Empress ball gown Async MIX XL 258

Veröffentlicht am Jul 19, 2026

Hougi Higurashi

1girl, full-body, composition: eye level view, camera pulled back, subject smaller in frame, skirt hem and train visible on ground, space above headpiece and below skirt, full height of headpiece visible, no portrait framing, three-quarter body orientation, head turned toward viewer with direct eye contact, character: adult empress, bridal gown, western structure (victorian fantasy court style), hands clasped at lower abdomen, early-20s visual age, massive breasts, perfect feminine curves, refined statuesque proportions, very beautiful, red hair, red eyes, extremely long hair in single thick braid, headgear: oversized western tiara, semicircular shape, articulated jewelry mechanics, short metal arms with suspended jewel drops and dangling chains, thick opaque silk ceremonial veil (draped like a mantle), jewelry: matching earrings, ceremonial necklace, detachable ornamental standing collar, bracelets, finger ring, gown: floor-length imperial bridal gown, fitted bodice, cinched waist, décolleté neckline, bouffant skirt with petticoats, long monarch-style train, heavy gravity-guided folds, open-front outer skirt revealing petticoat panel, long flared sleeves with soft wavy folds, fitted sleeve head, no gigot sleeves, no puffed shoulders, structured symmetric shoulder capelet (triangular pelerine silhouette), full ceremonial cape under capelet with visible lining, material: brocade, velvet, luminous taffeta, embroidered silk, light fabrics for underlayers (petticoats, sleeves, cape edges), lined garment layers with embroidered borders, fabric-embedded metal embroidery, filigree, sewn gemstones, color: deep color panels (cape, capelet, train, bodice, outer skirt), ivory/white structural base with embroidery and gemstones, maximal ornamentation on outer panels, scene: outdoor palace garden, stone paving, formal landscaping, lighting: natural daylight, clean anime linework, refined wavy contours, stable anatomy, high clarity

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Ursprüngliche Eingabeaufforderung: COMPOSITION Full-body illustration, eye level view, camera pulled far back. The subject appears smaller within the frame. Skirt hem and train clearly visible resting on the ground. Visible space above the headpiece and below the skirt hem. Full height of the headpiece is fully visible, not touching the frame edge. No portrait framing. Three-quarter body orientation to emphasize layered trailing elements. Head and gaze must turn toward viewer with direct eye contact. SUBJECT Adult empress in a bridal gown, firmly Western structure (Victorian, fantasy court style). Hands gently clasped at lower abdomen. Early-20s visual age, massive breasts, perfect feminine curves, refined statuesque body proportions, very beautiful. Red hair, red eyes. Extremely long hair styled into a single thick braid, clearly legible full-body. HEADGEAR Oversized, vertically dominant, extensively decorated ceremonial Western tiara with articulated jewelry mechanics. The tiara forms semicircular shape behind the head and has extended very short articulated metal arms (hairpin‑like brackets), each directly supporting suspended jewel drops and short dangling chains. Very thick, opaque, light‑blocking, fully decorated silk ceremonial veil, treated as a garment layer rather than sheer fabric, behaves like a draped mantle and remains visually distinct from the gown. JEWELRIES Matching earrings, ceremonial necklace, detachable ornamental standing collar, bracelets, finger ring. GOWN STRUCTURE Floor-length imperial bridal gown, fitted bodice, cinched waist, neckline with décolleté exposure. Bouffant skirt supported by petticoats, extending into a long monarch-style train. Gown train is visually heavy, articulated with gravity-guided folds and drapery. Open-front outer skirt, revealing front display petticoat panel. Long flared sleeves with gentle undulation and soft wavy folds at the ends attach smoothly at the shoulder with a fitted sleeve head, no gigot sleeves, no puffed shoulders. Structured symmetric shoulder capelet with defined edges, visible thickness, and planar stiffness, maintaining a triangular, pelerine silhouette. Full ceremonial cape is under capelet, hangs as a separate layer behind the arms with a visible lining and border, not merge into the sleeves or skirt train. MATERIAL & ORNAMENT The gown combines heavy and light fabrics. Core structure includes brocade, velvet, luminous taffeta, embroidered silk. Light fabrics used where underclothes, folds, drapery, and motion are needed (sleeves, cape edges, train transitions, underlayers, petitcoats). Light fabric underlayers/ petitcoats visible at hem and sleeves. Lined garment layers with visible hem thickness and embroidered borders; reads as mantle‑like draped layer, not sheer fabric. Large areas breaking into structured folds where gravity, layering, and movement interact. Fabric‑embedded metal embroidery, filigree, and sewn gemstones are primary visual feature of the gown surface, not replaced by jewelry or collar ornament. COLOR & PATTERN Gown fabric color consist of extensive visible deep color area, clearly visible outer panels and drapery masses (cape, capelet, train surfaces, bodice, some outer skirt panels), and ivory/white area functions as structural base that preserves fold relief and embroidery depth, and underlayer fabrics. The gown has one very significant visible color, but not has a single color surface. Ornamentation density and sewn gemstone density are maximal on outer panels (cape, capelet, outer skirt panels, bodice panels), other ivory structural areas retain sewn gemstones and lighter relief. SCENE Outdoor palace garden, stone paving, formal landscaping. LIGHTING & RENDER Natural daylight highlights revealing fabric layering, embroidery, gems, metallic structure. Clean anime linework, refined, slightly wavy contours. Stable anatomy, accurate hands, high clarity.
Größe: 1024 x 1024
Sampling-Schritte: 19
Sampling-Methode: Euler a
CFG scale: 6
Negativ: (skirt slit:6), (exposed legs:6), (Sheath Silhouette:3), (mermaid Silhouette:3), (form fitting skirt:3), (frilled dress:3), (frill:3), (drapery:3), (pleating:3), (Face distortion:1.5), (uneven skirt:3), (high-low hemline:3), (locomotive train:1.5), n12_light (an12:1.2) (kneeling lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, artist name,:1.5),, an12_light an12 ( lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, artist name,:1.5)

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Empress ball gown Async MIX XL 258

Veröffentlicht am Jul 19, 2026

Hougi Higurashi

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Ursprüngliche Eingabeaufforderung: COMPOSITION Full-body illustration, eye level view, camera pulled far back. The subject appears smaller within the frame. Skirt hem and train clearly visible resting on the ground. Visible space above the headpiece and below the skirt hem. Full height of the headpiece is fully visible, not touching the frame edge. No portrait framing. Three-quarter body orientation to emphasize layered trailing elements. Head and gaze must turn toward viewer with direct eye contact. SUBJECT Adult empress in a bridal gown, firmly Western structure (Victorian, fantasy court style). Hands gently clasped at lower abdomen. Early-20s visual age, massive breasts, perfect feminine curves, refined statuesque body proportions, very beautiful. Red hair, red eyes. Extremely long hair styled into a single thick braid, clearly legible full-body. HEADGEAR Oversized, vertically dominant, extensively decorated ceremonial Western tiara with articulated jewelry mechanics. The tiara forms semicircular shape behind the head and has extended very short articulated metal arms (hairpin‑like brackets), each directly supporting suspended jewel drops and short dangling chains. Very thick, opaque, light‑blocking, fully decorated silk ceremonial veil, treated as a garment layer rather than sheer fabric, behaves like a draped mantle and remains visually distinct from the gown. JEWELRIES Matching earrings, ceremonial necklace, detachable ornamental standing collar, bracelets, finger ring. GOWN STRUCTURE Floor-length imperial bridal gown, fitted bodice, cinched waist, neckline with décolleté exposure. Bouffant skirt supported by petticoats, extending into a long monarch-style train. Gown train is visually heavy, articulated with gravity-guided folds and drapery. Open-front outer skirt, revealing front display petticoat panel. Long flared sleeves with gentle undulation and soft wavy folds at the ends attach smoothly at the shoulder with a fitted sleeve head, no gigot sleeves, no puffed shoulders. Structured symmetric shoulder capelet with defined edges, visible thickness, and planar stiffness, maintaining a triangular, pelerine silhouette. Full ceremonial cape is under capelet, hangs as a separate layer behind the arms with a visible lining and border, not merge into the sleeves or skirt train. MATERIAL & ORNAMENT The gown combines heavy and light fabrics. Core structure includes brocade, velvet, luminous taffeta, embroidered silk. Light fabrics used where underclothes, folds, drapery, and motion are needed (sleeves, cape edges, train transitions, underlayers, petitcoats). Light fabric underlayers/ petitcoats visible at hem and sleeves. Lined garment layers with visible hem thickness and embroidered borders; reads as mantle‑like draped layer, not sheer fabric. Large areas breaking into structured folds where gravity, layering, and movement interact. Fabric‑embedded metal embroidery, filigree, and sewn gemstones are primary visual feature of the gown surface, not replaced by jewelry or collar ornament. COLOR & PATTERN Gown fabric color consist of extensive visible deep color area, clearly visible outer panels and drapery masses (cape, capelet, train surfaces, bodice, some outer skirt panels), and ivory/white area functions as structural base that preserves fold relief and embroidery depth, and underlayer fabrics. The gown has one very significant visible color, but not has a single color surface. Ornamentation density and sewn gemstone density are maximal on outer panels (cape, capelet, outer skirt panels, bodice panels), other ivory structural areas retain sewn gemstones and lighter relief. SCENE Outdoor palace garden, stone paving, formal landscaping. LIGHTING & RENDER Natural daylight highlights revealing fabric layering, embroidery, gems, metallic structure. Clean anime linework, refined, slightly wavy contours. Stable anatomy, accurate hands, high clarity.
Größe: 1024 x 1024
Sampling-Schritte: 19
Sampling-Methode: Euler a
CFG scale: 6
Negativ: (skirt slit:6), (exposed legs:6), (Sheath Silhouette:3), (mermaid Silhouette:3), (form fitting skirt:3), (frilled dress:3), (frill:3), (drapery:3), (pleating:3), (Face distortion:1.5), (uneven skirt:3), (high-low hemline:3), (locomotive train:1.5), n12_light (an12:1.2) (kneeling lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, artist name,:1.5),, an12_light an12 ( lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, artist name,:1.5)

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Empress ball gown Async MIX XL 258

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Empress ball gown Async MIX XL 258

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