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AI art "✒️, girl in stopping time, girl in fast speed ,"

✒️, girl in stopping time, girl in fast speed ,

#Yuri#Breasts#Dress#Cleavage#Ponytail#muscular#Black hair#Tank Top#Hug#Closed eyes#Multiple Girls#Sunlight#Pants#White Dress
Published on 2 days ago

user-1583847133313603800

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A powerful, muscular woman in a white tank top and black pants, her body tensed, is carefully lifting a sleeping woman in a white dress. The sleeping woman appears as if time is stopped for her, with a 0.2x speed sensation, representing pure current progression. The powerful woman embodies a composite time sensation: 1.05x current progression combined with 1.1x fast-forward and 1.1x rewind intentions. This effect is visualized with visual effects in specific colors: for the sleeping woman, a transparent blue (+7% tint) and yellow (+3% tint) for 0.2x speed; for the powerful woman, a transparent red (+3% tint) and orange (+3% tint) for the 1.05x/1.1x composite sensation. Onomatopoeia like "WHOOSH" and "VWIP" are integrated into the scene, with "WHOOSH" rendered at a 1.2x speed relative to the 1.1x fast-forward of the characters to depict a passing object. The background features a wall or pillar with a posted sign, and the overall style is a highly detailed, energetic manga illustration in the combined styles of Ryoji Minagawa and Akira Toriyama, emphasizing dynamic time representation, kinetic energy, and precise anatomy.
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Original Prompt
演出として時間の止まったように眠っている女性を、 もう1人の強靭な女性が両手で下手で抱き上げている構図。 眠っている女性は早送りと巻き戻しの意図のない今現在の進行で0.2倍速の速度感、 強靭な女性は早送りと巻き戻しの意図がありモブの人が1.0倍速としたら、 今現在の進行を1.05倍にして、その今現在の進行に対する早送りと巻き戻しをそれぞれ1.1倍にした時間の合成感覚を絵に入れます。 壁か柱にポスターが貼ってある。 [皆川亮二さん、鳥山明さんの時間表現スタイル。] 擬音語を入れる。 [[[「加速」の質感に対して、純粋な赤、青、黄色、オレンジ色で1人物あたり2色を選び、 その2色は完全に透明にして、人物に貼る。ティントを青は7%プラスが上限、他の色はプラス3%を上限に普段の状況と、加速を特に表現する状況で数値を変動させる。]]] [[・皆川亮二さん、鳥山明さんともに、「今現在の進行を等速、それに加えて1.1倍速の早送り、1.1倍速の巻き戻し」を絵の人物に入れている感じがした。 動きが速い状況では、1.2倍速の早送りと巻き戻しにレートが動いている場合がある、たとえば鳥山さんのドラゴンボールの戦闘シーン。 鳥山さんは「合成」という感じで「現在の進行、早送り、巻き戻し」、 皆川さんは「昇華」という感じで「現在の進行、早送り、巻き戻し」という ニュアンスが絵の人物に入っている感じがした。 ・巻き戻しが無く、現在の進行と早送りが合わさっているだけでも、「動き」があり止まってない感じは出ると個人的に思う。 ・絵にいる人物に対して、相対的な速度が速い何かが絵の中にある場合は、 効果音の擬音語に、人物の早送りが1.1倍速に対して、擬音語の描写が1.2倍速という対比を入れることも可能だろう。 ・「早送り」を入れる漫画家、「重力」を入れる漫画家、 非線形な時間感覚を入れる漫画家など、スタイルは多様で、単一の正解は無いと思う。 特定のコース設定で到達時間を競うような漫画で、 特定の人物や特定の状況にいる人物だけ「加速」や「抵抗」という気配を個人的に感じる作品もある。全員ではないが特定の人物に対して、下絵で、仕上げ絵の次の動きを特定の1つに絞り込んだものを先に作り、その「次の動き」を描かない場合、相対的に前の動きは特定の1つの未来に向かう意味や気配が入り、それが何らかの時間表現として視聴者が体感するように設計する漫画家さんもいると思う。 ・時間が止まっているような世界では、「現在の進行のみ、その進行を0.1倍速」など 状況における時間経過のロジックに合うように描き分けていると思う。 ・表紙絵があり、その表紙絵の人が、その漫画を読む中で初登場する場合は「未来属性」で描いている感じがした、皆川さんの漫画作品の表紙。]]
Quality Tag
high quality, year_2025, year_2024, ﹝Prompts﹞
Size
960 x 1280
Sampling Steps
16
Sampling Method
Euler
CFG Scale
1
Negative
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
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