A full body shot at eye level and straight-on view of a young pumagirl kemonomimi lunging forward in a fierce battle against her pack on a moonlit mountain shelf. The character is a strong hourglass woman with warm tawny-tan skin, a diamond-shaped face, and a split lip, her hot amber eyes featuring slitted pupils. She has rounded low-set puma ears, a long heavy black-tipped tail streaming behind her, and padded hands. Her rich tawny gold-brown hair is tied in a long braid, half-torn loose and whipping in the wind. She is dressed in braided sinew cords tied across her bust and hips, with a tuft of puma-pelt at the front hip, a puma-claw choker at her throat, and obsidian claws strapped over her fists; her midriff, back, and legs are mostly bare, wearing only hide sandals laced to the knee. She is captured mid-lunge, spine arched in a hunting curve, driving forward with obsidian claws raked out wide. The environment consists of wind-scoured rock, snow, and standing stones, with a black valley gulf below. The visual style is 80s-90s Saturday-morning Filmation animation, featuring saturated primary colors, flat 2D color fields, a matte-painted background, analog film grain, and subtle chromatic aberration.
Show Parameters
Original Prompt
A full body shot at eye level, straight on to a young pumagirl (a kemonomimi) lunging in a fight against her own pack — a were-puma initiate whose becoming-rite is a near-bare fight to prove she can hold the shape. She is a strong hourglass, with a diamond-shaped face and a wide mouth off blunt fangs, her eyes a hot amber whose round pupils snap to slits in the light and blaze over a split lip. Large, rounded, low-set puma ears sit in her hair, a very long heavy black-tipped tail streams from her, and her large hands are padded. Her skin is a warm tawny-tan, dust and sweat on it, and the first faint tawny down is showing at the small of her back and the nape as the change stirs.
Her hair is a single long braid down her back, half torn loose in the fighting with the rest whipping, a rich tawny gold-brown exactly the colour of the puma's coat. She wears no makeup, only the change and the fight: a hard flush, the gold-bright slitted eyes, the split lip, sweat sheeting everything.
She wears the elders' becoming-cords of braided sinew tied in a band across the bust and again low across the hips, with a single tuft of tawny puma-pelt hung at the front of the hip-cord and the rest of her bare and dust-streaked, hide sandals laced to the knee. Both shoulders and both arms are bare, the upper chest above the sinew band is bare, her entire midriff and navel are bare, her whole back and both flanks are bare, both hips beside the tuft are bare, and both legs are bare to the knee; the sinew band and a forearm across in the guard cover the chest, and the pelt-tuft and a deep lunging near thigh cover the rest. A choker of a single large curved puma-claw on braided sinew is at her throat, and obsidian hand-claws are hafted and strapped over both fists.
The setting is a moonlit mountain shelf above the treeline: bare wind-scoured rock dusted with snow, a ring of standing stones, the rest of the pack circling her in the open, and the valley a black gulf below.
She has dropped low and lunged, driving forward off a deeply bent back leg with both obsidian hand-claws raked out wide and forward at a pack-mate closing from the front, her spine arched into a hunting curve, her braid and tail snapped dead-level behind her. Her body is side-on to the viewer and arched, the near thigh driven forward across her, her face forward and down on the pack-mate. Dust blasts back from her driving foot, a low tawny after-image blurs off her leading shoulder as the change flickers, and the pack-mate's own claws are a motion-blur.
A hard high moon stands over the shelf and rims her lunging body, the standing stones and the snow in cold silver against the black valley. It is a prove-the-shape, moonlit-mountain-shelf Mesoamerican jungle-empire register. 80s-90s Saturday-morning cartoon style: Filmation-style animation with saturated primary colours, simple 2D forms, flat colour fields, a matte-painted dark mountain background, low-fidelity analog film grain and subtle chromatic aberration, a vintage television-broadcast look.