Japanese clothes, sitting

Contest Entry

2nd "Favorite Work" Contest

Published on Sep 7, 2026

Master Foolishly

More to See

1boy, solo, young adult man, 20s, tired eyes, dark eyes, dark hair, topknot hairstyle, simple dark blue hanfu, Tang-style clothing, dust-stained fabric, sitting at table, low wooden table, Chinese straight sword, sword on table, wiping blade, holding white cloth, hand on blade, eye-level shot, shot from across the table, medium shot, dim ancient Chinese inn, hanging bamboo hats on wall, untouched steaming ceramic bowl, paper lattice windows, rattling window, rainy snowy night, rain on roof tiles, overhead paper lantern, warm golden lighting, deep teal shadows, depth of field, solitary, contemplative, soft painterly style, visible brush textures, layered color blocks, loose sketch-like linework An eye-level shot framed directly across the scarred surface of a low dark-wood table inside a dim ancient mountain inn. A solitary young man in his early twenties sits on a floor mat behind the table, his posture leaning slightly forward with quiet exhaustion. His dark hair is bound in a high topknot with a few loose strands falling past his temples, framing tired, half-lowered eyes and a relaxed, somber mouth. He wears a simple dark blue Tang-style hanfu robe made of coarse linen, dusted with faint grey road grime across the shoulders and cuffs. Laid flat horizontally along the wooden table before him is a bare steel sword; his left hand rests steadying fingers near the hilt, while his right hand presses a clean folded white cloth lightly against the flat plane of the blade, wiping along the metal toward his body. His quiet gaze is locked directly onto the reflective sheen of the steel. In the midground on the corner of the table, an untouched ceramic bowl sits still, emitting a delicate ribbon of steam that shears gently sideways toward the draft. In the background, wet bamboo conical hats hang along the dark timber wall, and rain mixed with sleet taps against the roof tiles as mountain wind rattles the translucent paper lattice windows. A single overhead paper lantern acts as the dominant light source, bathing the young man's hands, the white cloth, and the polished steel of the blade in warm golden highlights, while the surrounding room recedes into cool teal-blue shadows. Rendered in a soft painterly anime style with visible brush textures, layered color blocks, and loose sketch-like linework. Lonely contemplative mood.

Show Parameters

Original Prompt: 1boy, solo, a young man in his early twenties with tired eyes and a topknot, wearing a simple dark blue Tang-style hanfu with travel dust, sitting alone at a low wooden table inside a dim ancient Chinese inn on a rainy snowy mountain night, sword laid flat on the table in front of him, wiping its blade lightly with a white cloth, eye-level shot from across the table, warm lantern light from above, focus on his hands and the flat side of the blade facing his body, lonely contemplative mood, background with paper windows rattling, steaming bowls left untouched, rain on roof tiles, other travelers' bamboo hats hung on the wall
Mode: ultra
Style Code: QF916341
Size: 2048 x 2048
Negative: worst quality, low quality, normal quality, lowres, low resolution, blur, blurry, jpeg artifacts, cropped, bad anatomy, bad hands, missing fingers, extra digit, fewer digits, error, text, signature, watermark, username, photorealistic, artist logo artist name

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Model & LoRA used

Similar Images

A detailed portrait photograph of a 29-year-old Korean male Joseon-era bodyguard named Dodam, 182 cm tall, shown from the waist up as if posing for an official character profile portrait. He has long, straight black hair tied neatly high at the back in a traditional Joseon-era Korean hairstyle, with a few naturally loose strands framing his face. He has gentle, soft rabbit-like facial features, warm brown eyes, a straight nose, neat eyebrows, clear skin, and a calm, refined expression. His appearance is handsome but approachable, with a quiet and trustworthy presence rather than an intimidating one. He is wearing authentic-looking Joseon-era Korean military guard attire. A dark navy-black traditional Korean upper garment with layered collars, long sleeves, and a practical structured fit. A dark traditional outer robe is worn over the uniform, with natural fabric folds around the shoulders and arms. A wide traditional Korean waist belt is wrapped around his waist. The clothing is simple and restrained, suitable for a dedicated palace bodyguard rather than a high-ranking nobleman. Detailed traditional Korean textile textures, visible layered fabric, subtle stitching, natural wrinkles, and carefully arranged clothing. The hilt of a traditional Joseon-era Korean sword is visible at his waist, partially entering the frame. The sword has a dark scabbard and understated traditional Korean fittings, designed for practical use rather than decoration. He is standing inside a quiet Joseon-era Korean palace building or courtyard, with traditional Korean wooden architecture softly visible behind him. Dark wooden pillars, traditional Korean lattice doors, tiled roofs, and muted natural colors create an authentic historical Korean setting. The background is softly blurred so that Dodam remains the clear focus. Centered portrait composition, upper-body profile photograph, eye-level camera, slightly turned three-quarter pose, shoulders relaxed, posture straight and dignified. He looks toward the camera with a gentle and composed expression, as though someone has quietly asked him to stand still for a formal portrait. Natural soft daylight falling across his face, realistic skin texture, subtle shadows, natural hair strands, detailed traditional clothing, realistic fabric texture, shallow depth of field, softly blurred background, balanced composition, clean portrait framing. The image should feel like a carefully taken character profile photograph from a high-quality Korean historical drama, emphasizing his face, calm personality, traditional Korean attire, and dignified presence. Strictly Korean Joseon-era setting and aesthetics. No Chinese clothing, no Chinese architecture, no Chinese imperial elements, no Japanese kimono, no samurai, no Japanese architecture, no fantasy armor, no modern clothing, no animal ears, no animal tail, no anthropomorphic features. anime illustration, great quality, best quality.

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