こぐま

Published on Aug 22, 2026

こぐま

azki_(hololive), In an extreme long shot, a woman with multicolored hair sits quietly on a gigantic, weathered white vintage spaceship, which is heavily overgrown with moss, vines, roots, enormous trees, and strange luminous plants, its structure almost completely reclaimed by nature. The camera is positioned dozens of meters away, using a very wide cinematic lens for a high-angle three-quarter view, with the woman appearing as an extremely small silhouette dwarfed by the colossal, monumental ruin and the endless ancient forest stretching to the horizon. Warm golden afternoon sunlight penetrates the dense canopy in scattered shafts, creating long shadows, volumetric light, and subtle lens flare, while a tiny white bird flies in the distance. The composition, rich with painterly textures, atmospheric perspective, and deep shadows, conveys a quiet, nostalgic, and poetic atmosphere of solitude and forgotten history.

Show Parameters

Original Prompt: masterpiece, best quality, ultra detailed, cinematic anime illustration, AZKi (Hololive), a beautiful woman in a simple elegant translucent white dress, sitting quietly on a gigantic weathered white vintage spaceship structure, heavily overgrown with moss, vines, roots, enormous trees, and strange plants. The spacecraft is an ancient ruin, almost completely reclaimed by nature. Extreme long shot, ultra-wide environmental establishing shot. AZKi is extremely small within the frame, occupying only a tiny fraction of the image and almost dwarfed by the surrounding scenery. The camera is positioned dozens of meters away, far above and far in front of the spacecraft, using a very wide 16–20mm cinematic lens. High-angle three-quarter view from the front-right, looking diagonally across the vast landscape. AZKi must never appear large or prominent. Her face and individual features are barely discernible; only her small silhouette and posture are readable. Both hands rest gently on the surface beneath her. The environment overwhelmingly dominates the composition. The gigantic ruined spacecraft itself should feel monumental, yet remain small compared with the immense wilderness surrounding it. A vast ancient forest stretches endlessly toward the horizon, with dense layers of trees, vegetation, moss, vines, roots, and mysterious luminous plants filling the frame. Strong atmospheric perspective, immense depth, layered foreground, middle ground and distant background, natural scale relationships, vast negative space, subtle atmospheric haze. A tiny white bird flies in the distant background, its feathers catching subtle iridescent rainbow light. Warm golden afternoon sunlight penetrates the enormous forest canopy in scattered shafts, creating illuminated paths through deep shadows. Long afternoon shadows stretch across the landscape. Reflected sunlight shimmers across vegetation and the weathered spacecraft, with subtle lens flare, volumetric light, soft distant haze, and luminous bloom. Post-civilization world, long after the collapse and disappearance of human society. The abandoned spacecraft is one of the last remnants of a forgotten civilization, almost completely consumed by nature. The contrast between the tiny distant human figure, colossal artificial structure, and seemingly endless forest conveys mystery, solitude, forgotten history, immense passage of time, and quiet nostalgia. Painterly animated aesthetic, gouache and acrylic painting, oil painting, rich oil pastel texture, chalk-like granular surface, soft cel shading, visible expressive brush strokes, loose gestural impasto, diffused ambient light, subtle paper texture, warm pastel tones, restrained yet radiant color palette, soft color bleeding, tiny white speckled particles. Quiet, nostalgic, poetic atmosphere, fleeting summer memories, mysterious yet peaceful forgotten world, cinematic environmental storytelling. Extreme environmental emphasis, extreme long shot, tiny distant character, monumental ruined spacecraft, vast ancient forest, overwhelming sense of scale, deep atmospheric perspective, cinematic establishing shot, animation film aesthetic, clean lineart, painterly details, beautiful light, best shadow, color blink. Do not zoom in on AZKi. No portrait composition, no medium shot, no close-up. AZKi must remain a tiny naturally integrated figure within the immense environment rather than the primary focus. The viewer should perceive the enormous wilderness and ruined spacecraft first, and only afterward notice AZKi.
Quality Tag: high quality, year_2025, year_2024, ﹝Prompts﹞
Size: 768 x 1280
Sampling Steps: 25
Sampling Method: Euler
CFG Scale: 4.5
Negative: bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked

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こぐま

azki_(hololive), an extreme long shot, ultra-wide environmental establishing shot of a post-civilization world. A tiny silhouette of a beautiful woman sits quietly on a colossal, weathered white vintage spaceship structure, heavily overgrown with moss, vines, roots, and enormous trees. She wears a simple, elegant, translucent white dress, her hands resting gently on the surface, her face and features barely discernible from the immense distance. The gigantic ruined spacecraft is dwarfed by the surrounding endless, ancient forest, which is filled with dense layers of vegetation, luminous plants, and atmospheric haze. A single tiny white bird flies in the distance. Warm golden afternoon sunlight streams through the canopy in scattered shafts, creating long shadows, volumetric light, subtle lens flare, and luminous bloom. The image conveys a quiet, nostalgic, poetic atmosphere with immense depth, painterly animation aesthetic, rich oil pastel texture, visible brush strokes, and a soft, pastel color palette.

こぐま

Published on Aug 22, 2026

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こぐま

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Original Prompt: masterpiece, best quality, ultra detailed, cinematic anime illustration, AZKi (Hololive), a beautiful woman in a simple elegant translucent white dress, sitting quietly on a gigantic weathered white vintage spaceship structure, heavily overgrown with moss, vines, roots, enormous trees, and strange plants. The spacecraft is an ancient ruin, almost completely reclaimed by nature. Extreme long shot, ultra-wide environmental establishing shot. AZKi is extremely small within the frame, occupying only a tiny fraction of the image and almost dwarfed by the surrounding scenery. The camera is positioned dozens of meters away, far above and far in front of the spacecraft, using a very wide 16–20mm cinematic lens. High-angle three-quarter view from the front-right, looking diagonally across the vast landscape. AZKi must never appear large or prominent. Her face and individual features are barely discernible; only her small silhouette and posture are readable. Both hands rest gently on the surface beneath her. The environment overwhelmingly dominates the composition. The gigantic ruined spacecraft itself should feel monumental, yet remain small compared with the immense wilderness surrounding it. A vast ancient forest stretches endlessly toward the horizon, with dense layers of trees, vegetation, moss, vines, roots, and mysterious luminous plants filling the frame. Strong atmospheric perspective, immense depth, layered foreground, middle ground and distant background, natural scale relationships, vast negative space, subtle atmospheric haze. A tiny white bird flies in the distant background, its feathers catching subtle iridescent rainbow light. Warm golden afternoon sunlight penetrates the enormous forest canopy in scattered shafts, creating illuminated paths through deep shadows. Long afternoon shadows stretch across the landscape. Reflected sunlight shimmers across vegetation and the weathered spacecraft, with subtle lens flare, volumetric light, soft distant haze, and luminous bloom. Post-civilization world, long after the collapse and disappearance of human society. The abandoned spacecraft is one of the last remnants of a forgotten civilization, almost completely consumed by nature. The contrast between the tiny distant human figure, colossal artificial structure, and seemingly endless forest conveys mystery, solitude, forgotten history, immense passage of time, and quiet nostalgia. Painterly animated aesthetic, gouache and acrylic painting, oil painting, rich oil pastel texture, chalk-like granular surface, soft cel shading, visible expressive brush strokes, loose gestural impasto, diffused ambient light, subtle paper texture, warm pastel tones, restrained yet radiant color palette, soft color bleeding, tiny white speckled particles. Quiet, nostalgic, poetic atmosphere, fleeting summer memories, mysterious yet peaceful forgotten world, cinematic environmental storytelling. Extreme environmental emphasis, extreme long shot, tiny distant character, monumental ruined spacecraft, vast ancient forest, overwhelming sense of scale, deep atmospheric perspective, cinematic establishing shot, animation film aesthetic, clean lineart, painterly details, beautiful light, best shadow, color blink. Do not zoom in on AZKi. No portrait composition, no medium shot, no close-up. AZKi must remain a tiny naturally integrated figure within the immense environment rather than the primary focus. The viewer should perceive the enormous wilderness and ruined spacecraft first, and only afterward notice AZKi.
Quality Tag: high quality, year_2025, year_2024, ﹝Prompts﹞
Size: 768 x 1280
Sampling Steps: 25
Sampling Method: Euler
CFG Scale: 4.5
Negative: bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked

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PixAI DiT.1

User LoRA

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こぐま

こぐま

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こぐま

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