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AI artwork

A young woman with long, straight

Veröffentlicht am 2 days ago
st

sfung-tx

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A young woman with long, straight black hair severely disheveled, covering most of her face, strands sticking to tear-streaked and sweaty skin, deep-colored pupils. She wears a wrinkled and twisted shirt with uneven creases, the collar askew exposing her collarbone and red marks on her neck, sleeves unevenly rolled up, the hem pulled out from her waistband in disarray, visible finger marks and dust stains on the front, missing buttons. Her skirt is severely rolled up to mid-thigh on one side, the other side drooping and twisted, the waistband crooked, inner fabric slightly frayed but not torn. She wears black stockings with multiple snags and ladder runs, the garter belt's metal clasps askew and partially detached, knees and calves covered in dust and wear. One high heel lies crooked beside her, the other barely on her foot. Her glasses hang precariously from one ear, about to fall. Her makeup is smudged—eyeliner smeared into dark streaks, lipstick smudged down her chin—yet no explicit exposure of private areas. She sits alone, collapsed against a cold metal filing cabinet in a dim office, knees tightly hugged to her chest in a defensive curl, arms wrapped around them or lightly shielding her abdomen, shoulders trembling slightly. Her gaze is unfocused, staring blankly at the floor, tears silently rolling down her cheeks, mixing with ruined makeup. Her lips tremble slightly, body stiff yet occasionally shuddering. The scene is set at night in a dark modern office, the faint glow of a computer screen flickering, the door slightly ajar. The only light comes from a single emergency lamp, casting long shadows. The floor is littered with scattered items—a fallen high heel, lost buttons, strewn papers, shattered ceramic fragments. The atmosphere is cold and desolate, emphasizing isolation. The shot is a low-angle close-up from the side, 70% focused on her disheveled appearance and 30% on the dim office and scattered objects. Lighting is cold blue-gray, with faint reflections on tears and the stockings' snags, amplifying despair. The palette is desaturated, dominated by dark tones with stark contrast between her pale skin and the shadowed background. Negative elements: bright daylight, cheerful mood, nudity, explicit content, violence, blood, excessive exposure, text overlays, extra characters, cartoonish style, overexposure, or multiple panels. Style: hyper-detailed, cinematic realism with a focus on emotional and environmental storytelling.
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Ursprüngliche Eingabeaufforderung
人物:絕區零角色耀嘉音(),黑色長直髮嚴重散亂披落遮住大半臉龐,幾縷髮絲黏在淚痕與汗水上,深色瞳孔 服裝與狀態:耀嘉音穿上衣布料滿是深淺不一的皺褶與扭曲抓痕、領口向一側歪斜敞開露出鎖骨與頸側紅痕、袖口一邊捲起一邊垂落、下擺從褲腰扯出大片凌亂垂落、前襟有明顯指痕與灰塵污跡、幾顆鈕扣鬆開遺失)、裙擺向一側嚴重捲起至大腿中段、另一側下垂扭曲、腰頭歪斜、裙內側布料外翻顯露輕微撕扯邊緣但無破洞)、黑絲襪(雙腿絲襪表面多處勾絲與梯狀脫線、大腿處吊襪帶金屬扣歪斜一邊脫落、絲襪膝蓋與小腿處有灰塵與磨損污痕)、吊襪帶邊緣外露但仍連接、高跟鞋一隻歪斜掉落旁邊另一隻勉強穿在腳上,眼鏡嚴重歪斜僅掛在一邊耳上即將滑落,妝容徹底花暈(眼線暈染成大片黑痕、唇彩抹花至下巴),整體外貌極度凌亂卻無任何裸露或關鍵部位暴露 體位/姿勢:耀嘉音孤獨癱坐在昏暗辦公室地板上,背靠冰冷金屬文件櫃牆角,雙膝緊抱胸前,身體微微蜷縮成防禦姿態,雙手環抱膝蓋或輕護下腹部,肩膀輕微抽動 動作:耀嘉音低頭眼神完全失焦空洞盯著地面,淚水無聲滑落臉頰,淚痕在臉上暈開與花掉的眼線混雜,嘴唇微張顫抖,身體偶爾輕微發抖但整體僵硬不動 時間:夜晚 場景:昏暗現代辦公室,電腦螢幕殘光微弱閃爍,辦公室門半開,房間內光線極暗僅剩一盞應急燈,地面散落幾件翻落的小物件(歪斜眼鏡、一隻高跟鞋、扯落的襯衣鈕扣、散落的文件紙張、破碎咖啡杯殘片),窗外靜寂無聲或遠處城市燈光,牆角陰影濃重營造孤立感,無其他人 表情:耀嘉音深色瞳孔完全失焦、驚恐空洞,眼神穿透虚空,臉頰蒼白帶淚痕與妝容暈染,眉頭緊鎖,嘴角無力下垂,整體神情解離與崩潰 鏡頭角度:側面低角度近景,70%聚焦耀嘉音蜷縮姿態、散亂黑色長髮與極度凌亂的深色襯衣、黑色短裙、黑絲細節,30%呈現昏暗辦公室與地面散落物件 光影:單一微弱應急燈從側面投下長長陰影,冷藍灰色調主導,淚水、黑絲勾絲與髒汙反射微光,強化孤獨與絕望氛圍 色調:低飽和冷藍灰、暗黑殘光,蒼白皮膚與暗背景強烈對比 Negative Prompt:明亮日光、歡快氛圍、裸體、性器官、暴力動作、血液、過度撕裂衣物導致暴露、文字說明、多餘人物、露骨描寫、卡通風、過曝、分鏡1
Qualitäts-Tag
high quality, year_2025, year_2024, ﹝Prompts﹞
Größe
768 x 1280
Sampling-Schritte
12
Sampling-Methode
Euler
CFG scale
1
Negativ
動物耳朵,bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Prompt-Assistent

Verwendetes Modell und LoRA

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yanagi_ko_(zenless_zone_zero), a young woman with long, straight black hair severely disheveled and covering most of her face, strands clinging to tear-streaked cheeks and sweat. Her dark pupils are completely unfocused, staring vacantly at the ground. She wears a wrinkled, deeply creased shirt with visible finger marks and dust stains, collar askew revealing red marks on her neck and collarbone, sleeves unevenly rolled, and hem pulled messily from her waistband. Her skirt is twisted—one side hiked up to mid-thigh while the other hangs crookedly, waistband misaligned. Black stockings show multiple snags and laddered runs, garter clips half-detached, knees and calves smudged with dirt. One high heel lies discarded beside her while the other barely stays on her foot. Glasses hang precariously from one ear, nearly falling. Her makeup is ruined—eyeliner smudged into dark streaks, lipstick smeared to her chin. She sits alone in a dim modern office, slumped against a cold metal filing cabinet, knees drawn tightly to her chest in a defensive curl. Shoulders tremble slightly as silent tears trace fresh paths through her ruined makeup. The room is barely lit by a single emergency light, casting long shadows. Scattered debris litters the floor: a fallen glasses case, loose buttons, scattered documents, shattered porcelain. A half-open door reveals darkness beyond. The composition emphasizes her isolation—70% focus on her disheveled form, 30% on the oppressive environment. Lighting: Cold blue-grey tones dominate. Faint reflections highlight tear tracks and stocking imperfections. Mood: Despair, dissociation, and utter exhaustion. Style: Hyper-detailed realism with muted colors and stark contrasts between pale skin and the dark backdrop.
sfung-tx
AI artwork
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A young woman with long, straight black hair severely disheveled, covering most of her face, strands sticking to tear-streaked and sweaty skin, deep-colored pupils. She wears a wrinkled and twisted shirt with uneven creases, the collar askew exposing her collarbone and red marks on her neck, sleeves unevenly rolled up, the hem pulled out from her waistband in disarray, visible finger marks and dust stains on the front, missing buttons. Her skirt is severely rolled up to mid-thigh on one side, the other side drooping and twisted, the waistband crooked, inner fabric slightly frayed but not torn. She wears black stockings with multiple snags and ladder runs, the garter belt's metal clasps askew and partially detached, knees and calves covered in dust and wear. One high heel lies crooked beside her, the other barely on her foot. Her glasses hang precariously from one ear, about to fall. Her makeup is smudged—eyeliner smeared into dark streaks, lipstick smudged down her chin—yet no explicit exposure of private areas. She sits alone, collapsed against a cold metal filing cabinet in a dim office, knees tightly hugged to her chest in a defensive curl, arms wrapped around them or lightly shielding her abdomen, shoulders trembling slightly. Her gaze is unfocused, staring blankly at the floor, tears silently rolling down her cheeks, mixing with ruined makeup. Her lips tremble slightly, body stiff yet occasionally shuddering. The scene is set at night in a dark modern office, the faint glow of a computer screen flickering, the door slightly ajar. The only light comes from a single emergency lamp, casting long shadows. The floor is littered with scattered items—a fallen high heel, lost buttons, strewn papers, shattered ceramic fragments. The atmosphere is cold and desolate, emphasizing isolation. The shot is a low-angle close-up from the side, 70% focused on her disheveled appearance and 30% on the dim office and scattered objects. Lighting is cold blue-gray, with faint reflections on tears and the stockings' snags, amplifying despair. The palette is desaturated, dominated by dark tones with stark contrast between her pale skin and the shadowed background. Negative elements: bright daylight, cheerful mood, nudity, explicit content, violence, blood, excessive exposure, text overlays, extra characters, cartoonish style, overexposure, or multiple panels. Style: hyper-detailed, cinematic realism with a focus on emotional and environmental storytelling.
sfung-tx
AI artwork
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A young woman with long, straight black hair severely disheveled, strands clinging to tear-streaked cheeks and sweat-dampened skin, her deep-colored pupils unfocused and vacant. She wears a once-crisp dark long-sleeved dress shirt now crumpled with uneven creases and twisted scratch marks—the collar askew to reveal collarbones and reddish marks along her neckline, sleeves haphazardly rolled and drooping, the hem pulled untucked in messy drapes, the front marred by fingerprints and dust stains, several buttons undone or missing. Her black fitted miniskirt is twisted—one side hiked up to mid-thigh, the other sagging, the waistband crooked, the inner fabric slightly frayed but not torn. Black stockings show multiple snags and laddered runs, garter clasps askew, knees and calves dirtied by grime and abrasions. One high heel lies discarded nearby, the other barely clinging to her foot. Her glasses dangle precariously from one ear, smudged and crooked. Makeup is ruined—eyeliner smeared into dark streaks, lipstick smudged down her chin—yet no explicit nudity is shown. She sits alone in a dim office, slumped against a cold metal filing cabinet in a defensive curl, knees drawn tightly to her chest, hands guarding her abdomen, shoulders trembling faintly. Her gaze is hollow, fixed on the floor as silent tears trace through smeared makeup, lips trembling slightly. The office is nearly dark—only the faint glow of an emergency light casts long shadows across scattered debris: a fallen high heel, lost buttons, strewn documents, shattered porcelain. A half-open door and distant city lights through the window emphasize isolation. The shot captures her from a low side angle, emphasizing her disheveled hair, twisted clothing, and the stark contrast of her pale skin against the gloom. Cold blue-gray tones dominate, with subtle highlights catching on tear tracks and frayed stocking threads. The composition radiates despair—quiet, broken, and utterly alone.
sfung-tx
AI artwork
st
A young woman with long, straight black hair severely disheveled, covering most of her face, strands sticking to tear-streaked sweat, dark pupils. She wears a dark long-sleeved dress shirt (originally crisp professional attire, now deeply wrinkled with visible claw marks, collar askew exposing collarbone and red marks on her neck, one sleeve rolled up while the other hangs loose, hem untucked and messy, front marked with fingerprints and dust, buttons missing or undone). Her black pencil skirt is severely hiked up on one thigh while the other side hangs twisted, waistband crooked, inner fabric slightly frayed but intact. Her black stockings show multiple snags and laddering, garter clips misaligned, knees and calves smudged with dirt. One high heel lies discarded beside her while the other barely stays on. Her glasses hang precariously from one ear, makeup completely ruined (smudged eyeliner, lipstick smeared to her chin). She sits alone in a dim modern office, slumped against a cold metal filing cabinet in a defensive fetal position—knees tightly drawn to her chest, arms wrapped around them, shoulders trembling slightly. Her gaze is hollow and unfocused, tears silently streaming down her cheeks, mixing with ruined makeup. Lips quiver slightly as she stares blankly at the floor, body stiff yet shuddering intermittently. The scene is bathed in cold blue-gray light from a single emergency lamp, casting long shadows. A half-open door, faint glow from a computer screen, and scattered objects (a fallen high heel, broken coffee cup, loose documents) amplify the isolation. The composition focuses 70% on her disheveled form and 30% on the oppressive office details. Low saturation, high contrast between her pale skin and the dark environment. Style: Hyper-detailed realism with cinematic lighting, emphasizing texture (fabric wrinkles, stockings’ snags, tear reflections). Mood: Despair, dissociation, silent collapse.
sfung-tx

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