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Benutzer-LoRA

XL
Hintergrund

on the popular embankment floor

on the popular embankment floor - AI Model cover image
Trainiert von
Avatar image of Alex Andain

Alex Andain

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Hochgeladen am
25.01.2026, 20:02
Verwendet
67
Verdient
4,686
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Auslösende Worte

"wide paved walkway (1.2) along a body of water (1.1), with a grassy hill (1.1) on the right side featuring trees and street lamps, cityscape (1.0) in the distance, overcast sky (1.2), benches and metal railing (1.0), concrete wall with metal reliefs (1.2)

Berechtigungen
  • Bildgenerierung und -freigabe erlauben
  • Nutzern erlauben, dieses Modell herunterzuladen
  • Gewerbliche Nutzung

Kommentare

Kunstwerk gemacht von on the popular embankment floor

1
AI artwork generated with on the popular embankment floor
Avatar image of Alex Andain
no humans, dark surreal world, nightmarish landscape, distorted floating clock towers, melting into black ocean, faceless figures, shrouded in mist, gnarled trees, glowing eyes, monochrome palette, blood-red accents, ominous sky, multiple moons, hyper detailed, cinematic lighting, in the style of Zdzisław Beksiński, wide paved walkway (1.2), body of water (1.1), grassy hill (1.1), trees, street lamps, cityscape (1.0), overcast sky (1.2), benches, metal railing (1.0), concrete wall, metal reliefs (1.2), pokemon, pokemon (anime), nidorino, gengar, back shot
Alex Andain
AI artwork generated with on the popular embankment floor
Avatar image of Alex Andain
Tyumen embankment on the bank of the Tura River, late autumn evening, empty pedestrian bridges and staircases disappearing into thick fog. Old streetlamps cast dim amber light on wet stone, water reflections look like fragments of a long-forgotten dream. The embankment architecture slowly dissolves into gray haze, familiar outlines become alien and unrecognizable. Atmosphere of Stage 6 from Everywhere at the End of Time: extreme disorientation, decay of memory, the feeling of a space that continues to exist after all memories of it have vanished. Faded analog photograph, heavy film grain, damaged emulsion, smeared contours, ghostly double exposures, faded brown and gray-green tones, almost complete lack of saturation, deep black shadows. No people, no cars, no modern bright screens. Silence, emptiness, loss of the place's identity, an endless feeling of completion. Surrealist documentary photography, found in the archive of an unknown person, an image on the verge of complete disappearance, unsettling atmosphere of late-stage amnesia, minimalism, visual degradation, haunting liminal space, decayed memory, archival photographic decay, no humans, scenery, fog, night, autumn, river, bridge, street lamp, wet stone, monochrome, muted colors, film grain, double exposure, liminal space
Alex Andain
AI artwork generated with on the popular embankment floor
Avatar image of Alex Andain
Tyumen embankment on the bank of the Tura River, late autumn evening, empty pedestrian bridges and staircases disappearing into thick fog. Old streetlamps cast dim amber light on wet stone, water reflections look like fragments of a long-forgotten dream. The embankment architecture slowly dissolves into gray haze, familiar outlines become alien and unrecognizable. Atmosphere of Stage 6 from Everywhere at the End of Time: extreme disorientation, decay of memory, the feeling of a space that continues to exist after all memories of it have vanished. Faded analog photograph, heavy film grain, damaged emulsion, smeared contours, ghostly double exposures, faded brown and gray-green tones, almost complete lack of saturation, deep black shadows. No people, no cars, no modern bright screens. Silence, emptiness, loss of the place's identity, an endless feeling of completion. Surrealist documentary photography, found in the archive of an unknown person, an image on the verge of complete disappearance, unsettling atmosphere of late-stage amnesia, minimalism, visual degradation, haunting liminal space, decayed memory, archival photographic decay, no humans, scenery, fog, night, autumn, river, bridge, street lamp, wet stone, monochrome, muted colors, film grain, double exposure, liminal space
Alex Andain
AI artwork generated with on the popular embankment floor
Avatar image of Alex Andain
Tyumen embankment on the bank of the Tura River, late autumn evening, empty pedestrian bridges and staircases disappearing into thick fog. Old streetlamps cast dim amber light on wet stone, water reflections look like fragments of a long-forgotten dream. The embankment architecture slowly dissolves into gray haze, familiar outlines become alien and unrecognizable. Atmosphere of Stage 6 from Everywhere at the End of Time: extreme disorientation, decay of memory, the feeling of a space that continues to exist after all memories of it have vanished. Faded analog photograph, heavy film grain, damaged emulsion, smeared contours, ghostly double exposures, faded brown and gray-green tones, almost complete lack of saturation, deep black shadows. No people, no cars, no modern bright screens. Silence, emptiness, loss of the place's identity, an endless feeling of completion. Surrealist documentary photography, found in the archive of an unknown person, an image on the verge of complete disappearance, unsettling atmosphere of late-stage amnesia, minimalism, visual degradation, haunting liminal space, decayed memory, archival photographic decay, no humans, scenery, fog, night, autumn, river, bridge, street lamp, wet stone, monochrome, muted colors, film grain, double exposure, liminal space
Alex Andain
AI artwork generated with on the popular embankment floor
Avatar image of Alex Andain
river embankment, late autumn evening, empty pedestrian bridges and staircases disappearing into thick fog, old streetlamps casting dim amber light on wet stone, water reflections like fragments of a long-forgotten dream, riverside architecture slowly dissolving into grey haze, familiar outlines becoming alien and unrecognizable, atmosphere of Stage 6 from Everywhere at the End of Time, extreme disorientation, memory decay, sense of space continuing to exist after all memories of it have vanished, faded analog photograph, heavy film grain, damaged emulsion, blurred contours, ghostly double exposures, faded brown and grey-green tones, almost total desaturation, deep black shadows, no people, no cars, no modern bright screens, silence, emptiness, loss of place identity, endless sense of ending, surreal documentary photography, found in an unknown person's archive, image on the verge of complete disappearance, unsettling atmosphere of late-stage amnesia, minimalism, visual degradation, haunting liminal space, decayed memory, archival photographic decay, Fright Night 1985 style
Alex Andain
AI artwork generated with on the popular embankment floor
Avatar image of Alex Andain
river embankment, late autumn evening, empty pedestrian bridges and staircases disappearing into thick fog, old streetlamps casting dim amber light on wet stone, water reflections like fragments of a long-forgotten dream, riverside architecture slowly dissolving into grey haze, familiar outlines becoming alien and unrecognizable, atmosphere of Stage 6 from Everywhere at the End of Time, extreme disorientation, memory decay, sense of space continuing to exist after all memories of it have vanished, faded analog photograph, heavy film grain, damaged emulsion, blurred contours, ghostly double exposures, faded brown and grey-green tones, almost total desaturation, deep black shadows, no people, no cars, no modern bright screens, silence, emptiness, loss of place identity, endless sense of ending, surreal documentary photography, found in an unknown person's archive, image on the verge of complete disappearance, unsettling atmosphere of late-stage amnesia, minimalism, visual degradation, haunting liminal space, decayed memory, archival photographic decay, Fright Night 1985 style
Alex Andain
AI artwork generated with on the popular embankment floor
Avatar image of すぎ茶屋本店
masterpiece, anime coloring, 1girl, reddish-brown hair, short hair, wavy hair, sidelocks, purple eyes, perfect eyes, smile, open mouth, beautiful detailed cold face, bright skin, (((ultra-slender))), medium breasts, white sailor uniform, black collar, long sleeves, light blue neck bowtie, pleated skirt, black skirt, black high socks, small breasts, ((masterpiece)), ((top quality)), (best quality, super detail, detailed lighting), illustration, wide paved walkway (1.2) along a body of water (1.1), grassy hill (1.1) on the right side featuring trees and street lamps, cityscape (1.0) in the distance, overcast sky (1.2), benches and metal railing (1.0), concrete wall with metal reliefs (1.2), <lora:sword-guard-stance-illustriousxl-lora-nochekaiser:1>, sword guard stance, sword, weapon, solo, katana, holding weapon, holding sword, looking at viewer, jumpsuit, cowboy shot, pants, gun, action, shooting, battle
すぎ茶屋本店
AI artwork generated with on the popular embankment floor
Avatar image of Alex Andain
no humans, dark surreal world, nightmarish landscape, distorted floating clock towers, melting into black ocean, faceless figures, shrouded in mist, gnarled trees, glowing eyes, monochrome palette, blood-red accents, ominous sky, multiple moons, hyper detailed, cinematic lighting, in the style of Zdzisław Beksiński, wide paved walkway (1.2), body of water (1.1), grassy hill (1.1), trees, street lamps, cityscape (1.0), overcast sky (1.2), benches, metal railing (1.0), concrete wall, metal reliefs (1.2), pokemon, pokemon (anime), nidorino, gengar, back shot
Alex Andain
AI artwork generated with on the popular embankment floor
Avatar image of Alex Andain
Tyumen embankment on the bank of the Tura River, late autumn evening, empty pedestrian bridges and staircases disappearing into thick fog. Old streetlamps cast dim amber light on wet stone, water reflections look like fragments of a long-forgotten dream. The embankment architecture slowly dissolves into gray haze, familiar outlines become alien and unrecognizable. Atmosphere of Stage 6 from Everywhere at the End of Time: extreme disorientation, decay of memory, the feeling of a space that continues to exist after all memories of it have vanished. Faded analog photograph, heavy film grain, damaged emulsion, smeared contours, ghostly double exposures, faded brown and gray-green tones, almost complete lack of saturation, deep black shadows. No people, no cars, no modern bright screens. Silence, emptiness, loss of the place's identity, an endless feeling of completion. Surrealist documentary photography, found in the archive of an unknown person, an image on the verge of complete disappearance, unsettling atmosphere of late-stage amnesia, minimalism, visual degradation, haunting liminal space, decayed memory, archival photographic decay, no humans, scenery, fog, night, autumn, river, bridge, street lamp, wet stone, monochrome, muted colors, film grain, double exposure, liminal space
Alex Andain
AI artwork generated with on the popular embankment floor
Avatar image of Alex Andain
river embankment, late autumn evening, empty pedestrian bridges and staircases disappearing into thick fog, old streetlamps casting dim amber light on wet stone, water reflections like fragments of a long-forgotten dream, riverside architecture slowly dissolving into grey haze, familiar outlines becoming alien and unrecognizable, atmosphere of Stage 6 from Everywhere at the End of Time, extreme disorientation, memory decay, sense of space continuing to exist after all memories of it have vanished, faded analog photograph, heavy film grain, damaged emulsion, blurred contours, ghostly double exposures, faded brown and grey-green tones, almost total desaturation, deep black shadows, no people, no cars, no modern bright screens, silence, emptiness, loss of place identity, endless sense of ending, surreal documentary photography, found in an unknown person's archive, image on the verge of complete disappearance, unsettling atmosphere of late-stage amnesia, minimalism, visual degradation, haunting liminal space, decayed memory, archival photographic decay, Fright Night 1985 style
Alex Andain
AI artwork generated with on the popular embankment floor
Avatar image of Alex Andain
river embankment, late autumn evening, empty pedestrian bridges and staircases disappearing into thick fog, old streetlamps casting dim amber light on wet stone, water reflections like fragments of a long-forgotten dream, riverside architecture slowly dissolving into grey haze, familiar outlines becoming alien and unrecognizable, atmosphere of Stage 6 from Everywhere at the End of Time, extreme disorientation, memory decay, sense of space continuing to exist after all memories of it have vanished, faded analog photograph, heavy film grain, damaged emulsion, blurred contours, ghostly double exposures, faded brown and grey-green tones, almost total desaturation, deep black shadows, no people, no cars, no modern bright screens, silence, emptiness, loss of place identity, endless sense of ending, surreal documentary photography, found in an unknown person's archive, image on the verge of complete disappearance, unsettling atmosphere of late-stage amnesia, minimalism, visual degradation, haunting liminal space, decayed memory, archival photographic decay, Fright Night 1985 style
Alex Andain
AI artwork generated with on the popular embankment floor
Avatar image of すぎ茶屋本店
masterpiece, anime coloring, 1girl, reddish-brown hair, short hair, wavy hair, sidelocks, purple eyes, perfect eyes, smile, open mouth, beautiful detailed cold face, bright skin, ultra-slender, medium breasts, white sailor uniform, black collar, long sleeves, light blue neck bowtie, pleated skirt, black skirt, black high socks, small breast, top quality, best quality, super detail, detailed lighting, illustration, wide paved walkway (1.2) along a body of water (1.1), grassy hill (1.1) on the right side featuring trees and street lamps, cityscape (1.0) in the distance, overcast sky (1.2), benches and metal railing (1.0), concrete wall with metal reliefs (1.2), <lora:sword-guard-stance-illustriousxl-lora-nochekaiser:1>, sword guard stance, sword, weapon, solo, katana, holding, holding weapon, holding sword, looking at viewer, jumpsuit, cowboy shot, pants
すぎ茶屋本店
AI artwork generated with on the popular embankment floor
Avatar image of すぎ茶屋本店
masterpiece, anime coloring, 1girl, reddish-brown hair, short hair, wavy hair, sidelocks, purple eyes, perfect eyes, smile, open mouth, beautiful detailed cold face, bright skin, (((ultra-slender))), medium breasts, white sailor uniform, black collar, long sleeves, light blue neck bowtie, pleated skirt, black skirt, black high socks, small breasts, ((masterpiece)), ((top quality)), (best quality, super detail, detailed lighting), illustration, wide paved walkway (1.2) along a body of water (1.1), grassy hill (1.1) on the right side featuring trees and street lamps, cityscape (1.0) in the distance, overcast sky (1.2), benches and metal railing (1.0), concrete wall with metal reliefs (1.2), <lora:sword-guard-stance-illustriousxl-lora-nochekaiser:1>, sword guard stance, sword, weapon, solo, katana, holding weapon, holding sword, looking at viewer, jumpsuit, cowboy shot, pants, gun, action, shooting, battle
すぎ茶屋本店
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