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AI art "Pregnant Bride Power" featuring #Brautkleid and #Spiegel
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Pregnant Bride Power

#Brautkleid#Spiegel
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Kommentare

chsawpower, cross-shaped pupils, blonde hair, long hair, long bangs, hair between the eyes, colorful hair, colorful eyelashes, (horns), bright red lipstick, blushing, shy expression, looking very sexy, cute face, perfect female anatomy, medium sized breasts, better hands, perfect fingers, very detailed skin texture, (((wearing long and fluffy wedding dress))), ((bridal veil, tiara, wearing wedding make-up, princess tiara, jewelry, earrings, ring, white lace gloves, elbow gloves, collarbone, necklace)), (beautiful embroidered wedding dress with multiple ruffled trims), lookin very sexy, sexy pose, cowboy shot, in a room, bed, bedroom furniture, window, closet with clothes inside, (high quality), absurdres, 8K, HD Wallpaper, ultra highres, intricate details, high resolution, ultra high definition, carefully detailed high quality illustration, perfect detailed, beautiful woman in her twenties, fantasy art illustration, pixel-perfect, detail-perfect, nice legs, ULTRA HD Photo, extraordinarily detailed, full color illustration, vibrant colors, perfect lighting, sharp image, highest quality illustration possible, perfect detailed, (focus upper body:1.3), holding a bouquet of flowers, super detailed, (((The girl is staring at herself in the mirror, seen from side, perfect reflection, pregnant)))
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Größe
864 x 1304
Sampling-Schritte
20
Sampling-Methode
Euler a
CFG Scale
6
Seed
5558187345944420
Negativ
extra fingers, fewer fingers, bad-hands-5, by bad-artist, (bad eyes:1.2), (misfigured pupils:1.2), (bad clothing:1.3), (undetailed clothing:1.3), ng_deepnegative_v1_75t, verybadimagenegative_v1.3, (nonsensical backrounds:1.2), (bad backrounds:1.2), (bad shadows:1.2), (bad anatomy:1.1), monochrome, greyscale, censored, bar censor, mosaic censor, error, bad hands, bad fingers, bad artist
Upscale

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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