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AI art "ブライトなミライ①" featuring #Gundam, #Vocaloid, #Militäruniform, #Roboter, #Zaku, #einäugig, #Militär, #Fürstentum Zeon and #Frontansicht
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ブライトなミライ①

本日はChar Aznable - Gundam Series - Main Outfit (Illustrious) - by EDG(トレーナーEDGさま)、[Illustrious]Gundam panoramic cockpit (ガンダム 全天周囲モニター リニアシート)(トレーナーpamromさま)、Sayla Mass セイラ・マス // Illustrious Character LoRA // Mobile Suit Gundam 機動戦士ガンダム(トレーナーiambobokayさま)、 Divine(トレーナーBoRnNo0bさま)をお借りしてきました。 昨日3/9、YouTube上で激震が走りました。奇跡のコラボ、ミクザクの日だそうです。 ミク師匠、仕事(コラボ先)を選ばない姿勢は毎回尊敬ですが、今回も体当たりだなぁ。私は開始10秒で早くもグフッと吐血状態です。ミッチーさんクオリティ高くて破壊力すごい・・ バンダイさんも今公開中のガンダム映画で「禁忌」に手を出したし、どうしたんだ?え?ミクコラボガンプラ出すんだ?いや歓迎ですけどね?来年の39の日もコレやりそうです。 ということでミクザクツーショット。せっかくだから赤ザクで・・赤ザクなら彗星の衣装で、とこうなりました。シャアコスLoRAがあって助かりました。pamrom様はガンダム専用LoRA職人さんでした。もんげー数の登録LoRAが・・どっかでお世話になってそう。コックピットミク、セイラミク追加です。 CPのDvine、最新版はv3.4。ベースはIllustorious扱いでしたが混ぜ混ぜはSDXLとPony、マルチで使えて助かりますね。

#Gundam#Vocaloid#Militäruniform#Roboter#Zaku#einäugig#Militär#Fürstentum Zeon#Frontansicht
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Kommentare2

1girl,solo,alone,hatsune miku, ahoge, aqua eyes, aqua hair, hair ornaments, headphones, long hair, twintails, looking at viewer, hands on hip, smiling, upper body, (red zaku background:1.5), red mobile suit, (masterpiece:1.3),best quality, ultra detailed, complex detail, maximum resolution, (aesthetic:1.3), (absurdres:1.3), unreal engine 5,16k,32k,ai-generated,, dgCharAznable, belt, (military uniform:1.6), capelet, zeon, detailed anime,
Parameter anzeigen
Größe
1094 x 1824
Sampling-Schritte
20
Sampling-Methode
Euler a
CFG Scale
6
Negativ
lowres, bad quality, worst quality,bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn,blurry, transparent background, censored, (simple background:1.6), artist name, signature, watermark,
Gesichtskorrektur
Hohe Auflösung

Verwendetes Modell und LoRA

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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