1boy, spiderman, peter parker (ma

Veröffentlicht am Aug 11, 2026

Ares Vain

1boy, spiderman, peter parker (marvel), male, no mask, bodysuit, red and blue spandex, superhero, spider emblem, toned body, swinging, new york city, full body, morning, skyscraper, dynamic pose, action shot, corkscrew pose, web swinging, looking at viewer, dramatic lighting, sunset, motion blur, cinematic, photorealistic, masterpiece, high contrast, HDR, ultra detailed, official art, layered painting, oil painting style, realistic detail

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Ursprüngliche Eingabeaufforderung: ,daytime, beautiful lighting, mid day,yoneyama mai, yoneyama mai,1boy, solo, , blurry,chromatic aberration ,Detailed Illustration, Realistic Style, HDR, High Contrast, masterpiece, best quality, photorealistic, masterpiece, luminous highlights, fine details, harmonious colors, elegant balance, immersive atmosphere. stunning visuals, refined aesthetics, dynamic lighting,Masterpiece, Best Quality, official art, Realistic Detail, very aesthetic, highres, sensitive, Sketch lines, beautiful eyes, semi-realistic, , ,painted art style, paint style, acrylic piainting, oil painting, layered painting, 1boy, e,Spiderman, male, no mask, peter parker face, bodysuit, red and blue skin tight spidey suit, superhero, medium sized black spider-emblem on chest, toned body, fit body, swinging, new york city, full body, morning, skyscraper, swinging across the city dynamic action shot of Spider-Man mid-swing, soaring high above the congested streets of New York City. Spidey is captured in a powerful, inverted "corkscrew" pose, fully extended and twisting, looking back towards the camera over his shoulder while one arm is fully extended, gripping a taut web line connected to a skyscraper. His legs are tucked tightly, conveying intense speed. He is wearing the classic red and blue Stark suit with pronounced texture and reflective lenses. Below him, the NYC canyons stretch toward a hazy, warm sunset, turning the buildings orange and casting deep shadows. We see yellow taxis and tiny pedestrian lights blurred on the asphalt far below. The composition uses extreme motion blur on the background buildings and traffic to emphasize his velocity, creating strong leading lines. The camera angle is low and tilted, looking up, capturing dramatic perspective distortion and lens flare from the setting sun. Atmospheric perspective, cinematic depth of field,
Größe: 768 x 1280
Sampling-Schritte: 25
Sampling-Methode: Euler a
CFG scale: 5.5
Negativ: lowres, (bad), text, error, fewer, extra, missing, worst quality, jpeg artifacts, low quality, watermark, unfinished, displeasing, oldest, early, chromatic aberration, signature, extra digits, artistic error, username, scan, [abstract], multiple views, censored

Gesichtskorrektur

Prompt-Assistent

Verwendetes Modell und LoRA