THE HARDEST TIME TO PART
Lazardmazdac5
FAILED BETA TEST 1
Show Parameters
- Original Prompt
- estellise sidos heurassein, alicia melchiott, standing, ahoge, outdoors, sky, cloud, water, umbrella, cloudy sky, looking up, medieval city, in front of each one, holding umbrella, rain, road, transparent, hooded coat, bridge, sunrise, street, puddle, reflective water, transparent umbrella, overcast, after rain，,((ultra detailed background:1.5)), warm colors,Aes_stylemix,exaggerated colors, HDR-like contrast, dramatic lighting, cinematic tone, High contrast shadows and highlights, ultra-detailed, vibrant colors, surreal atmosphere, surreal color palette, photo-realistic,(((Weight shifting))),((Three-Quarter View)), interacting with the environment,
- Quality Tag
- ﹝Prompts﹞, ,(((Cinematic Shot))),(((Depth of Field))),(((Volumetric Lighting))),((Ambient Occlusion)),((Atmospheric Perspective)),((Moody)) , (((cinematic shot))),((Ethereal)),Wet Surface,Ultra Detail,8K Resolution,Photorealistic ,Hyperdetailed,
- Size
- 1280 x 768
- Sampling Steps
- 8
- Sampling Method
- DDIM
- CFG Scale
- 3
- Negative
- bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, censored, artist name, signature, watermark
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TIME TO SAY GOODBYE
Lazardmazdac5
gray cinder block walls,
smooth asphalt road ground,
telephone poles,
street light,
night,
dark,
masterpiece,
best quality,
backgrounder
An adult woman around 26 years old with a distinctive, natural appearance is standing beneath the awning of a small café on a rainy city street at approximately 9:40 PM. She is wearing a dark burgundy knit sweater tucked slightly into high-waisted blue jeans, a long beige trench coat left open, and simple white sneakers. She carries a small black crossbody bag. Her long, slightly wavy black hair has a few damp strands near her face, and her expression is thoughtful and relaxed as she looks toward the street rather than directly at the camera.
The location is a lively urban neighborhood at night, illuminated by storefronts, traffic lights, passing cars, and reflections on the wet pavement. Light rain is falling in the background, creating tiny highlights around illuminated areas. The café behind her has warm amber lighting visible through large windows, contrasting naturally with the cooler tones of the rainy street. The environment should feel lived-in and spontaneous, with a few distant pedestrians holding umbrellas and subtle urban details rather than an empty or artificially clean setting.
Capture the photograph using a professional full-frame camera with a 35mm prime lens at approximately f/2.0. Position the camera at eye level, roughly three meters away from the woman, using a slightly off-center composition that includes both the subject and the surrounding street. The framing should be a medium full-body shot, allowing her shoes and the wet pavement to remain visible. Use natural perspective without excessive wide-angle distortion, with leading lines from the sidewalk and storefronts directing attention toward her.
Use a realistic combination of practical environmental lighting and a subtle three-point photographic setup. A large diffused key light positioned near the café entrance softly illuminates her face and coat, a weak fill light maintains detail on the shadowed side of her body, and a subtle backlight separates her from the darker street behind her. Preserve realistic reflections from the wet pavement, tiny highlights from raindrops, soft shadows beneath her clothing, and believable color interaction between the warm café lights and cool street illumination.
Ultra-photorealistic professional street photography, realistic wet surfaces, natural skin texture, subtle facial imperfections, individually defined hair strands, detailed fabric fibers, physically accurate clothing folds, realistic hands and fingers, authentic body proportions, shallow but controlled depth of field, natural lens rendering, soft bokeh from distant traffic and storefront lights, realistic motion in passing pedestrians, high dynamic range, restrained cinematic color grading, atmospheric depth, and the appearance of a genuine photograph captured on location rather than a digital render.
Hinata Clapper
