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AI art "Window"

Window

Published on Apr 11, 2026
Avatar image of Children in the city

Children in the city

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A mature woman with black hair styled in a low bun and wispy bangs framing her forehead, her purple eyes filled with sorrow and resignation. She wears a form-fitting, sexy beige backless sweater that accentuates her feminine curves, paired only with black lace panties. Her black stockings are torn in places, suggesting a struggle. She kneels on the floor, her back against a rain-streaked floor-to-ceiling window that reveals a foggy cityscape beyond. Her hands rest on a blood-stained fire axe lying on the floor before her. Her lips are slightly parted in a quiet sigh, her expression melancholic yet resigned as she gazes out the window. The dim interior lighting contrasts with the muted glow of the city lights outside, creating a moody, cinematic atmosphere that emphasizes her emotional turmoil. The scene suggests a moment of quiet despair after some violent event.
Show Parameters
Original Prompt
该图中的女人留着黑色的头发,她的头发盘成低发髻,碎发挡着她的额头,她有着紫色的瞳孔,有着人妻般的成熟气息,她穿着紧致性感的米色露背毛衣,下身则只穿着黑色蕾丝的内裤,她的胸部是正常尺寸。她穿着的黑色的丝袜有被撕扯过的痕迹。她跪坐在地板上,背靠着落地窗,落地窗上占满了雨水,外面是雾蒙蒙的城市。她的双手放在地上的一把沾满鲜血的消防斧上。她的嘴巴微微张开,她的表情哀伤又无奈,双眼看向落地窗外。
Quality Tag
high quality, year_2025, year_2024, ﹝Prompts﹞
Size
768 x 1024
Sampling Steps
25
Sampling Method
Euler
CFG Scale
4.5
Negative
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Prompt Helper

Model & LoRA used

Similar Images

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AI artwork
st
A young woman with long, straight black hair severely disheveled, strands clinging to tear-streaked cheeks and sweat-dampened skin, her deep-colored pupils unfocused and vacant. She wears a once-crisp dark long-sleeved dress shirt now crumpled with uneven creases and twisted scratch marks—the collar askew to reveal collarbones and reddish marks along her neckline, sleeves haphazardly rolled and drooping, the hem pulled untucked in messy drapes, the front marred by fingerprints and dust stains, several buttons undone or missing. Her black fitted miniskirt is twisted—one side hiked up to mid-thigh, the other sagging, the waistband crooked, the inner fabric slightly frayed but not torn. Black stockings show multiple snags and laddered runs, garter clasps askew, knees and calves dirtied by grime and abrasions. One high heel lies discarded nearby, the other barely clinging to her foot. Her glasses dangle precariously from one ear, smudged and crooked. Makeup is ruined—eyeliner smeared into dark streaks, lipstick smudged down her chin—yet no explicit nudity is shown. She sits alone in a dim office, slumped against a cold metal filing cabinet in a defensive curl, knees drawn tightly to her chest, hands guarding her abdomen, shoulders trembling faintly. Her gaze is hollow, fixed on the floor as silent tears trace through smeared makeup, lips trembling slightly. The office is nearly dark—only the faint glow of an emergency light casts long shadows across scattered debris: a fallen high heel, lost buttons, strewn documents, shattered porcelain. A half-open door and distant city lights through the window emphasize isolation. The shot captures her from a low side angle, emphasizing her disheveled hair, twisted clothing, and the stark contrast of her pale skin against the gloom. Cold blue-gray tones dominate, with subtle highlights catching on tear tracks and frayed stocking threads. The composition radiates despair—quiet, broken, and utterly alone.
sfung-tx
AI artwork
st
A young woman with long, straight black hair severely disheveled, covering most of her face, strands sticking to tear-streaked and sweaty skin, deep-colored pupils. She wears a wrinkled and twisted shirt with uneven creases, the collar askew exposing her collarbone and red marks on her neck, sleeves unevenly rolled up, the hem pulled out from her waistband in disarray, visible finger marks and dust stains on the front, missing buttons. Her skirt is severely rolled up to mid-thigh on one side, the other side drooping and twisted, the waistband crooked, inner fabric slightly frayed but not torn. She wears black stockings with multiple snags and ladder runs, the garter belt's metal clasps askew and partially detached, knees and calves covered in dust and wear. One high heel lies crooked beside her, the other barely on her foot. Her glasses hang precariously from one ear, about to fall. Her makeup is smudged—eyeliner smeared into dark streaks, lipstick smudged down her chin—yet no explicit exposure of private areas. She sits alone, collapsed against a cold metal filing cabinet in a dim office, knees tightly hugged to her chest in a defensive curl, arms wrapped around them or lightly shielding her abdomen, shoulders trembling slightly. Her gaze is unfocused, staring blankly at the floor, tears silently rolling down her cheeks, mixing with ruined makeup. Her lips tremble slightly, body stiff yet occasionally shuddering. The scene is set at night in a dark modern office, the faint glow of a computer screen flickering, the door slightly ajar. The only light comes from a single emergency lamp, casting long shadows. The floor is littered with scattered items—a fallen high heel, lost buttons, strewn papers, shattered ceramic fragments. The atmosphere is cold and desolate, emphasizing isolation. The shot is a low-angle close-up from the side, 70% focused on her disheveled appearance and 30% on the dim office and scattered objects. Lighting is cold blue-gray, with faint reflections on tears and the stockings' snags, amplifying despair. The palette is desaturated, dominated by dark tones with stark contrast between her pale skin and the shadowed background. Negative elements: bright daylight, cheerful mood, nudity, explicit content, violence, blood, excessive exposure, text overlays, extra characters, cartoonish style, overexposure, or multiple panels. Style: hyper-detailed, cinematic realism with a focus on emotional and environmental storytelling.
sfung-tx
AI artwork
st
A young woman with long, straight black hair severely disheveled, strands clinging to tear-streaked cheeks and sweat-dampened skin, her deep-colored pupils unfocused and vacant. She wears a once-crisp dark long-sleeved dress shirt now crumpled with uneven creases and twisted scratch marks—the collar askew to reveal collarbones and reddish marks along her neckline, sleeves haphazardly rolled and drooping, the hem pulled untucked in messy drapes, the front marred by fingerprints and dust stains, several buttons undone or missing. Her black fitted miniskirt is twisted—one side hiked up to mid-thigh, the other sagging, the waistband crooked, the inner fabric slightly frayed but not torn. Black stockings show multiple snags and laddered runs, garter clasps askew, knees and calves dirtied by grime and abrasions. One high heel lies discarded nearby, the other barely clinging to her foot. Her glasses dangle precariously from one ear, smudged and crooked. Makeup is ruined—eyeliner smeared into dark streaks, lipstick smudged down her chin—yet no explicit nudity is shown. She sits alone in a dim office, slumped against a cold metal filing cabinet in a defensive curl, knees drawn tightly to her chest, hands guarding her abdomen, shoulders trembling faintly. Her gaze is hollow, fixed on the floor as silent tears trace through smeared makeup, lips trembling slightly. The office is nearly dark—only the faint glow of an emergency light casts long shadows across scattered debris: a fallen high heel, lost buttons, strewn documents, shattered porcelain. A half-open door and distant city lights through the window emphasize isolation. The shot captures her from a low side angle, emphasizing her disheveled hair, twisted clothing, and the stark contrast of her pale skin against the gloom. Cold blue-gray tones dominate, with subtle highlights catching on tear tracks and frayed stocking threads. The composition radiates despair—quiet, broken, and utterly alone.
sfung-tx
AI artwork
Avatar image of Paul Bourgeois
Paul Bourgeois

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