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Suou Yuki, a young woman with lon

Published on Aug 23, 2026
ng

nicolas gimenez

More to See
Suou Yuki, a young woman with long dark hair and purple eyes, is sitting inside the rear compartment of a police transport van. A large white cloth completely covers her head, obscuring her face, eyes, mouth, and nose. She is dressed in an orange prison jumpsuit with buttons, and her black leather crop top is visible underneath, revealing her cleavage, midriff, and navel. She also wears a black choker and teardrop earrings. Her hands are cuffed behind her back, and she sits properly on a worn beige padded bench seat. The interior of the vehicle is a realistic Japanese police van, featuring metal security bars, a reinforced partition between compartments, metal mesh barriers, barred doors and windows, gray metallic interior panels, ventilation grilles on the ceiling, rectangular ceiling lights, and a textured rubber floor. View is from inside the rear prisoner compartment, a wide shot with centered composition; the character sits on the right side of the frame, with a large barred door on the left. Through the barred windows, an urban Japanese city street is visible, showing parked cars, storefronts, Japanese signs and advertisements during daytime, with natural daylight entering.
Show Parameters
Original Prompt
Yuki Suou , long dark hair, purple eyes, blush,crying expression, black leather crop top, cleavage, midriff, navel, black choke, teardrop earrings and orange prison jumpsuit with buttons, her black leather crop top is visible, sitting inside the rear compartment of a police transport van,sitting properly on a worn beige padded bench seat, hands cuffed behind the back.A large white cloth covers her head, making her face, eyes, mouth, and nose not visible.interior of a police prisoner transport vehicle, realistic Japanese police van interior, metal security bars, reinforced partition between passenger compartment and driver, metal mesh barrier, barred doors and windows, gray metallic interior panels, ventilation grilles on ceiling, rectangular ceiling lights, worn beige bench seats, industrial details, textured rubber floor, realistic vehicle architecture.View from inside the rear prisoner compartment, wide shot, centered composition, character sitting on the right side of the frame, large barred door on the left, detailed vehicle interior surrounding the character. Through the barred windows, an urban Japanese city street is visible, parked cars, storefronts, Japanese signs and advertisements, daytime, natural daylight entering through the windows.
Quality Tag
high quality, year_2025, year_2024, ﹝Prompts﹞
Size
768 x 1280
Sampling Steps
25
Sampling Method
Euler
CFG Scale
4.5
Negative
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Prompt Helper

Model & LoRA used

Similar Images

Show more
AI artwork
ng
Suou Yuki, a young woman with long dark hair and purple eyes, is sitting inside the rear compartment of a police transport van. A large white cloth completely covers her head, obscuring her face, eyes, mouth, and nose. She is dressed in an orange prison jumpsuit with buttons, and her black leather crop top is visible underneath, revealing her cleavage, midriff, and navel. She also wears a black choker and teardrop earrings. Her hands are cuffed behind her back, and she sits properly on a worn beige padded bench seat. The interior of the vehicle is a realistic Japanese police van, featuring metal security bars, a reinforced partition between compartments, metal mesh barriers, barred doors and windows, gray metallic interior panels, ventilation grilles on the ceiling, rectangular ceiling lights, and a textured rubber floor. View is from inside the rear prisoner compartment, a wide shot with centered composition; the character sits on the right side of the frame, with a large barred door on the left. Through the barred windows, an urban Japanese city street is visible, showing parked cars, storefronts, Japanese signs and advertisements during daytime, with natural daylight entering.
nicolas gimenez
AI artwork
ng
Suou Yuki, a young woman with long dark hair and purple eyes, is sitting inside the rear compartment of a police transport van. A large white cloth completely covers her head, obscuring her face, eyes, mouth, and nose. She is dressed in an orange prison jumpsuit with buttons, and her black leather crop top is visible underneath, revealing her cleavage, midriff, and navel. She also wears a black choker and teardrop earrings. Her hands are cuffed behind her back, and she sits properly on a worn beige padded bench seat. The interior of the vehicle is a realistic Japanese police van, featuring metal security bars, a reinforced partition between compartments, metal mesh barriers, barred doors and windows, gray metallic interior panels, ventilation grilles on the ceiling, rectangular ceiling lights, and a textured rubber floor. View is from inside the rear prisoner compartment, a wide shot with centered composition; the character sits on the right side of the frame, with a large barred door on the left. Through the barred windows, an urban Japanese city street is visible, showing parked cars, storefronts, Japanese signs and advertisements during daytime, with natural daylight entering.
nicolas gimenez
AI artwork
ng
Suou Yuki, a young woman with long dark hair and purple eyes, is sitting inside the rear compartment of a police transport van. A large white cloth completely covers her head, obscuring her face, eyes, mouth, and nose. She is dressed in an orange prison jumpsuit with buttons, and her black leather crop top is visible underneath, revealing her cleavage, midriff, and navel. She also wears a black choker and teardrop earrings. Her hands are cuffed behind her back, and she sits properly on a worn beige padded bench seat. The interior of the vehicle is a realistic Japanese police van, featuring metal security bars, a reinforced partition between compartments, metal mesh barriers, barred doors and windows, gray metallic interior panels, ventilation grilles on the ceiling, rectangular ceiling lights, and a textured rubber floor. View is from inside the rear prisoner compartment, a wide shot with centered composition; the character sits on the right side of the frame, with a large barred door on the left. Through the barred windows, an urban Japanese city street is visible, showing parked cars, storefronts, Japanese signs and advertisements during daytime, with natural daylight entering.
nicolas gimenez
AI artwork
ng
yamada_anna, a depiction of one girl, Anna Yamada from 'The Dangers in My Heart', with long, polished black hair styled into a high ponytail, neat central bangs, and long hime-cut side locks framing her face, which is covered by a large white cloth, rendering her eyes, mouth, and nose completely obscured. Her attire consists of a tight seamless leather orange zipped bodysuit, an orange zipped prison bodysuit, and a ruffled choker around her neck. She is handcuffed with detailed metallic handcuffs, her hands resting in front on her knees, while she sits properly on a worn beige padded bench seat inside the rear compartment of a realistic Japanese police transport van. The van's interior features metal security bars, a reinforced partition between passenger compartment and driver, metal mesh barriers, barred doors and windows, gray metallic interior panels, ventilation grilles on the ceiling, rectangular ceiling lights, industrial details, and a textured rubber floor. The composition is a wide shot from inside the rear prisoner compartment, centered with the character sitting on the right side and a large barred door visible on the left. Through the barred windows, an urban Japanese city street is visible during daytime, showcasing parked cars, storefronts, and Japanese signs with natural daylight streaming in, illuminating the detailed vehicle interior and the character's posture of quiet resignation.
Nicolas Gimenez
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