brown embroidery, the gloss on her lips and the wet shine of her eyes. The palette holds to warm amber, deep brown, caramel skin, the pink headscarf and the pale paper white, with black sunk in the shadows. High-contrast anime rendering with thick outlines, bold halftone dots in the shadow gradients, punchy saturated accents and a pop-graphic comic punch to the exploding paper and splinters. Cinematic, brutal, effortlessly imperious.
ubohiubouhi#0
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