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Yuzuru Yamai
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yy
Yuzuru Yamai
yy
Yuzuru Yamai
yy
character: awa_subaru, (harsh shadow:1.3), (slat light, blinds shadow, window shadow:1.2), (strong dramatic lighting, high contrast:1.1), specular highlights, complementary colors, warm and cool tone contrast, eye style, features and effects (very important): delicate anime-style eyes, slender upturned almond shape, ice-blue irises with luminous highlights, dense finely-detailed eyelashes curling outward, subtle red eyeshadow gradient at the outer corners of eyes, soft and very faint pinkish-red blending into the tail of the eyes, long elegant eyelash shadows, pristine white sclera, gentle feminine gaze, refined makeup style, soft painterly rendering.
(chiaroscuro, harsh shadow:1.3), (slat light, blinds shadow, window shadow:1.2), (strong dramatic lighting, high contrast:1.1), specular highlights, complementary colors, warm and cool tone contrast, semi-realistic anime.
natural skin texture, rosy cheeks, perfect hourglass figure, large breasts, round and plump bust shape, natural teardrop breasts, soft and firm contours, well-proportioned cleavage, accentuating voluptuous feminine curves. one character only has two hands and two legs. sweat covers the body.
composition:
awa_subaru, 1girl, highly-detailed, masterpiece, best quality,
1. Dynamics and Perspective
Perspective: A two-thirds backward/level-eye view is used, primarily showcasing the spinal curve, hips, and the overlapping relationship between the arms and legs.
Main Body Curve (C-shaped Dynamic Line): The entire torso forms a very smooth and distinct large C-shaped curve (extending from the cervical spine to the coccyx).
Spatial Compression: The chest and front of the thighs are highly pressed together, with the limbs squeezing and folding against each other, creating a strong sense of spatial compactness.
2. Skeletal and Limb Structure Analysis
Head and Neck: The head is tilted forward and downward significantly, with the forehead/face close to or near the knees, and the cervical spine stretched forward.
Spine and Torso: The spine is in a highly curved state, the back contour is elongated, and the chest (ribcage surface) and pelvic surface are in a state of extreme compression.
Upper Limbs (Arms):
The arms are bent, with the elbows pressing down above the knees or calves.
Raise your forearms upwards, with your hands naturally resting against the side of your head or face, providing support and a sense of enclosure.
Lower limbs (legs):
Knees bent: Hips and knees are flexed to the maximum extent, with thighs close to the chest and abdomen.
Feet supporting the body: The soles/toes of both feet are flat on the ground or pressed against the ground, serving as a fulcrum for balance in the seated posture.
Yuzuru Yamai
