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AI art "貧乏神「おいしい」巫女「そりゃよかった」" featuring #Touhou Project, #Reimu Hakurei and #Yorigami Shion

貧乏神「おいしい」巫女「そりゃよかった」

8

貧乏神「きのう食べたその辺に生えてた草の100倍おいしい」 巫女「・・・・そう・・」

#Touhou Project#Reimu Hakurei#Yorigami Shion
Veröffentlicht am Jul 24, 2026
Avatar image of mst

mst

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character: yorigami_shion, hakurei_reimu. A medium shot from a straight-on angle shows yorigami_shion and hakurei_reimu sitting in front of a desk on the engawa porch of a traditional Japanese wooden house. Yorigami_shion, with very long blue hair and a blue bow, is seated at the desk, leaning forward with a delighted expression as she eagerly eats a traditional meal of steamed white rice, grilled fish, and miso soup. Opposite her, hakurei_reimu, featuring brown hair with red frilled bows and sidelocks, is sitting in a formal seiza position, gazing at Shion with a gentle, affectionate smile while holding a steaming ceramic teacup of green tea with both hands. The environment consists of polished wooden floors and sliding shoji doors, with a peaceful garden visible in the background. The lighting is bright and natural, evoking a warm, domestic atmosphere with a soft color palette and a clean anime illustration style.
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Ursprüngliche Eingabeaufforderung
東方の博麗霊夢と依神紫苑。木造の和室の前の机の前に座る紫苑。机の上、紫苑の前にはご飯、焼き魚、みそ汁があり、紫苑はそれらを美味しそうに食べている。霊夢は机の前に正座で座って紫苑を優し気な微笑みで見つめながら両手で緑茶の入った湯呑を持っている
Modus
ultra
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1280 x 720
Negativ
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
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character: hakurei_reimu, kirisame_marisa. Marbled leaves frame a Japanese engawa scene seen from outside a doorway. In the immediate foreground, the edge of a tatami room is visible as the camera angle looks out onto a wooden veranda overlooking a traditional courtyard. hakurei_reimu, seating on the left in profile facing right, has her bare right foot resting on the step, right hand cradling a shallow saucer of sake, while kirisame_marisa sits opposite with legs drawn up, left hand gripping a ceramic flask and right hand holding a pair of wooden chopsticks toward a sliced katsuo fillet plated between them. Both women lean forward slightly over the lacquer tray as Reimu’s detached red sleeves flow down onto the wood and Marisa’s puffy-sleeved blouse and apron rest naturally on her crossed legs; their expressions are relaxed and friendly. Behind them, weather-faded wooden pillars, bamboo shishi-odoshi, stone lantern, and distant green foliage form the tranquil setting, dappled midday sunlight casting gentle shadows on the tatami and polished planks. The atmosphere is soft, bright, and nostalgic with warm earth tones, clear lines, uniform soft shading, and gentle light bloom on smooth surfaces.
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