隆酣様

#Androgynous #Cloud #Cross-legged #Kariginu #Mountain #Onmyoji

Published on 19 hours ago

tony

The master of the mountain, sitting quietly in a cross-legged position on a rocky area at the summit of a sacred mountain, looking down at the mountains of the lower world shrouded in mist. The figure is wearing a white kariginu worn by Japanese Shinto priests. It is an ancient style with large openings where the body and sleeves join, and a black hitoe layered underneath is visible through the gaps at the shoulders. The attire conveys holiness and antiquity, but is not too ornate, depicted as the clothing of an otherworldly being enshrined as a mountain god. Although he has the form of a man, it is important that he does not look entirely human. Glossy black hair flows straight down to his shoulders and is tied in a ponytail at the back of the head. On his forehead, instead of horns, two long centipede-like jaw-like organs grow to the left and right. These should be presented as biological, irregular foreign objects rather than decorative horns. His features are handsome, but not overly refined as a beautiful young man. He retains long, narrow eyes, maro-mayu (plucked eyebrows), red makeup at the corners of the eyes, and red lips. However, he is not an aesthetic nobleman, but rather an ancient monster dwelling in the mountains who happens to have taken a human form. The most important elements are the expression and the eyes. The expression shows almost no human emotions. He is composed, but this is not a personal leisure, but rather the indifference of a transcendent being who perceives human activity as nothing more than the changing of the seasons. His head is slightly tilted, and there is a slight sense of limpness in his posture. However, he does not lose his dignity; despite the slumped posture, his status as a being is high. The eyes are not human eyes; one or both eyes harbor a non-human strangeness. The pupils are not ordinary irises, but have an abnormal structure like multiple thin overlapping rings, and the focus is not set on the nearby scenery. Even when wide open, there is no surprise or anger; while the rest of the face is quiet, only the eyes look like the organs of a different creature. The movement of the facial muscles is extremely limited, and neither the mouth nor the eyebrows show almost any emotion. Rather than looking down on humans, it is a quiet, empty gaze, as if he does not recognize humans as beings on the same level as himself from the start. Do not make it a scary face. Make it a face where the more quiet it is, the more eerie it becomes, making the viewer feel anxious on their own. Around the figure, the presence of a giant centipede, presumed to be his true form, appears as if blending into the mountainside and the mist. It does not appear clearly as a physical entity, but as a mist-like presence drawn with pointillism and ink bleeds, drifting as if coiled around the mountain. This should not be mere background decoration, but should make the viewer feel that a giant centipede is lurking within the mountain itself. The art style is a serene expression with wabi-sabi, fusing Japanese painting (Nihonga) and ink wash painting (Suiboku-ga). The colors used are only black ink and vermilion ink. Utilize bleeding, blurring, negative space, and pointillism to achieve both stillness and strangeness. Avoid making it look like a Chinese immortal or an aesthetic fantasy; instead, emphasize Japanese sacred mountain beliefs and the atmosphere of ancient monsters. Do not include any text, dialogue, speech bubbles, or artist seals (rakkan) within the image.

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Original Prompt: 霊山の山頂の岩場に、胡坐をかくように静かに腰を下ろし、霧に包まれた下界の山々を見下ろす山の主。人物は日本の神職が着る白い狩衣をまとっている。身頃と袖の接合部が大きく開いた古式の仕立てで、肩口の隙間から下に重ねた黒い単が覗いている。衣装は神聖さと古さを感じさせるが、華美すぎず、あくまで山の神として祭られている異形の存在の装束として描く。男性の姿をしているが、人間そのものには見えないことが重要。艶のある黒髪はまっすぐ肩まで流れ、後頭部でポニーテールにまとめている。額には、角の代わりに百足の長い顎のような器官が左右に2本生えている。装飾的な角ではなく、生物的で不規則な異物として見せる。顔立ちは端正だが、美青年として整いすぎない。切れ長の目、麻呂眉、目じりの紅、唇の紅は保つ。ただし耽美な貴公子ではなく、山に棲む古い怪異がたまたま人の姿を取っているようにする。最重要事項は表情と目である。表情は、人間的な喜怒哀楽がほとんど読み取れない。悠然としているが、それは人格的な余裕ではなく、人間の営みを季節の移ろいほどにしか認識していない超越者の無関心さである。首をわずかに傾け、姿勢には少し脱力感がある。しかし威厳は失わず、崩れた姿勢なのに存在としての格だけが高い。目は人間の目ではなく、片目、あるいは両目に、人外めいた異様さを宿す。瞳は普通の虹彩ではなく、幾重もの細い輪が重なったような異形の構造を持ち、焦点が近くの景色に合っていない。見開いていても驚きや怒りはなく、顔全体は静かなのに、目だけが別の生き物の器官のように見える。表情筋の動きは極端に乏しく、口元も眉もほとんど感情を示さない。人間を見下しているというより、最初から人間を自分と同列の存在として認識していないような、静かで空虚なまなざし。怖い顔にはしない。静かであるほど不気味で、見る側が勝手に不安になるような顔にする。人物の周囲には、本体と思われる巨大な百足の気配が、山肌や霧の中に溶け込むように現れている。それは実体としてくっきり現れるのではなく、点描と墨のにじみで描かれた霧状の存在感として、山にとぐろを巻くように漂っている。単なる背景装飾ではなく、山そのものに巨大な百足が潜んでいると感じられるようにする。画風は、日本画と水墨画を融合したような、わびさびのある静謐な表現。使用する色は黒の墨と朱墨のみ。にじみ、かすれ、余白、点描を活かし、静けさと異様さを両立させる。全体に中華仙人風・耽美ファンタジー風には寄せず、日本の霊山信仰と古い怪異の気配を強くする。画面内に文字、台詞、吹き出し、落款は入れない。
Mode: pro
Size: 960 x 1280
Negative: watermark, lowres, worst quality, low quality, bad anatomy, explicit