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AI art "神崎葵 水着(TRUE BLUE)"
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神崎葵 水着(TRUE BLUE)

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Kommentare

Kyoto Animation, (masterpiece), (best quality), (very nice), (best illustration), (), (), ({ {(white background)}}), (very beautiful), animation screen 1 girl, solo, {{ {1 naked girl}}}, {{super high resolution}} {{high resolution animation}}, solo, dark personality, loose side tail, purple eyes, blank eyes, looking at camera, <lora:ayumumo_V5-09:0.7><Laura:. CarInterior:1>, anime screencap{{Super High Resolution}}{{High Resolution Anime}} (Kanzaki Aoi, TRUE BLUE)victorian maid, Girl__ ( )1 girl, solo, brown hair, huge breasts, 1 girl, solo, long hair, red ribbon, looking at camera, bangs, hair between the eyes, __ {{white bikini: 1.8}}, exposed shoulders, petite, young adult, arms folded, white background, (NTR),,cowboy shot,, __,(ntr),{ {(white background)}}, {{(shoulder straps, white bikini} },,,full body,,
Parameter anzeigen
Größe
512 x 768
Sampling-Schritte
20
Sampling-Methode
DPM++ 2M SDE Karras
CFG Scale
6
Negativ
"lowest quality, big head, low quality, extra fingers, bad eyes, EasyNegativeV2, ng_deepnegative_v1_75t, nfw, unnatural drugs, jacket, clothes, male, black hair, unnatural anatomy, long body, orange hair, fused fingers, fused limbs, bad hands, bad anatomy male chest, blue hair, lowest quality, big head, low quality, jpeg artifact, ugly, duplicate, pathological, severed, out of frame, extra fingers, deformed limbs, bad hands, fused hands, missing hands, poorly done hands, more than 1 left hand, more than 1 right hand, bad gloves, poorly done gloves, fused gloves, extra fingers, fewer fingers, missing fingers, bad fingers, fused fingers, hands with less than 5 fingers, hands with more than 5 fingers, lost fingers, liquid fingers, fused fingers, mutated hands and fingers, poorly done face, mutant, deformed, blurry, dehydrated, bad anatomy, bad proportions, extra limbs, cloned face, deformed limbs, lost arms, lost legs, extra arms, extra legs, fused fingers, too many fingers, long neck, score 4, score 5, score 6, Pablo Picasso, inaccurate limbs and hands and fingers and arms, fused fusion, blurry, branch or robot, deformed, mutated, mutant, ugly, anatomically meaningless, bad proportions, unnatural body, liquid body, inharmonious body, long body, bad hair, fused hair, poorly drawn hair, bad face, big face, clone face, dirty face, fused face, poorly drawn face, long face, long neck, bad eyes, extra eyes, fused eyes, poorly drawn eyes, bad ears, fused ears, no ears, liquid ears, extra ears, poorly drawn ears, heavy ears, no ears, fused animal ears, bad animal ears, poorly drawn animal ears, extra split animal ears, liquid animal ears, heavy animal ears, no animal ears, bad mouth, big mouth, poorly drawn mouth, fused mouth, split mouth, bad tongue, liquid tongue, tongue in mouth, tongue too long, dirty teeth, yellow teeth, bad collarbone, fused collarbone, no collarbone, liquid collarbone, missing limbs, missing arms, extra arms, missing arms, extra legs, extra thighs, no thigh gap, no thighs, liquid thigh gap, fused thigh gap, fused legs, misshapen legs, nsfw, door, window, hallway, board, wood, leaves, big tree, frills, cloth, knots, strings, sashes, cloth, clothes, swimsuits, underwear, washroom, tied belt,"
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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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