character: nanami_chiaki, copyright: danganronpa_2:_goodbye_despair, danganronpa_(series), danganronpa(series)
character: nanami_chiaki, copyright: danganronpa_2:goodbye_despair, copyright: danganronpa(series), 1girl, solo, upper body, from side, three-quarter view from behind-side, high angle, slightly from above, sitting, gaming chair, racing-style chair, slumped in chair, leaning back, hunched, holding handheld game console, portable game console, handheld console held in both hands, thumbs on buttons, glowing screen, text: "GAMEOVER", pixel game screen, headphones, over-ear headphones, wearing headphones, headphone band over hair, short hair, bob cut, blunt bangs, flipped ends, pale hair, spaceship hair ornament, galaga hairpin, hairclip, (censored face:1.2), mosaic censor, pixelated face, pixelation over face, mosaic block covering eyes and mouth, hooded jacket, hoodie, dark hoodie, long sleeves, computer monitor, two monitors, monitor showing glitch image, glitched bear image, corrupted screen, glitch, digital distortion, scanlines, computer mouse, desk, cluttered room, dark room, night, indoors, cables, hanging cables, shelf, monochrome, greyscale, blue-tinted monochrome, dark navy tint, low key, single light source, screen glow, monitor glow, pale cool rim light, film grain, heavy grain, noise, vignette, dark vignette, rough painterly anime style, visible brushstrokes, scratchy linework, sketchy, harsh contrast, ominous, quiet dread,
A dark cluttered room rendered entirely in a blue-tinted greyscale, seen from slightly above and to the girl's right-rear so that her right shoulder and the side of her head are nearest the camera: she sits sunk back into a high-backed racing-style gaming chair whose wings rise on either side of her, her back against the seat, head tilted slightly forward, both hands holding a handheld game console low in her lap with thumbs resting on its buttons, the small screen glowing with a pixel-art scene and reading exactly one line 「GAMEOVER」. Over-ear headphones sit on her head, the band crossing over her pale bob-cut hair with blunt bangs and outward-flipped ends, exactly one small spaceship-shaped hairpin clipped into the hair beside the right earcup. Where her face would be, a rectangular mosaic censor of large pixel blocks covers her eyes, nose and mouth, the blocks sharp-edged and flat, the hair and headphones around the mosaic left intact. She wears a dark hoodie with the hood down, its long sleeves ending at the wrists that hold the console. In front of her, a desk holds a computer mouse beside her left hand and two monitors, the nearer one at the left showing a corrupted, glitch-smeared image of a black-and-white bear face torn into horizontal displaced bands; thick cables hang from the ceiling and loop down across the left of the frame, a shelf of dim equipment sits above the monitors, and the far walls dissolve into black. The monitor and console screens are the only light sources: cold pale light from the left monitor rims the edge of her bangs, the top of the headphone band and the near side of her sleeve, the console's glow lifting the fronts of her hands and the underside of the mosaic block, while the chair, her back and the whole right half of the room fall into near-black shadow; nothing else in the room is lit. Painted in a rough painterly anime style with visible brushstrokes and scratchy sketch linework, harsh value contrast, heavy film grain and noise over the entire image, faint scanlines, and a dark vignette pressing in from every corner. Ominous, quiet dread,
Mizuki
