TsubakiV3 test

#Blue Archive #Takanashi Hoshino #Sunaookami Shiroko #Sorasaki Hina #Rikuhachima Aru #Izayoi Nonomi #Hayase Yuuka #Igusa Haruka #Onikata Kayoko #Kuromi Serika #Saiba Midori #Okusora Ayane #Sorasaki Hina (Swimsuit)#Hoshino (Swimsuit)#Shiroko (Swimsuit)#Nonomi (Swimsuit)#Serika (Swimsuit)

Published on 3 days ago

繭 Mayu

More to See

Aspect ratio: 5:3, horizontal composition. A lively summer beach scene featuring sixteen Blue Archive characters enjoying a day together at the seaside. Characters: Shiroko Sunaookami, Hoshino Takanashi, Nonomi Izayoi, Serika Kuromi, Hina Sorasaki, Iori Shiromi, Ako Amau, Aru Rikuhachima, Mutsuki Asagi, Kayoko Onikata, Haruka Igusa, Yuuka Hayase, Noa Ushio, Aris Tendou, Momoi Saiba, Midori Saiba. All sixteen characters are clearly recognizable and visually distinct. Preserve each character's distinctive hairstyle, hair color, eyes, facial features, body proportions and characteristic accessories. All characters are wearing summer swimwear suitable for a cheerful beach vacation. The characters are the dominant subject of the image. Keep the entire main group within a relatively compact shared area. Do not spread the characters across a huge open beach. EXTREME FOREGROUND Place one character extremely close to the viewer in the immediate foreground. Show this character only from approximately the shoulders upward. The character is very large and highly detailed. Position this character slightly toward either the left or right side of the composition, not directly in the center. The placement should be clearly asymmetrical. Partially crop this character with the edge of the image. The character should feel naturally caught in the middle of an activity rather than posing for a portrait. Use a dynamic pose, such as leaning forward, turning, looking toward another character, reaching toward something nearby, or reacting to something happening within the group. The face, eyes, hairstyle and distinctive character design should be extremely clear. This character establishes the strongest visual quality and scale of the entire illustration. FOREGROUND SECONDARY LAYER Immediately behind the extreme foreground character, place several characters shown approximately from the waist upward. This is the main character-density layer of the composition. Keep these characters relatively large. Their faces and distinctive features must remain clearly recognizable. Arrange them at slightly different depths and heights rather than in a straight row. Use natural overlaps while keeping every face visible. Some characters lean forward, some turn sideways, some look toward other characters, some reach toward something, and some react to nearby activity. Do not make all of them stand upright. Do not make all of them face the viewer. Vary their body direction, posture and gaze. LEFT AND RIGHT FOREGROUND Extend the waist-up character layer toward both sides of the image. Some characters may be partially cropped by the left or right edge. Use different amounts of cropping. Do not mirror the two sides. One side may contain more characters than the other. The composition should remain asymmetrical. MIDDLE LAYER Behind the waist-up characters, place several more characters shown approximately from the knees upward. This is the furthest layer in which the named characters are intentionally rendered as clearly identifiable people. Keep them large enough for their faces, hairstyles and clothing to remain recognizable. Do not make these characters tiny distant figures. Arrange them at different heights and positions. Some stand, some sit, some bend forward, some turn around, some look toward the water, and some interact with nearby characters. Use subtle variations in gaze direction and body posture. DEPTH LIMIT Do not place the sixteen named characters farther away than the knee-up layer. The composition should not contain a fourth distant layer of tiny recognizable characters. Do not push named characters toward the horizon. Do not make distant characters extremely small. The knee-up layer is the visual limit for clearly identifiable named characters. Beyond this layer, use only the beach environment, sea, waves, beach objects and atmospheric background elements. Any distant background figures should remain indistinct background elements rather than additional recognizable main characters. GROUP INTERACTION The characters should feel like they are genuinely sharing the same beach. Do not make sixteen isolated character portraits scattered around the scene. Create several loose interactions between nearby characters. Some characters are looking at one another. Some are reacting to something another character is doing. Some are focused on the sea. Some are absorbed in their own activity. The characters should perform different natural actions simultaneously. The scene should feel active without becoming chaotic. POSE VARIATION Avoid repeating the same standing pose. Mix standing, sitting, leaning forward, bending, reaching, turning, crouching and other natural beach poses. Vary the direction of the characters' eyes. Not everyone should look toward the viewer. Not everyone should look toward the center. Not everyone should face the same direction. Small differences in gaze and posture should make the group feel naturally alive. COMPOSITION The extreme foreground character is slightly off-center. The waist-up characters form the main visual mass behind this character. The knee character: hina_(blue_archive), yuuka_(blue_archive), hoshino_(blue_archive), shiroko_(blue_archive), aris_(blue_archive), kayoko_(blue_archive), momoi_(blue_archive), noa_(blue_archive), aru_(blue_archive), ako_(blue_archive), mutsuki_(blue_archive), midori_(blue_archive), copyright: blue_archive

Show Parameters

Original Prompt: Aspect ratio: 5:3, horizontal composition. A lively summer beach scene featuring sixteen Blue Archive characters enjoying a day together at the seaside. Characters: Shiroko Sunaookami, Hoshino Takanashi, Nonomi Izayoi, Serika Kuromi, Hina Sorasaki, Iori Shiromi, Ako Amau, Aru Rikuhachima, Mutsuki Asagi, Kayoko Onikata, Haruka Igusa, Yuuka Hayase, Noa Ushio, Aris Tendou, Momoi Saiba, Midori Saiba. All sixteen characters are clearly recognizable and visually distinct. Preserve each character's distinctive hairstyle, hair color, eyes, facial features, body proportions and characteristic accessories. All characters are wearing summer swimwear suitable for a cheerful beach vacation. The characters are the dominant subject of the image. Keep the entire main group within a relatively compact shared area. Do not spread the characters across a huge open beach. EXTREME FOREGROUND Place one character extremely close to the viewer in the immediate foreground. Show this character only from approximately the shoulders upward. The character is very large and highly detailed. Position this character slightly toward either the left or right side of the composition, not directly in the center. The placement should be clearly asymmetrical. Partially crop this character with the edge of the image. The character should feel naturally caught in the middle of an activity rather than posing for a portrait. Use a dynamic pose, such as leaning forward, turning, looking toward another character, reaching toward something nearby, or reacting to something happening within the group. The face, eyes, hairstyle and distinctive character design should be extremely clear. This character establishes the strongest visual quality and scale of the entire illustration. FOREGROUND SECONDARY LAYER Immediately behind the extreme foreground character, place several characters shown approximately from the waist upward. This is the main character-density layer of the composition. Keep these characters relatively large. Their faces and distinctive features must remain clearly recognizable. Arrange them at slightly different depths and heights rather than in a straight row. Use natural overlaps while keeping every face visible. Some characters lean forward, some turn sideways, some look toward other characters, some reach toward something, and some react to nearby activity. Do not make all of them stand upright. Do not make all of them face the viewer. Vary their body direction, posture and gaze. LEFT AND RIGHT FOREGROUND Extend the waist-up character layer toward both sides of the image. Some characters may be partially cropped by the left or right edge. Use different amounts of cropping. Do not mirror the two sides. One side may contain more characters than the other. The composition should remain asymmetrical. MIDDLE LAYER Behind the waist-up characters, place several more characters shown approximately from the knees upward. This is the furthest layer in which the named characters are intentionally rendered as clearly identifiable people. Keep them large enough for their faces, hairstyles and clothing to remain recognizable. Do not make these characters tiny distant figures. Arrange them at different heights and positions. Some stand, some sit, some bend forward, some turn around, some look toward the water, and some interact with nearby characters. Use subtle variations in gaze direction and body posture. DEPTH LIMIT Do not place the sixteen named characters farther away than the knee-up layer. The composition should not contain a fourth distant layer of tiny recognizable characters. Do not push named characters toward the horizon. Do not make distant characters extremely small. The knee-up layer is the visual limit for clearly identifiable named characters. Beyond this layer, use only the beach environment, sea, waves, beach objects and atmospheric background elements. Any distant background figures should remain indistinct background elements rather than additional recognizable main characters. GROUP INTERACTION The characters should feel like they are genuinely sharing the same beach. Do not make sixteen isolated character portraits scattered around the scene. Create several loose interactions between nearby characters. Some characters are looking at one another. Some are reacting to something another character is doing. Some are focused on the sea. Some are absorbed in their own activity. The characters should perform different natural actions simultaneously. The scene should feel active without becoming chaotic. POSE VARIATION Avoid repeating the same standing pose. Mix standing, sitting, leaning forward, bending, reaching, turning, crouching and other natural beach poses. Vary the direction of the characters' eyes. Not everyone should look toward the viewer. Not everyone should look toward the center. Not everyone should face the same direction. Small differences in gaze and posture should make the group feel naturally alive. COMPOSITION The extreme foreground character is slightly off-center. The waist-up characters form the main visual mass behind this character. The knee-up characters form the final recognizable depth layer. Use overlapping figures and partial cropping to create a dense but readable ensemble. Keep characters close enough that their faces remain large and recognizable. Do not distribute the characters evenly across the entire beach. Do not create large empty spaces between character layers. Do not arrange everyone in a formal group photograph. The viewer should feel physically close to the group, as though standing among the characters on the beach. The beach environment remains secondary to the characters. Include sand, shallow seawater, gentle waves, beach towels, umbrellas and small beach objects. Use the environment to separate characters naturally without pushing them far apart. Japanese anime-style illustration with clean detailed linework, expressive faces, polished character rendering, varied poses, clear silhouettes and a lively summer atmosphere. No dialogue, no speech bubbles, no text.
Mode: ultra
Size: 1840 x 1104
Negative: lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark

Prompt Helper