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AI art "Asagami Fujino" featuring #The Garden of Sinners, #Fate series and #Asagami Fujino

Asagami Fujino

#The Garden of Sinners#Fate series#Asagami Fujino
Published on May 19, 2026
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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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AI artwork
Avatar image of アニス
1girl, fraurem, ((torn clothes:1.3)), ((clothes torn and skin exposed:1.3)), ((tattered clothes:1.3)), holding chest, wall, w-sitting, looking at viewer, dimly lit alley, long hair, black hair, purple eyes, blue hair ribbon, white shirt, neck ribbon, blue skirt, pantyhose, enraptured expression, distracted, dreamy, blush, half closed eyes, sweating, bleary eyes, <lora:FLAW_Fraurem:0.8>
アニス
AI artwork
m
Murainon
AI artwork
Avatar image of アニス
1girl, fraurem, ((torn clothes:1.3)), ((clothes torn and skin exposed:1.3)), ((tattered clothes:1.3)), holding chest, wall, w-sitting, looking at viewer, dimly lit alley, long hair, black hair, purple eyes, blue hair ribbon, white shirt, neck ribbon, blue skirt, pantyhose, enraptured expression, distracted, dreamy, blush, half closed eyes, sweating, bleary eyes, <lora:FLAW_Fraurem:0.8>
アニス
AI artwork
Hairstyle: extremely long straight black hair, reaching past the hips, middle-parted bangs, side strands framing the face, a thin red headband across the forehead. Face: soft oval face, fair skin, pale pink blush, large blue eyes. School uniform: white long-sleeved sailor suit, dark blue collar with red edges, red necktie knot, pink edges on the cuffs; dark blue pleated ultra-short skirt, pink lotus leaf trim on the hem. Body: slender waist, full chest, thighs exposed. Modern realistic style, extremely realistic photographic texture, 8K ultra-high resolution, ultra-high detail precision, dim indoor lighting. Scene: Inside an abandoned warehouse. An abandoned industrial warehouse, high and spacious, with a very high ceiling revealing rusted steel structures and dust-covered pipes. The walls are rough concrete, mottled with water stains, mold, and cracks, with some plaster peeling off to reveal internal bricks. The floor is cement, covered in dust, debris, and oil stains, reflecting a dull gray in the dim light. There are almost no windows in the warehouse, only a few small ventilation windows near the ceiling letting in faint moonlight or the yellow light of streetlamps. The air is filled with the mixed smell of dust, rust, engine oil, and damp concrete, heavy and oppressive. In a corner of the warehouse, an old work lamp hangs from a steel frame, emitting a dim, flickering yellow light and casting swaying shadows on the ground. In the center or corner of the warehouse, a relatively clean area—a dark waterproof cloth or old blanket is spread on the ground, edges curled and surface worn. The one is lying on that waterproof cloth. Her body is completely unconscious, in a state of deep coma. She is lying flat on her back, legs slightly apart, feet naturally tilted outward. Her hands are placed at her sides, fingers naturally curved, palms facing up, devoid of strength. Her head is slightly turned to one side, chin lowered, the lines of her neck completely relaxed. Her eyes are tightly closed, eyelids motionless, eyelashes casting tiny shadows in the dim yellow light. Her lips are slightly parted, revealing a corner of her teeth and tongue, breathing weak and slow, with almost no rise and fall of her chest. Her skin appears pale and cold in the yellow light, with traces of sweat and dust remaining on her forehead, and a few strands of hair messily clinging to her cheeks and temples. Her clothes have become messy during transport, with some edges lifted, revealing the skin of her waist, abdomen, or thighs, glowing faintly under the light. A few meters away from her, the warehouse door—a huge metal rolling shutter—is half-open, revealing the pitch-black night outside. An adult male is standing at the entrance. He is of medium-to-sturdy build, wearing a dark hooded sweatshirt with the hood pulled low to cover his forehead, still wearing a black medical mask on his face. He is standing at the door, his back to the night outside, facing the unconscious female lying on the ground. His hands hang at his sides, possibly holding rope, tape, or other tools. His gaze—the eyes visible above the mask—is calmly watching the unconscious female on the ground, his eyes carrying a sense of scrutiny, satisfaction, and a planned possessiveness. The dim yellow work light shines from his side, creating a strong contrast of light and shadow on his face—half of his face is hidden in shadow, with only one eye flashing in the light, the pupil reflecting tiny points of light. His shadow is stretched long on the ground, projected onto the walls and floor, covering part of the female's body. The warehouse is silent—only the faint hum of the work lamp, occasional dripping water in the distance, and the man's steady breathing. The composition uses a medium to wide shot, captured from a side or front perspective inside the warehouse, with the focus simultaneously on the unconscious body of the female lying on the ground, the silhouette of the man standing at the door, and the empty, oppressive environment of the warehouse. The light is dim yellow and flickering, shadows are heavy and shaking, and the overall atmosphere is filled with the desolation of an abandoned space, the vulnerability of unconsciousness, and the sense of impending control and threat. anime illustration, great quality, best quality.
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