kita kita
Rem
Show Parameters
- Original Prompt
- kita ikuyo，头顶佩戴一枚大尺寸珊瑚粉蝴蝶结，身穿深海军蓝与暖珊瑚色拼接的复古水手服、运动外套或偶像舞台服；人物凑近镜头拍摄俏皮自拍，头部向画面左下方倾斜，一只眼睛闭起眨眼，另一只眼睛直视观者，张嘴露出活泼笑容，右手从画面右侧伸向镜头，以食指和中指组成横向V字并覆盖闭起的眼睛，手掌因靠近镜头而明显放大，形成强烈的近大远小透视与元气互动感。采用4:3横幅大特写构图，脸部占据画面中央偏左，头发和蝴蝶结延伸至顶部边缘，前景手势位于右上方并被边框局部裁切，肩部与胸像从下方进入，人物整体略微逆时针倾斜，营造拍立得、手机自拍和动画表情卡混合的随性瞬间。人物背后设置一张暖白色方格纸矩形内框，使用低饱和青蓝细线绘制规则网格，内框边缘略微歪斜并带手工裁纸感；画布最外层为宽厚的纯深蓝色边框，使人物像从笔记本贴纸或复古动画截图中跃出。左上角在方格区域内放置一组深蓝色粗笔手写拟声标题“Kita Ikuyo”，字形厚重、略带跳跃角度，搭配一两个短促情绪符号；右上、左下和人物周围散布白色及深蓝色的五角星、四角闪光、短线、圆点和简单手绘标记，信息密度集中在边角，确保不遮挡五官与V字手势。整体采用Q版日系人物插画、平成早期动画周边、旧杂志赠品与Risograph孔版印刷融合风格，人物比例略微头大、五官简化，线稿使用深靛蓝至墨绿色，粗细略有变化并保留轻微手绘抖动；上色由大面积扁平色块、两级赛璐璐阴影和少量短促高光组成，不追求光滑渐变。头发与暖粉肤色形成复古互补对比，所有颜色带轻微褪色和旧油墨感。光线为均匀明亮的平面插画光，仅在刘海下、脸颊边缘、颈部、袖口和手指交叠处加入简洁暗色块，皮肤保持暖米白，眼睛和发丝使用少量奶油白反光；前景手掌需要清晰表现关节、指甲和遮挡关系，但保持卡通化。整幅画面覆盖明显的细砂颗粒、纸张纤维、蜡笔摩擦纹、半色调网点、轻微红蓝套色偏移和旧扫描噪声，边缘允许出现少量漏色与毛糙印刷感，高分辨率但保留粗粝触感；氛围热闹、顽皮、亲近而怀旧，像朋友间保存多年的自拍纪念卡。除主标题外不添加显眼文字，若边角需要极少量日期或情绪短语，应根据替换主体自然生成、保持清楚可读，不使用现有姓名或作者标记。避免写实摄影、精细厚涂、三维塑料质感、复杂真实背景、霓虹彩虹渐变、无边框构图、人物距离镜头过远、手势没有遮住眼睛、双眼同时睁开、手掌透视不足、手指数量错误、眼睛失焦、发丝结块、颗粒完全覆盖五官、随机乱码、复制既有角色或作品文字，以及标志、签名和水印。
- Mode
- pro
- Size
- 1536 x 2048
- Negative
- lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark
Prompt Helper
Model & LoRA used
Similar Images
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kita kita
Rem
Kita Ikuyo, wearing a large coral pink bow on top of her head, dressed in a vintage sailor suit, sports jacket, or idol stage outfit with a patchwork of deep navy blue and warm coral; the character is captured in a playful close-up selfie, head tilted toward the bottom left of the frame, one eye closed in a wink while the other looks directly at the viewer, mouth open in a lively smile, with her right hand reaching from the right side of the frame toward the camera, index and middle fingers forming a horizontal V-sign covering the closed eye; the palm is significantly enlarged due to its proximity to the lens, creating a strong forced perspective and a high-energy interactive feel. Use a 4:3 landscape extreme close-up composition, with the face occupying the center-left, hair and bow extending to the top edge, the foreground gesture located in the upper right and partially cropped by the frame, and shoulders and chest entering from the bottom; the character is slightly tilted counter-clockwise, creating a casual moment blending a Polaroid, phone selfie, and anime expression card. Behind the character is a warm white grid paper rectangular inner frame with a regular grid drawn in low-saturation cyan-blue thin lines, the edges of the inner frame slightly skewed with a hand-cut paper feel; the outermost layer of the canvas is a thick solid deep blue border, making the character appear as if leaping out of a notebook sticker or a vintage anime screenshot. In the upper left corner within the grid area, place a set of deep blue bold handwritten onomatopoeic title "Kita Ikuyo", with heavy letterforms and slightly jumping angles, accompanied by one or two short emotional symbols; white and deep blue five-pointed stars, four-pointed sparkles, short lines, dots, and simple hand-drawn marks are scattered in the upper right, lower left, and around the character, with information density concentrated in the corners to ensure the facial features and V-sign are not obscured. The overall style is a fusion of chibi Japanese character illustration, early Heisei era anime merchandise, old magazine giveaways, and Risograph printing; character proportions are slightly big-headed with simplified features, line art in deep indigo to dark green with varying thickness and slight hand-drawn jitter; coloring consists of large flat color blocks, two-level cel shading, and a few short highlights, avoiding smooth gradients. The color palette is strictly limited to deep cobalt blue, grayish cyan-blue, cream white, coral pink, brick orange, and a small amount of dark purple, with cold blue hair and warm pink skin creating a vintage complementary contrast, all colors having a slight faded and old ink feel. Lighting is uniform and bright flat illustration light, with simple dark blocks only under the bangs, at the edges of the cheeks, neck, cuffs, and where fingers overlap; skin remains warm creamy white, with small cream white reflections in the eyes and hair strands; the foreground palm needs to clearly show joints, nails, and occlusion relationships while remaining cartoonish. The entire image is covered with obvious fine sand grain, paper fibers, crayon friction textures, halftone dots, slight red-blue registration offset, and old scan noise, with small amounts of color bleed and rough printing feel at the edges, high resolution but retaining a gritty tactile quality; the atmosphere is lively, mischievous, intimate, and nostalgic, like a selfie commemorative card kept between friends for many years. No prominent text other than the main title; if a very small amount of date or emotional phrases are needed in the corners, they should be generated naturally based on the subject and remain clearly legible, without using existing names or author marks. Avoid realistic photography, detailed thick painting, 3D plastic texture, complex real backgrounds, neon rainbow gradients, borderless composition, character too far from the camera, gesture not covering the eye, both eyes open, insufficient palm perspective, incorrect number of fingers, out-of-focus eyes, clumped hair, grain completely covering facial features, random garbled code, copying existing character or work text, as well as logos, signatures, and watermarks.
character: kita_ikuyo
Rem
Kita Ikuyo, wearing a large coral pink bow on top of her head, dressed in a vintage sailor suit, sports jacket, or idol stage outfit with a patchwork of deep navy blue and warm coral; the character is captured in a playful close-up selfie, head tilted toward the bottom left of the frame, one eye closed in a wink while the other looks directly at the viewer, mouth open in a lively smile, with her right hand reaching from the right side of the frame toward the camera, index and middle fingers forming a horizontal V-sign covering the closed eye; the palm is significantly enlarged due to its proximity to the lens, creating a strong forced perspective and a high-energy interactive feel. Use a 4:3 landscape extreme close-up composition, with the face occupying the center-left, hair and bow extending to the top edge, the foreground gesture located in the upper right and partially cropped by the frame, and shoulders and chest entering from the bottom; the character is slightly tilted counter-clockwise, creating a casual moment blending a Polaroid, phone selfie, and anime expression card. Behind the character is a warm white grid paper rectangular inner frame with a regular grid drawn in low-saturation cyan-blue thin lines, the edges of the inner frame slightly skewed with a hand-cut paper feel; the outermost layer of the canvas is a thick solid deep blue border, making the character appear as if leaping out of a notebook sticker or a vintage anime screenshot. In the upper left corner within the grid area, place a set of deep blue bold handwritten onomatopoeic title "Kita Ikuyo", with heavy letterforms and slightly jumping angles, accompanied by one or two short emotional symbols; white and deep blue five-pointed stars, four-pointed sparkles, short lines, dots, and simple hand-drawn marks are scattered in the upper right, lower left, and around the character, with information density concentrated in the corners to ensure the facial features and V-sign are not obscured. The overall style is a fusion of chibi Japanese character illustration, early Heisei era anime merchandise, old magazine giveaways, and Risograph printing; character proportions are slightly big-headed with simplified features, line art in deep indigo to dark green with varying thickness and slight hand-drawn jitter; coloring consists of large flat color blocks, two-level cel shading, and a few short highlights, avoiding smooth gradients. The color palette is strictly limited to deep cobalt blue, grayish cyan-blue, cream white, coral pink, brick orange, and a small amount of dark purple, with cold blue hair and warm pink skin creating a vintage complementary contrast, all colors having a slight faded and old ink feel. Lighting is uniform and bright flat illustration light, with simple dark blocks only under the bangs, at the edges of the cheeks, neck, cuffs, and where fingers overlap; skin remains warm creamy white, with small cream white reflections in the eyes and hair strands; the foreground palm needs to clearly show joints, nails, and occlusion relationships while remaining cartoonish. The entire image is covered with obvious fine sand grain, paper fibers, crayon friction textures, halftone dots, slight red-blue registration offset, and old scan noise, with small amounts of color bleed and rough printing feel at the edges, high resolution but retaining a gritty tactile quality; the atmosphere is lively, mischievous, intimate, and nostalgic, like a selfie commemorative card kept between friends for many years. No prominent text other than the main title; if a very small amount of date or emotional phrases are needed in the corners, they should be generated naturally based on the subject and remain clearly legible, without using existing names or author marks. Avoid realistic photography, detailed thick painting, 3D plastic texture, complex real backgrounds, neon rainbow gradients, borderless composition, character too far from the camera, gesture not covering the eye, both eyes open, insufficient palm perspective, incorrect number of fingers, out-of-focus eyes, clumped hair, grain completely covering facial features, random garbled code, copying existing character or work text, as well as logos, signatures, and watermarks.
character: kita_ikuyo
Rem
